|
Showing 1 - 25 of
840 matches in All Departments
HarperCollins is proud to present its incredible range of
best-loved, essential classics. 'Instead of the cross, the
Albatross About my neck was hung' When an albatross leads a
stricken ship out of treacherous ice, a hapless mariner shoots the
bird, arousing the wrath of spirits who pursue the ship. Haunted by
Death, the crew begin to perish one by one, until only the cursed
mariner remains to confront his guilt. As penance for his actions
he is condemned to wander the earth, telling his tale to those he
meets as a warning. The Rime of the Ancient Mariner is Samuel
Taylor Coleridge's longest major poem and marks the beginning of
the romantic movement in British literature. This edition also
includes many of Coleridge's other works, including Kubla Khan,
Christabel and a selection of the 'conversation' poems.
|
The Romantic Poets (Leather / fine binding)
John Keats, George Gordon Byron, Percy Bysshe Shelley, William Wordsworth, Samuel Taylor Coleridge, …
|
R360
R288
Discovery Miles 2 880
Save R72 (20%)
|
Ships in 5 - 10 working days
|
Feelings come alive through the words of the Romantic poets.
Romanticism gained traction in the late 1700s as writers moved away
from the intellectualism of the Enlightenment and toward more
emotional and natural themes. The major works of the movement's six
most famous poets-William Wordsworth, George Gordon Byron, Percy
Bysshe Shelley, Samuel Taylor Coleridge, John Keats, and William
Blake-are represented in this handsome Word Cloud Classics volume,
The Romantic Poets. One of the largest and most influential
artistic movements in history, Romanticism valued intuition and
pastoralism, and its themes are well represented in the verse of
its stars.
When it was first published, Lyrical Ballads enraged the critics of
the day: Wordsworth and Coleridge had given poetry a voice, one
decidedly different to that which had been voiced before. This
acclaimed Routledge Classics edition offers the reader the
opportunity to study the poems in their original contexts as they
appeared to Coleridge's and Wordsworth's contemporaries, and
includes some of their most famous poems, including Coleridge's
Rime of the Ancyent Marinere.
Coleridge's flawed genius has fascinated people for almost 200
years. His greatest poems have a quality which sets them apart from
- and perhaps above - those of even his most admired Romantic
contemporaries. Yet they sit oddly, too, with the bulk of his own
work, seeming to spring, if not from a different sensibility, then
at least from a different state of mind. Here, Ted Hughes describes
the psychological ordeal which produced the supreme utterances of
'Kubla Khan', 'The Rime of the Ancient Mariner' and 'Christabel,
Part One', and his choice gives us those poems in the company of
others related to them. The result is a daring and radical attempt
to get to the heart of Coleridge's spiritual and poetic concerns.
One of the highly praised Lakeland poets, alongside his friend
William Wordsworth, Samuel Taylor Coleridge was a founder of the
Romantic movement in England. His work - still popular today -
includes such classics as The Rime of the Ancient Mariner and Kubla
Khan as well as the beautiful early poem Frost at Midnight: 'Or if
the secret ministry of frost, Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.' Despite the great beauty of his
work, he suffered from bouts of depression and today it is
speculated he may well have had bipolar disorder. For both mental
and physical ailments he was treated with laudanum which led to a
lifelong addition to opium. Coleridge's influence was widespread -
he was a major influence on Ralph Waldo Emerson - indeed, he
invented the phrase suspension of disbelief. This collection is a
fascinating insight into his life, as well as his work.
Great title poem plus "Kubla Khan," "Christabel," 20 other sonnets, lyrics, odes: "Sonnet: To a Friend who asked how I felt when the Nurse first presented my Infant to me," "Frost at Midnight," "The Nightingale," "The Pains of Sleep," "To William Wordsworth," "Youth and Age," many more. All are reprinted from an authoritative edition published by Oxford University Press. Alphabetical lists of titles and first lines.
'Ye Ice-Falls! Ye that from the mountain's brow Adown enormous
ravines slope amain -...' A selection of Coleridge's poems,
including 'This Lime-Tree Bower My Prison' and 'Frost at Midnight'
Introducing Little Black Classics: 80 books for Penguin's 80th
birthday. Little Black Classics celebrate the huge range and
diversity of Penguin Classics, with books from around the world and
across many centuries. They take us from a balloon ride over
Victorian London to a garden of blossom in Japan, from Tierra del
Fuego to 16th century California and the Russian steppe. Here are
stories lyrical and savage; poems epic and intimate; essays
satirical and inspirational; and ideas that have shaped the lives
of millions. Samuel Taylor Coleridge (1772-1834). Coleridge's
Selected Poetry, The Complete Poems and (with William Wordsworth)
Lyrical Ballads are available in Penguin Classics.
