"Warrior talk is defined as language, terms and metaphors associated with war and violence used in political discourses or appropriated into everyday settings to influence people and situations." Warrior Talk is part of the human experience in conflict situations at global, national and organizational levels and while the scale of conflict may vary, the language of war is a potent dynamic and key inhibitor of sustainable peace. A case study of the Northern Ireland peace process has been used as a background for research into Sinn Fein political discourses in the period 1969-2019. The findings indicate that republican warrior talk has evolved over five decades but continues to play a role in Sinn Fein politics. The implications of this research are applicable to other forms of conflict and particularly whether there has been protracted or intermittent episodes of violence. This book will appeal to a varied audience: students, researchers and readers interested in peace building whether international or local. The style of the book will demystify the field of political discourse analysis and provide tools and resources to enrich the reader's experience.

King Tutankhamon is dead. The possibly-divine ivory cat Nefru is still (perhaps) putting a paw into royal Egyptian affairs.

Lord Ay wants a royal wife-Tut's widow, actually-to give him the blood-right to the throne. She flees marriage with him and finds long-lost relatives. Princesses Baketamon and Meri have both longed to be Queen of Egypt-but both find sand in that honey. General Horemheb (described as being like 'desert red, rectangles and a lion') has sent Ranofer to find a lady once known as Twitterwit. Four competitive Hunting Parties from Thebes are searching for some long-missing princesses. Chief of Police Mahu knows where they all are, but won't tell. His son Ranofer, who fears he'll never fit his father's sandals-and fears Horemheb even more-doesn't want to know. Besotted and delusional Ahmose knows, but his incoherence just further confuses all four Hunting Parties-who were already at cross-purposes. A garrulous washerman thinks he knows everything.

The kitten Katti sometimes gives what might possibly be divine messages from Nefru (or Bastet?). The massive cat Ab-ram, still always getting tripped over in doorways, still innocently certain of his welcome, changes history for all of them.

The Egyptian gods (if they exist) are the many which is the One: innumerable aspects of a single unity living in a time-space in which all time is now and all space is here, and everything can be true at once.

Normally the gods don't meddle in human affairs, asking only that Cosmic Order be preserved. But now and then-

In a moment that was all moments, a simultaneity that in human terms would one day be known as circa 1333 BC, Bastet the cat-headed goddess (if she existed) looked with interest upon Pharaoh Akhenaten and Queen Nefertiti and their children, upon a fishing boat bearing a numinous ivory cat, a fearful slave in Bubastis, an arrogant and unhappy princess in Mitanni, some venomous and ambitious plotters, a naive idealist or three, and a scatter of other human and feline players. She smiled a bland cosmic smile-

-and meddled.

A Gypsy lad named Finch arrives at Wychwood Castle to find it a tangle of muddled chivalry and magic. Though four royal children conform to rules of chivalry, Princess Elaine is a red-haired hoyden who can't faint, wants to study witchcraft rather than marrying, and whose magic spells always go wrong (and so do most others). Prince Arthur wishes that just once, people would follow the rules of chivalry-but they never do-not even Thunder, his warhorse, who loves to cheat at tournaments. Finch, fascinated, stays as stable boy and tone-deaf troubadour to join Elaine in scrapes. What with the awful Fer de Lance family, a wicked enchantress, a mad magician, two witches, three cats, a sourcerous hive of bees, a spell-casting mouse, and some temperamental horses, they manage to enchant broomsticks, palace guards, a feather duster, a footstool, troubadours and even Elaine herself. King Godobert, determined to find husbands for his daughters, holds a Quest. No one wants Elaine, so, betrothed willy nilly to a perfect stranger, she rages that she won't marry him. Finch vanishes. Elaine misses him-but when a pink magpie delivers a "save me, save me, save me" message, life promises to be interesting despite everything.

Felicity was far too delicate to be pioneering to Oregon Territory Ironically, it was her parents who died en route, leaving her with her Uncle Jon and that infuriating tease Arne, also orphaned, who jeered at the ailing, self-pitying Missy Flissy. And Seattle turned out nothing like a southern plantation with sunshine and slaves: it was dense rainy forest with six houses, Indians and wild animals.

Surprisingly, the challenge suited her. Slowly she made friends with the Indians and discovered a love of animals. Chief Seattle befriended and encouraged her to make 'strong shining thoughts'. She cut off her limp colorless plaits, tamed feral cats, learned to cook and housekeep-and to tease Arne back They had almost become friends, when Uncle Jon's family arrived-including the beautiful, charming, golden-haired and genteel Adelaide who had always reduced Felicity to sullen inferiority. And she was loudly horrified to find Felicity tanned, sturdy, crop-curled, barefoot, cooking in a log cabin, on friendly terms with Indians and skunks. She was also too refined, delicate and ladylike to do anything at all. And to make it worse, Arne fell heels over head for her charm and beauty.

But Felicity had the last word, after all.

The year is 1641, and England lurches toward civil war. King Charles I claims Divine Right to rule autocratically, so Parliament vengefully arrests his friend Lord Strafford. While the trial goes on, while Queen Henrietta plots with the court poets to seize the Tower of London, while Princess Mary rebels against wedding the Prince of Orange, while London riots, Lord Heath brings his daughter Oriel to court and directs her to make the Princess amenable to the marriage. Oriel, elfin, judgmental, willful and offensively candid (as her friend and neighbor Evan tells her) declines to obey. ("I don't know if she'll be happy ") She finds Court offensive-as they find her. Having alienated the queen and poets by pointing out that their plots are foolish, and the courtiers (including her promised husband) by scorning their hypocrisy, she makes friends with the commoners in the courtyard below: servants, thieves, artisans and whores, who call themselves Yardbirds. The crises of Strafford's conviction and the royal wedding coincide with the kidnapping of Oriel for reasons of combined politics and vengeance. King, queen and courtiers shrug: the outrageous Oriel is no loss. It's the Yardbirds and Evan who unite to find and rescue her.