Influenced by the Chinese and Japanese masters, Hamill's "Dumb Luck "affirms his ability to give us back the world and all its vicissitudes. Here you will find Zen fables, elegies and haiku, bluesy riffs, and poems that celebrate births, marriages, the liberating exile of the poet, as well as verses that present the dumb luck that has peppered the poet's life.

Sam Hamill is the author of a dozen volumes of original poetry, as well as three collections of essays. He is the Founding Editor of Copper Canyon Press, director of the Port Townsend Writers' Conference, and contributing editor at "The American Poetry Review."

Estonia's Jaan Kaplinski (1941-2021) was one of Europe's major poets, and one of his country's best-known writers and cultural figures. He was a member of the new post-Revolution Estonian parliament in 1992-95 and his essays on cultural transition and the challenges of globalisation are published across the Baltic region. This selection includes work previously unpublished in English as well as poems drawn from all four of his previous UK collections: The Same Sea in Us All, The Wandering Border, Through the Forest and Evening Brings Everything Back.

Quintessential classical Japanese haiku - selected and translated by one of America's premier poet-translators - now available in a pocket edition. In this collection of haiku, translator Sam Hamill has compiled the best from the tradition, spanning the sixteenth through nineteenth centuries, with particular focus on the three great masters: Bash, Buson, and Issa. Based on images from nature, the poems address the themes of joy, temporality, beauty, wonder, loneliness, and loss.

A collection of classical Japanese haiku selected and translated by one of America's premier poet-translators.

Haiku is one of the most popular and widely recognized poetic forms in the world due to its brevity, emotion, and astounding ability to capture the unique experience of a single moment. This collection, beautifully translated by Sam Hamill, compiles over two hundred haiku from classic Japanese literature written by masters of the genre like Bashō, Buson, and Issa. Based on images from nature, these poems express themes of joy, temporality, beauty, wonder, loneliness, and loss, inviting the reader to participate in the authentic experiences of these poets.

A beautiful translation of one of the most-loved classics of Japanese literature.

Bash (1644-1694)--a great luminary of Asian literature who elevated the haiku to an art form of utter simplicity and intense spiritual beauty--is renowned in the West as the author of Narrow Road to the Interior, a travel diary of linked prose and haiku recounting his journey through the far northern provinces of Japan. This edition features a masterful translation of this celebrated work. It also includes an insightful introduction by translator Sam Hamill detailing Bash 's life and the art of haiku, three other important works by Bash --Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue--and two hundred and fifty of his finest haiku, making this the most complete single-volume collection of Bash 's writings.

This book is part of the Shambhala Pocket Library series.

The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.

Sam Hamill is that rare figure whose life is continually in dialogue with the rich and diverse tradition of poetry, whether that dialogue takes the form of translating the work of a poet long dead, writing a poem in celebration of the work of a contemporary poet, or musing on what it means to be a poet himself. A true poet's poet--and also the founding editor of Copper Canyon Press, one of the most influential publishers of poetry today--Hamill has been part of America's poetry scene for decades and has won numerous prizes and awards for his work. This collection presents the best of Hamill's work from his thirteen books of original poetry and from his numerous critically acclaimed works of translation, as well as a number of new, previously unpublished poems.

A Zen poem is nothing other than an expression of the enlightened mind, a handful of simple words that disappear beneath the moment of insight to which it bears witness. Poetry has been an essential aid to Zen Buddhist practice from the dawn of Zen--and Zen has also had a profound influence on the secular poetry of the countries in which it has flourished. Here, two of America's most renowned poets and translators provide an overview of Zen poetry from China and Japan in all its rich variety, from the earliest days to the twentieth century. Included are works by Lao Tzu, Han Shan, Li Po, Dogen Kigen, Saigyo, Basho, Chiao Jan, Yuan Mei, Ryokan, and many others. Hamill and Seaton provide illuminating introductions to the Chinese and Japanese sections that set the poets and their work in historical and philosophical context. Short biographies of the poets are also included.

The "Chuang Tzu " has been translated into English numerous times, but never with the freshness, accessibility, and accuracy of this remarkable rendering. Here the immediacy of Chuang Tzu's language is restored in a idiom that is both completely fresh and true to the original text. This unique collaboration between one of America's premier poet-translators and a leading Chinese scholar presents the so-called "Inner Chapters" of the text, along with important selections from other chapters thought to have been written by Chuang Tzu's disciples.

Over the past twenty years, Sam Hamill has published over than thirty volumes of original poetry, essays, and translations of poetry from classical Chinese, Japanese, Ancient Greek, Latin and Estonian. As founding editor of Copper Canyon Press, he has made service to poetry a way of life for nearly a quarter century. But it is in his poetry, in his passionate, lucid insistence that poetry is an essential component of enlightenment, that he distin-guishes himself. "He teaches us" Larry Smith has written in Small Press, "that the 'Zen' poem is any poem that is truly alive to the moment." Selecting from among all his published volumes of poetry except the book-length Triada, and adding over fifty pages of previously uncollected new work, Hamill brings the poetics of "engaged Buddhism" face-to-face with a sweeping erudition and technical virtuosity drawn from eastern and western traditions. Informed by personal experience as various as building his own home in the woods of the Olympic Peninsula in the Pacific Northwest, teaching for thirteen years in prison writing workshops in Alaska, Washington, and California, teaching in artists-in-education programmes across America, or his decades-long commitment to working on behalf of domestic-violence programs, non-violence and conscientious objection, his poetry is deeply felt and plain-spoken, at once scholarly and accessible.

The Infinite Moment is a personal selection made by a poet known for his elegant translations from several languages, Chinese, Japanese, Estonian, Latin, and now ancient Greek. Drawing from the classic Lyra Graeca and The Greek Anthology, Sam Hamill has made new, American translations of poems in the thousand-year tradition that begins with Sappho, Alcaeus, and Anakreon in the 6th century C.E. The love poems, epigrams, and sly invective of over forty poets remind us once again of the deep wellspring of ancient Greece that nourished the roots of so many cultures. The Greek lyric poem was made to be performed with musical accompaniment, but like its modern descendent it seeks to articulate the experience of insight attained in the infinity of the moment. Says Hamill: "The fundamental experiences of humanity remain simultaneously universal and particular. The tears of Lymnos on the banks of the Akeron are the same tears Hitomaro shed a thousand years later on the shores of the Omi Sea."