Long central to the canon of British Romantic literature, Samuel
Taylor Coleridge and William Wordsworth's Lyrical Ballads is a
fascinating case study in the history of poetry, publishing, and
authorship. This Broadview edition is the first to reprint both the
1798 and the 1800 editions of Lyrical Ballads in their entirety. In
the appendices to this Broadview edition, reviews, correspondence,
and a selection of contemporary verse and prose situate the work
within the popular and experimental literature of its time, and
allow readers to trace the work's transformations in response to
the pressures of the literary marketplace.
Rime of the Ancient Mariner is the great narrative poem by Samuel
Taylor Coleridge rendered into comic strip form by Hunt Emerson.
The book includes the complete original poem with Coleridge's,
notes and humor added by Hunt Emerson, and an introduction by
Gilbert Shelton.
This authoritative edition was originally published in the
acclaimed Oxford Authors series under the general editorship of
Frank Kermode. It brings together a unique combination of
Coleridge's poetry and prose - all the major poems, complemented by
important criticism, letters, and marginalia - to give the essence
of his work and thinking. Samuel Taylor Coleridge, poet, critic,
and radical thinker, exerted an enormous influence over
contemporaries as different as Wordsworth, Southey and Lamb. He was
also a dedicated reformer, and set out to use his reputation as a
public speaker and literary philosopher to change the course of
English thought. This collection represents the best of Coleridge's
poetry from every period of his life, particularly his prolific
early years, which produced The Rime of the Ancient Mariner,
Christabel, and Kubla Khan. The central section of the book is
devoted to his most significant critical work, Biographia
Literaria, and reproduces it in full. It provides a vital
background for both the poetry section which precedes it and for
the shorter prose works which follow. There is also a generous
sample of his letters, notebooks, and marginalia, some recently
discovered, which show a different, more spontaneous side to his
fascinating and complex personality. ABOUT THE SERIES: For over 100
years Oxford World's Classics has made available the widest range
of literature from around the globe. Each affordable volume
reflects Oxford's commitment to scholarship, providing the most
accurate text plus a wealth of other valuable features, including
expert introductions by leading authorities, helpful notes to
clarify the text, up-to-date bibliographies for further study, and
much more.
Samuel Taylor Coleridge (1772-1834) was the master impresario of English Romanticism -- an enormously erudite and tireless critic, lecturer, and polemicist who almost single-handedly created the intellectual climate in which the Romantic movement was received and understood. He was also, in poems such as 'The Rime of the Ancient Mariner,' 'Christabel,' and 'Kubla Khan.' the most uncanny, surreal, and startling of the great English poets.
Doré's dramatic engravings for The Rime of the Ancient Mariner are considered by many to be his greatest work. The terrifying space of the open sea, the storms and whirlpools of an unknown ocean, the hot equatorial seas swarming with monsters, the ice of Antarctica, more-are all rendered in a powerful chilling manner. Full text. 38 plates.
The Opus Maximum gathers the last major body of unpublished prose
writings by Samuel Taylor Coleridge. Consisting primarily of
fragments dictated to Joseph Henry Green, probably between 1819 and
1823, these writings represent all that exists of what Coleridge
considered to be "the principal Labour" and "the great Object" of
his life, which he called variously the Logosophia and Magnum Opus.
Dedicated to "the reconcilement of the moral faith with the
Reason," Coleridge's envisioned Magnum Opus was supposed to "reduce
all knowledges into harmony." While such a synthesis finally eluded
him, and the Magnum Opus remained unfinished, the surviving
fragments nonetheless bear powerful witness to Coleridge's
engagement with theology, moral philosophy, natural philosophy, and
logic, among other disciplines. Among the subjects that will
particularly interest readers are Coleridge's criticisms of
Epicureanism, pantheism, and German Naturphilosophie; his attempt
to ground reason in faith; and his reflections on personhood
(especially in the relationship between mother and child), on will,
on language, and on the Logos. Previously unknown to all but a
handful of scholars, the manuscripts presented here provide
valuable insight into a crucial period of Coleridge's intellectual
development, as he became increasingly dissatisfied with
Naturphilosophie and struggled to affirm Trinitarian Christianity
on a rational basis. With this volume, The Collected Works of
Samuel Taylor Coleridge, begun forty years ago under the
sponsorship of the Bollingen Foundation and the editorship of the
late Kathleen Coburn, is now complete.
Coleridge's Aids to Reflection was written at a time when new
movements in thought were starting to unsettle belief. It was read
with admiration by early Victorians such as John Sterling, F. D.
