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The Saints' Life was one of the most popular forms of literature in
medieval England. This volume offers crucial information for an
understanding of the genre. The saints were the superheroes and the
celebrities of medieval England, bridging the gap between heaven
and earth, the living and the dead. A vast body of literature
evolved during the middle ages to ensure that everyone, from kings
to peasants, knew the stories of the lives, deaths and afterlives
of the saints. However, despite its popularity and ubiquity, the
genre of the Saint's Life has until recently been little studied.
This collection introduces the canon of Middle English hagiography;
places it in the context of the cults of saints; analyses key
themes within hagiographic narrative, including gender, power,
violence and history; and, finally, shows how hagiographic
themessurvived the Reformation. Overall it offers both information
for those coming to the genre for the first time, and points
forward to new trends in research. Dr SARAH SALIH is Senior
Lecturer in English, King's College London. Contributors: SAMANTHA
RICHES, MARY BETH LONG, CLAIRE M. WATERS, ROBERT MILLS, ANKE
BERNAU, KATHERINE J. LEWIS, MATTHEW WOODCOCK
The image of St George - the mounted, medieval knight slaying a
dragon - seems so familiar to us all that it is tempting to assume
this figure is easily understood. He is, in fact, one of the most
significant and complex mythic figures in Christian culture, and
has played an important role in Eastern Orthodox, Coptic and
western European traditions over many centuries. Today St George
continues to have a lively and diverse following: his various
appearances can be found across many world religions, including
Islam, Hinduism, Judaism and the African-Brazilian belief system
Candomble. St George's identification with nature, springtime and
healing means that he can also be found throughout pagan beliefs.
St George: A Saint for All includes firsthand accounts of
celebrations in Georgia, Greece, Malta and Belgium, and explores
the iconic figure's wide-ranging significance in nations such as
Lebanon, Palestine, Ethiopia and Estonia, as well as his totemic
role for the Roma people. With or without the dragon, St George has
been repeatedly reinvented over the last 1,700 years. This book is
an engaging account of the huge potential that artists, poets and
painters have found in his myth, discussing the often controversial
political uses to which the saint has been put, including many
reworkings and reimaginings, and places his current cultural
position in its historical context. This is the first book to offer
a full overview of the cult of St George, from its beginnings in
the eastern Mediterranean to its established presence around the
world today.
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