for SATB unaccompanied This edition of the Salve Regina by Portuguese composer Diogo Dias Melgas (1638-1700) is the first published version of the work, which has previously only been available in a library edition. Suitable for liturgical or concert performance, this setting is in four equally active parts throughout, each of which takes the initial plainsong motif at the opening. The effectiveness of this moving work lies in the skilful manipulation of simple motivic material, through the use of devices such as parallel writing, sequences, repetition, suspensions, and hocket. The vocal score is presented alongside detailed performance and editorial notes, and an optional basso continuo part appears as an appendix. Salve Regina is featured on The Sixteen's CD 'A Golden Age of Portuguese Music', conducted by Harry Christophers (COR16020).

for SSATB unaccompanied While perhaps Tallis and Byrd's Lamentations are better known, Robert White's Lamentations reflects a uniquely bleak and austere vision and is surely one of the composer's finest works. David Wulstan writes: 'This grief-stricken music is spellbinding.' Set for five voices, the melancholy sound moves between expressive contrapuntal writing and block chords, offering some remarkably bold harmonic shifts and revealing an exceptional depth of emotion. In keeping with the high standards of the previous Musica Dei Donum editions, this edition has a running translation atop each system to facilitate performance. White's Lamentations is well suited for any good church choir or amateur or college chorus in a concert setting.

for SATB double choir Phillipe de Monte wrote Super flumina Babylonis (By the streams of Babylon, there we sat and wept) and sent it to William Byrd who responded by setting the subsequent verses of the psalm text Quomodo Cantabimus (How shall we sing the Lord's song in a foreign land). This edition allows these wonderful pieces to be sung as a unit or separately.