The editors of Ethics at the Cinema invited a diverse group of moral philosophers and philosophers of film to engage with ethical issues raised within, or within the process of viewing, a single film of each contributor's choice. The result is a unique collection of considerable breadth. Discussions focus on both classic and modern films, and topics range from problems of traditional concern to philosophers (e.g. virtue, justice, and ideals) to problems of traditional concern to filmmakers (e.g. sexuality, social belonging, and cultural identity).

The Ethics of Animal Beauty provides a novel account of the aesthetics of animals and explores the ethical implications of recognizing and admiring their beauty. Samantha Vice argues that animation, the aesthetic property of being an individual with a subjective perspective on the world, is fundamental to any meaningful appreciation of animal beauty. If we properly appreciate animation, we are called on to respond to animals with respect, care, gratitude and wonder. Applying this idea to contemporary practices such as trophy hunting and taxidermy and to our lived relationships with (domestic) companion animals, Vice argues that the appreciation of animal beauty carries profound ethical consequences for our relations to our fellow creatures. This perspective bears on questions of animal rights and ecocritical debates, while also contributing to key discussions in aesthetics and its relation to moral imperatives.

The editors of Ethics at the Cinema invited a diverse group of moral philosophers and philosophers of film to engage with ethical issues raised within, or within the process of viewing, a single film of each contributor's choice. The result is a unique collection of considerable breadth. Discussions focus on both classic and modern films, and topics range from problems of traditional concern to philosophers (e.g. virtue, justice, and ideals) to problems of traditional concern to filmmakers (e.g. sexuality, social belonging, and cultural identity).