A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Camera Palaestina is a critical exploration of Jerusalemite chronicler Wasif Jawhariyyeh (1904-1972) and his seven photography albums entitled The Illustrated History of Palestine. Jawhariyyeh's nine hundred images narrate the rich cultural and political milieu of Ottoman and Mandate Palestine. Nassar, Sheehi, and Tamari locate this archive at the juncture between the history of photography in the Arab world and the social history of Palestine. Shedding new light on this foundational period, the authors explore not just major historical events and the development of an urban bourgeois lifestyle but a social field of vision of Palestinian life as exemplified in the Jerusalem community. Tracking the interplay between photographic images, the authors offer evidence of the unbroken field of material, historical, and collective experience from the living past to the living present of Arab Palestine.

Year of the Locust captures in page-turning detail the end of the Ottoman world and a pivotal moment in Palestinian history. In the diaries of Ihsan Hasan al-Turjman (1893-1917), the first ordinary recruit to describe World War I from the Arab side, we follow the misadventures of an Ottoman soldier stationed in Jerusalem. There he occupied himself by dreaming about his future and using family connections to avoid being sent to the Suez. His diaries draw a unique picture of daily life in the besieged city, bringing into sharp focus its communitarian alleys and obliterated neighborhoods, the ongoing political debates, and, most vividly, the voices from its streets - soldiers, peddlers, prostitutes, and vagabonds. Salim Tamari's indispensable introduction places the diary in its local, regional, and imperial contexts while deftly revising conventional wisdom on the disintegration of the Ottoman Empire.

This rich history of Palestine in the last decade of the Ottoman Empire reveals the nation emerging as a cultural entity engaged in a vibrant intellectual, political, and social exchange of ideas and initiatives. Employing nuanced ethnography, rare autobiographies, and unpublished maps and photos, The Great War and the Remaking of Palestine discerns a self-consciously modern and secular Palestinian public sphere. New urban sensibilities, schools, monuments, public parks, railways, and roads catalyzed by the Great War and described in detail by Salim Tamari show a world that challenges the politically driven denial of the existence of Palestine as an affective geographic, cultural, political, and economic space.

Cities have long been associated with diversity and tolerance, but from Jerusalem to Belfast to the Basque Country, many of the most intractable conflicts of the past century have played out in urban spaces. The contributors to this interdisciplinary volume examine the interrelationships of ethnic, racial, religious, or other identity conflicts and larger battles over sovereignty and governance. Under what conditions do identity conflicts undermine the legitimacy and power of nation-states, empires, or urban authorities? Does the urban built environment play a role in remedying or exacerbating such conflicts? Employing comparative analysis, these case studies from the Middle East, Europe, and South and Southeast Asia advance our understanding of the origins and nature of urban conflict.

"Year of the Locust" captures in page-turning detail the end of the Ottoman world and a pivotal moment in Palestinian history. In the diaries of Ihsan Hasan al-Turjman (1893-1917), the first ordinary recruit to describe World War I from the Arab side, we follow the misadventures of an Ottoman soldier stationed in Jerusalem. There he occupied himself by dreaming about his future and using family connections to avoid being sent to the Suez. His diaries draw a unique picture of daily life in the besieged city, bringing into sharp focus its communitarian alleys and obliterated neighborhoods, the ongoing political debates, and, most vividly, the voices from its streets - soldiers, peddlers, prostitutes, and vagabonds. Salim Tamari's indispensable introduction places the diary in its local, regional, and imperial contexts while deftly revising conventional wisdom on the disintegration of the Ottoman Empire.

This groundbreaking book on modern Palestinian culture goes beyond the usual focal point of the 1948 war to address the earlier, formative years. Drawing on previously unavailable biographies of Palestinians (including Palestinian Jews), Salim Tamari offers eleven vignettes of Palestine's cultural life in the momentous first half of the twentieth century. He brings to light the memoirs, diaries, letters, and other writings of six Jerusalem intellectuals whose lives spanned (and defined) the period of 1918-1948: a musician, a teacher, a former aristocrat, a doctor, a Bolshevik revolutionary, and a Jewish novelist. These essays present an integrated cultural history that illuminates a watershed in the modern social history of the Arab East, the formulation of the Arab Enlightenment.

This rich history of Palestine in the last decade of the Ottoman Empire reveals the nation emerging as a cultural entity engaged in a vibrant intellectual, political, and social exchange of ideas and initiatives. Employing nuanced ethnography, rare autobiographies, and unpublished maps and photos, The Great War and the Remaking of Palestine discerns a self-consciously modern and secular Palestinian public sphere. New urban sensibilities, schools, monuments, public parks, railways, and roads catalyzed by the Great War and described in detail by Salim Tamari show a world that challenges the politically driven denial of the existence of Palestine as an affective geographic, cultural, political, and economic space.

Writing in his late teens and early twenties, S�mī ‘Amr gave his diary an apt subtitle: The Battle of Life, encapsulating both the political climate of Palestine in the waning years of the British Mandate as well as the contrasting joys and troubles of family life. Now translated from the Arabic, S�mī's diary represents a rare artifact of turbulent change in the Middle East. Written over four years, these ruminations of a young man from Hebron brim with revelations about daily life against a backdrop of tremendous transition. Describing the public and the private, the modern and the traditional, S�mī muses on relationships, his station in life, and other universal experiences while sharing numerous details about a pivotal moment in Palestine's modern history. Making these never-before-published reflections available in translation, Kimberly Katz also provides illuminating context for S�mī's words, laying out biographical details of S�mī, who kept his diary private for close to sixty years. One of a limited number of Palestinian diaries available to English-language readers, the diary of S�mī ‘Amr bridges significant chasms in our understanding of Middle Eastern, and particularly Palestinian, history.