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The pieces in this book have been selected for their musical and
technical value. They have been carefully transcribed and edited to
create interest in technical development and in general
musicianship. They provide supplementary materials which can be
used with any standard string method. By studying the text
carefully, and with the teacheras help, the young student will
develop a foundation for a fine left-hand technic and bow arm. This
volume includes the basic solid bowings and the slow spiccato
stroke in the fundamental rhythms.
The study of string instruments should include ensemble playing at
the earliest possible stage. There is much to be gained from the
playing of duets. Each player learns how to listen to the other,
and in a short time develops an awareness of balance, musical
phrasing, intonation, and tone quality. This type of training is
excellent preparation for participation in large groups. These four
volumes of duets for two violins will help fill the need for early
ensemble experience in the public schools. They should be used in
string classes as a supplement to any of the standard string
methods. They will also encourage music making outside of the
school, with parents or with other students. These duets are ideal
for recitals in the public schools and in public school festivals.
They may be played by two performers, or by multiple performers on
each part, with or without piano accompaniment.
The study of string instruments should include ensemble playing at
the earliest possible stage. There is much to be gained from the
playing of duets. Each player learns how to listen to the other,
and in a short time develops an awareness of balance, musical
phrasing, intonation, and tone quality. This type of training is
excellent preparation for participation in large groups. These four
volumes of duets for two violins will help fill the need for early
ensemble experience in the public schools. They should be used in
string classes as a supplement to any of the standard string
methods. They will also encourage music making outside of the
school, with parents or with other students. These duets are ideal
for recitals in the public schools and in public school festivals.
They may be played by two performers, or by multiple performers on
each part, with or without piano accompaniment.
The Third and Fifth Position String Builder is to be used after
Book 3 of the Belwin String Builder. However, it may also be used
as a continuation of any the standard string class methods. In this
book, the violin, viola, cello, and bass play together. The book
for each instrument, however, is a complete unit and may be used
separately for class or individual instruction. In this book, the
pupil is carefully taken step by step through the third and fifth
positions. The pupil is taught to find each finger, after which
simple shifts are introuduced with the same finger, followed by
shifts to these positions with different fingers. Each type of
shift is presented and developed with interesting melodies. The
material in this volume is chosen for its musical interest and its
technical value. There are a number of duets which are to be played
by either two pupils or with the class divided into two groups. The
material in this book is realistically graded so that only a
minimum of explanatory material is required. Suggestions for work
by rote are presented throughout the book. Published for violin,
viola, cello, bass, piano accompaniment, teacher's manual.
The Second and Fourth Position String Builder is to be used after
the Third and Fifth Position String Builder. However, it is also to
be used as a continuation of Book III of any of the standard string
class methods. Published for violin, viola, cello, bass, piano
accompaniment, and teacher's manual.
First Position Etudes for Strings is written for the second year
string class or string orchestra. The etudes are to be started when
the string group reaches Page 10 in Volume I of the String Builder.
They may, however, be used in conjunction with any standard string
class method, as this book is a complete unit in itself and may be
used separately for class or individual instruction. The string
parts are played in unison with piano accompaniment. Each etude is
interesting and has its specific technical value for the left hand
and for the bow arm. Published for violin, viola, cello, bass,
piano accompaniment, and teacher's manual.
Contents are: Adagio (K. 170) * Allegretto (K. 156) * Allegro (K.
80) * Allegro (K. 155) * Allegro (K. 157) * Divertimento (K. 138) *
Entr'acte (K. 138) * Fugue (K. 168) * Melody (K. 155) * Menuetto
(K. 421) * Menuetto (K. 465) * Menuetto and Trio (K. 298) * Presto
(K. 156) * Presto (K. 157) * Presto (K. 160) * Rondo (K. 80) *
Rondo (K. 159)
Scales for Strings is to be used as supplementary material for any
string class method or as interesting training material for the
development of a string orchestra. The series is available in two
levels for violin, viola, cello, bass, and piano accompaniment. A
teacher's manual is available as well.
The Third and Fifth Position String Builder is to be used after
Book 3 of the Belwin String Builder. However, it may also be used
as a continuation of any the standard string class methods. In this
book, the violin, viola, cello, and bass play together. The book
for each instrument, however, is a complete unit and may be used
separately for class or individual instruction. In this book, the
pupil is carefully taken step by step through the third and fifth
positions. The pupil is taught to find each finger, after which
simple shifts are introuduced with the same finger, followed by
shifts to these positions with different fingers. Each type of
shift is presented and developed with interesting melodies. The
material in this volume is chosen for its musical interest and its
technical value. There are a number of duets which are to be played
by either two pupils or with the class divided into two groups. The
material in this book is realistically graded so that only a
minimum of explanatory material is required. Suggestions for work
by rote are presented throughout the book. Published for violin,
viola, cello, bass, piano accompaniment, teacher's manual.
The Belwin String Builder is a string class method in which the
violin, viola, cello, and bass play together throughout. Each book,
however, is a complete unit and may be used separately for class or
individual instruction. The material in this book is realistically
graded so that only a minimum of explanatory material is required.
Each melody is interesting and will provide the basis for a fine
left hand technic and bow arm. Available in three levels for
violin, viola, cello, bass, piano accompaniment, and teacher's
manual.
First Position Etudes for Strings is written for the second year
string class or string orchestra. The etudes are to be started when
the string group reaches Page 10 in Volume I of the String Builder.
They may, however, be used in conjunction with any standard string
class method, as this book is a complete unit in itself and may be
used separately for class or individual instruction. The string
parts are played in unison with piano accompaniment. Each etude is
interesting and has its specific technical value for the left hand
and for the bow arm. Published for violin, viola, cello, bass,
piano accompaniment, and teacher's manual.
The Belwin String Builder is a string class method in which the
violin, viola, cello, and bass play together throughout. Each book,
however, is a complete unit and may be used separately for class or
individual instruction. The material in this book is realistically
graded so that only a minimum of explanatory material is required.
Each melody is interesting and will provide the basis for a fine
left hand technic and bow arm. Available in three levels for
violin, viola, cello, bass, piano accompaniment, and teacher's
manual.
The Belwin String Builder is a string class method in which the
violin, viola, cello, and bass play together throughout. Each book,
however, is a complete unit and may be used separately for class or
individual instruction. The material in this book is realistically
graded so that only a minimum of explanatory material is required.
Each melody is interesting and will provide the basis for a fine
left hand technic and bow arm. Available in three levels for
violin, viola, cello, bass, piano accompaniment, and teacher's
manual.
The pieces in this book have been selected for their musical and
technical value. They have been carefully transcribed and edited to
create interest in technical development and in general
musicianship. They provide supplementary materials which can be
used with any standard string method. By studying the text
carefully, and with the teacheras help, the young student will
develop a foundation for a fine left-hand technic and bow arm. This
volume includes the basic solid bowings and the slow spiccato
stroke in the fundamental rhythms.
Compiled from melodies Samuel Applebaum used to teach his students
to play their instruments. The melodies are arranged in progressive
order from the first three notes students learn to the end of level
one in most method books. These melodies may be played as solos or
in unison with other string instruments. Michael Katz has produced
the accompaniment CD (in traditional, jazz, and rock styles) to
motivate students to practice and perform for friends and family.
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