Death, burial, and the afterlife were as important to the ancient Egyptians as how they lived. This well-illustrated book explores all aspects of death in ancient Egypt, including beliefs of the afterlife, mummification, the protection of the body, tombs and their construction and decoration, funerary goods, and the funeral itself. It also addresses the relationship between the living and the dead, and the magico-religious interaction of these two in ancient Egyptian culture.Salima Ikram's own experience with experimental mummification and funerary archaeology lends the book many completely original and provocative insights. In addition, a full survey of current development in the field makes this a unique book that combines all aspects of death and burial in ancient Egypt into one volume.

2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology Book
For most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia's remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to focus more attention on the fascinating cultures of ancient Nubia, ironically prompted by the construction of large dams that have flooded vast tracts of the ancient land.
This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.

A History of World Egyptology is a ground-breaking reference work that traces the study of ancient Egypt over the past 150 years. Global in purview, it enlarges our understanding of how and why people have looked, and continue to look, into humankind's distant past through the lens of the enduring allure of ancient Egypt. Written by an international team of scholars, the volume investigates how territories around the world have engaged with, and have been inspired by, ancient Egypt and its study, and how that engagement has evolved over time. Chapters present a specific territory from different perspectives, including institutional and national, while examining a range of transnational links as well. The volume thus touches on multiple strands of scholarship, embracing not only Egyptology, but also social history, the history of science and reception studies. It will appeal to amateurs and professionals with an interest in the histories of Egypt, archaeology and science.

This book provides an introduction to one of the greatest civilizations of all time – ancient Egypt. Beginning with a geographical overview that explains the development of Egyptian belief systems as well as its subsequent political development, it examines methodology, the history of the discipline of Egyptology, religion, social organization, urban and rural life, and death. It also includes a section on how people of all ranks lived. Lavishly illustrated, with many unusual photographs of rarely seen sites that are seldom illustrated, this volume is suitable for use in introductory-level courses on ancient Egypt. It offers a variety of student-friendly features, including a glossary, a bibliography, and a list of sources for those who wish to further their interest in ancient Egypt.

This book provides an introduction to one of the greatest civilizations of all time - ancient Egypt. Beginning with a geographical overview that explains the development of Egyptian belief systems as well as its subsequent political development, it examines methodology, the history of the discipline of Egyptology, religion, social organization, urban and rural life, and death. It also includes a section on how people of all ranks lived. Lavishly illustrated, with many unusual photographs of rarely seen sites that are seldom illustrated, this volume is suitable for use in introductory-level courses on ancient Egypt. It offers a variety of student-friendly features, including a glossary, a bibliography, and a list of sources for those who wish to further their interest in ancient Egypt.

A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Theodore-Emile Prisse d'Avennes (1807-1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established. Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisse's first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments egyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection L'Histoire de l'art egyptien-together with his first volume, these two tomes make up a truly complete survey of Egyptian art. His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisse's compendium remains the largest, single-handed illustrated record of Egyptian art in existence. Discover the complete collection of Prisse's unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisse's groundbreaking collection in an affordable, compact format. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Chariots, the racing cars of the ancient world, first appeared in Egypt about 1600 BC, and quickly became not only the preferred mode of transport for royalty and the elite, but also revolutionised military tactics and warfare. Remains of chariots have been found in Egyptian tombs -Tutankhamun's tomb contained six chariots, which tripled the number of ancient Egyptian chariots known before the discovery of his tomb. However, none of the chariots was complete, as all lacked their leather casings, which were only known from images on tomb and temple walls. In 2008, the Ancient Egyptian Leatherwork Project (AELP) working in the Egyptian Museum in Cairo, found a cache of several trays of red and green leather containing some 60 large leather fragments. Some of these had been noted before, but the find had been largely ignored and buried in the depths of the museum. This remarkable object entered the museum in 1932, a purchase from the Tano family, reputable dealers at that time, hence the nick-name 'Tano Chariot'. The Tano leather all came from a single chariot, including portions of the bow-case, the body's casing and the horse housing. The leather is elaborately decorated in appliqued green and red or beige leather. Parallels for some of these fragments are found in the Egyptian Museum in Cairo, the Metropolitan Museum of Art in New York, and the AEgyptisches Museum und Papyrussammlung in Berlin, many of which, until their appearance in this volume, are unpublished. This includes the chariot leather from the tombs of Amenhotep II, III, Tuthmose IV and Tutankhamun. This book presents the Tano material with fully illustrated, detailed descriptions. Chariot related texts and technological analyses - together with detailed comparisons with other chariots and associated leather remains - help provide possible dates for it. The find is put into context with chapters on relevant hieroglyphic texts, and a study of representations of chariots that help identify the various parts, and highlight the role of the chariot in Egyptian religion, propaganda, and culture. The Tano Chariot leather, despite being unprovenanced, is a unique find, which reveals a great deal about ancient Egyptian leatherwork technologies, warfare, weapons, and chariotry.

Symmetry and opulence: Art and architecture of ancient Egypt An ardent admirer of the superb skills of the ancient Egyptian and Oriental artisans, the French Orientalist, author, and artist Emile Prisse d Avennes (1807 1879) made enormous contributions to the field of Egyptology. As a youth he dreamed of exploring the Orient, and at 19 began his travels, by visiting Greece, Palestine, and India. Over the next 40 years he travelled to Syria, Arabia, Persia, and lived for some time in Egypt and Algeria. Prisse d Avennes explored Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote in his History of Egyptian Art: "I have selected the most elegant models, those whose shape gives a very exact idea of the taste and luxury of this period, when Egyptian artistry was at its most brilliant." In 1844 Prisse d Avennes travelled from Alexandria to France, where, three years later, he published Les Monuments egyptiens. The volume contains 51 plates mainly chromolithographs, but also some color plates based on drawings made during his years in Egypt. After again visiting North Africa, he returned to Paris in 1860 with the fruits of his numerous journeys hundreds of folio drawings, photographs, sketches, plans, and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity and opulence of Egyptian and Arabic art, he drew from his vast collection to create compilations of art and architecture, based on his study of original documents and historical, social, and religious context. His beautiful album of Egyptian art was published in its entirety in Paris in 1878 as L Histoire de l art egyptien containing 159 stunning plates. For this publication, these splendid illustrations of architecture, sculpture, paintings, and industrial arts, brilliantly conveying the history and variety of ancient Egypt s art and culture, are reproduced in facsimile and for the first time published together."