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Theatre and Performance in East Africa looks at indigenous
performances to unearth the aesthetic principles, sensibilities and
critical framework that underpin African performance and theatre.
The book develops new paradigms for thinking about African
performance in general through the construction of a critical
framework that addresses questions concerning performance
particularities and coherences, challenging previous
understandings. To this end, it establishes a common critical and
theoretical framework for indigenous performance using case studies
from East Africa that are also reflected elsewhere in the
continent. This book will be of great interest to students and
scholars of theatre and performance, especially those with an
interest in the close relationship between theatre and performance
with culture.
Theatre and Performance in East Africa looks at indigenous
performances to unearth the aesthetic principles, sensibilities and
critical framework that underpin African performance and theatre.
The book develops new paradigms for thinking about African
performance in general through the construction of a critical
framework that addresses questions concerning performance
particularities and coherences, challenging previous
understandings. To this end, it establishes a common critical and
theoretical framework for indigenous performance using case studies
from East Africa that are also reflected elsewhere in the
continent. This book will be of great interest to students and
scholars of theatre and performance, especially those with an
interest in the close relationship between theatre and performance
with culture.
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