The essays collected in this volume take a new look at the role of language in the thought of Martin Heidegger to reassess its significance for contemporary philosophy. They consider such topics as Heidegger's engagement with the Greeks, expression in language, poetry, the language of art and politics, and the question of truth. Heidegger left his unique stamp on language, giving it its own force and shape, especially with reference to concepts such as Dasein, understanding, and attunement, which have a distinctive place in his philosophy. -- Indiana University Press

Originally published: New York: Holt, Rinehart, and Winston, 1984.

The latest addition to Pocket's McCammon backlist once again demonstrates his multi-faceted talent in this "impressive performance" (Associated Press) which tells of a murdered family, a world of innocence and a world of evil, and of two boys born to a dangerous legacy to walk with the dead.

From a robber's cave that echoes with voices of its past to America's own Loch Ness Monster to a vampire-infested cemetery, this fascinating companion volume to Haunted Houses USA takes us on a tour of some of America's spookiest places. Includes directions to each site.

When he died in 1950, Bernard Shaw was a Nobel laureate hailed as the second greatest playwright in the English language. At the same time, his strangely flamboyant personality, so teeming with eccentricities and contradictions, aroused unquenchable curiosity. Despite many investigations into Shaw's life and art, parts of him2;parts crucial to understanding both man and artist2;have remained veiled in secrecy. In this critical biography, Sally Peters explores Shaw's background and beliefs, interests and obsessions, relations with men and women, prose writings and dramatic art. In deciphering the enigma that was Shaw, she uncovers a convoluted and extravagant inner life studded with erotic secrets.
Peters examines the passions of Shaw's life2;everything from vegetarianism and boxing to socialism and feminism2;and pieces them together in a new configuration, offering a fresh interpretation of his life and works. Striving unceasingly to ascend, possessed of monumental energy, Shaw was in many ways a dazzling example of his idealized superman. But, says Peters, this superman was also a man haunted by phantoms, a man of gender ambivalences and romantic yearnings, and a man who championed will even while believing that his erotic inclinations were the secret mark of the "born artist." Throughout, he was braced by a resilient comic vision as he transformed his life into enduring art.