This book is a comprehensive, beautifully illustrated colour guide to the plants which farmers, growers and gardeners can use to improve soil structure and restore fertility without the use and expense of agrichemicals. Information based on the latest research is given on how to use soil conditioning plants to avoid soil degradation, restore soil quality and help clean polluted land. There are 11 chapters: 1 to 6 cover soil health, nitrogen fixation, green manures and herbal leys, bacteria and other microorganisms, phytoremediators and soil mycorrhiza (plant-fungal symbiosis). Chapter 7 has plant illustrations, with climate range and soil types, along with their soil conditioning properties and each plant is presented with a comprehensive description opposite a detailed illustration, in full colour. Chapters 8 to 10 examine soil stabilisers, weeds and invasive plants, and hedges and trees and the final chapter, contains 5 case studies with the most recent data, followed by an appendix and glossary. The book allows the reader to identify the plants they need quickly and find the information necessary to begin implementation of soil regeneration.

This volume describes the use of plants that can be grown in the garden or collected from the countryside. It is lavishly illustrated with accurate and detailed botanical watercolors and samples of the colors the plants produce. Topics covered include five different garden designs using dye plants; a step-by-step guide to dyeing wool, silk, and cotton; solar dyeing; and how to dye felt in all forms.

The Botanical Illustrator's Handbook takes a closer look at how to accurately portray the riches of the botanical world. It tackles and explains many of the difficulties that artists encounter so they can extend and expand their choice of subject matter. Written by a respected artist and drawing on her wealth of experience, it offers new insights and a fresh approach to the wonders of botanical illustration. Topics covered include: advice on the labelling and quality of paper, and choice of pencils, paints and brushes; techniques for the mixing and handling of greens; chapters on magnification, managing detail and using scale bars; and finally, instructions for using perspective techniques, and painting complex structures such as pine cones and umbellifers, and tricky details such as hairs.