Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Reverend Samuel Rutherford wrote Lex, Rex to defend and advance the Presbytarian ideals in government and political life, and oppose the notion of a monarch's Divine Right to rule. Writing in the 1640s, Rutherford lived in a time of political tumult and upheaval. The notion of Divine Right - whether a monarch ruled with the authority of God - was under increasing question. The steadily waning power of the king, increasing rates of literacy and education, and enfranchisement of classes that followed the Renaissance bore fruit in demands for governmental reform. No greater were these trends felt than in England, whose Parliament had over centuries gained power. Shaken to its foundations by the aftermath of religious Reformation in the 1500s, the monarchy was under great scrutiny. The follies of absolute power, whereby one ruler had capacity to take decisions affecting the lives of millions, were now an active source of agitation and discontentment in both the halls of power and amid the wider populace.

This superb collection of Samuel Rutherford's letters includes a biographical account of his life, together with a copious arrangement of notes and an appendix. As one of Scotland's foremost theologians and authors in the 17th century, Samuel Rutherford was a gifted and busy wordsmith. Throughout a career spanning decades, he wrote a series of valued books on both religious topics and Presbyterianism in the political sphere. A lively and engaged thinker, Rutherford's life and thoughts offers a good portrayal of the evolution in both church and state in his era. Although most known for his ideas on constitutionalism and on military principles, Samuel Rutherford in the day-to-day lived for ordinary men and women believers who frequented his church in Kirkcudbrightshire, Galloway. He would often pay visits to the sick, correspond with their families, and offer emotional comfort and reassurance in times of difficulty.