Maurice, and Thomas Arnold, contributing to the formation of the
Broad Church Movement, and with respect by members of the High
Church Movement, including John Henry Newman. Coleridge had
intended simply to produce a selection from the writings of the
seventeenth-century Archbishop Robert Leighton with comments of his
own, but as he worked at the book he found the commentary expanding
to take in the fruits of his religious thinking over the years, so
that the second, and more important, part of the volume was totally
dominated by his thought. In this, the first major edition of Aids
to Reflection, the intricate story of Coleridge's changing
conception is unfolded by way of an introduction and detailed
notes, the surviving materials for the volume being printed in
appendixes. The introduction also traces the subsequent influence
of the work in England and America; further appendixes include
James Marsh's influential preface to the first American edition,
which is reproduced in full. Originally published in 1993. The
Princeton Legacy Library uses the latest print-on-demand technology
to again make available previously out-of-print books from the
distinguished backlist of Princeton University Press. These
editions preserve the original texts of these important books while
presenting them in durable paperback and hardcover editions. The
goal of the Princeton Legacy Library is to vastly increase access
to the rich scholarly heritage found in the thousands of books
published by Princeton University Press since its founding in 1905.
Coleridge's Aids to Reflection was written at a time when new
movements in thought were starting to unsettle belief. It was read
with admiration by early Victorians such as John Sterling, F. D.
Maurice, and Thomas Arnold, contributing to the formation of the
Broad Church Movement, and with respect by members of the High
Church Movement, including John Henry Newman. Coleridge had
intended simply to produce a selection from the writings of the
seventeenth-century Archbishop Robert Leighton with comments of his
own, but as he worked at the book he found the commentary expanding
to take in the fruits of his religious thinking over the years, so
that the second, and more important, part of the volume was totally
dominated by his thought. In this, the first major edition of Aids
to Reflection, the intricate story of Coleridge's changing
conception is unfolded by way of an introduction and detailed
notes, the surviving materials for the volume being printed in
appendixes. The introduction also traces the subsequent influence
of the work in England and America; further appendixes include
James Marsh's influential preface to the first American edition,
which is reproduced in full. Originally published in 1993. The
Princeton Legacy Library uses the latest print-on-demand technology
to again make available previously out-of-print books from the
distinguished backlist of Princeton University Press. These
editions preserve the original texts of these important books while
presenting them in durable paperback and hardcover editions. The
goal of the Princeton Legacy Library is to vastly increase access
to the rich scholarly heritage found in the thousands of books
published by Princeton University Press since its founding in 1905.
A newly edited readers' edition of Coleridge's foundational
lectures on Shakespeare This volume comprises a freshly composed
edition of Samuel Taylor Coleridge's 1811-12 Lectures on
Shakespeare and Milton and 1818-19 Lectures on Shakespeare.
Coleridge is a foundational figure in Shakespeare criticism, and
remains to this day one of the most incisive and best. Nobody
interested in Coleridge, Shakespeare or Literary Criticism more
broadly can afford to be ignorant of Coleridge's famous lectures.
Key Features A new edition of one of Romanticism's (and English
Literature's) most influential critics lectures on Shakespeare
Newly edited to take advantage of modern scholarship and new
electronic research resources; an edition in which all hitherto
untraced allusions and quotations have been identified Unlike other
editions, this presents the lectures as works of fluent and
readable prose, rather than notes or shorthand jotting The volume
follows the same format, and embodies many of the specific
features, as the editor's new edition of Coleridge's Biographia
Literaria (2014)
theological, philosophical, scientific, social, and psychological
matters, plans for and fragments of works, and many other items of
great interest. This fourth double volume of the Notebooks covers
the years 1819 through 1826. The range of Coleridge's reading, his
endless questioning, and his recondite sources continue to
fascinate the readers. Included here are drafts and full versions
of the later poems. Many passages reflect the technological
interests that led to Coleridge's writing of Aids of Reflection,
later to become an important source for the Transcendentalists.
Another development in this volume is the startling expansion of
Coleridge's interest in "the theory of life" and in chemistry--the
laboratory chemistry of the Royal Institution fo Great Britain and
the theoretical chemistry of German transcendentalists such as
Okea, Steffens, and Oersted. Also contained in this volume is an
important section on the meaning of marriage. Kathleen Coburn is
Professor Emeritus at Victoria College of the University of
Toronto. Merton Christensen was Professor of English at the
University of Delaware. Bollingen Series L:4. Originally published
in 1990. The Princeton Legacy Library uses the latest
print-on-demand technology to again make available previously
out-of-print books from the distinguished backlist of Princeton
University Press. These editions preserve the original texts of
these important books while presenting them in durable paperback
and hardcover editions. The goal of the Princeton Legacy Library is
to vastly increase access to the rich scholarly heritage found in
the thousands of books published by Princeton University Press
since its founding in 1905.
Volume 1 of 2. Coleridge's nephew, son-in-law, and first editor,
Henry Nelson Coleridge, began at the end of 1822 a record of
Coleridge's remarks as a way of preparing an anthology of the
interests and thought of the great poet and critic. His
manuscripts, gathered to form the major text of his new edition,
include passages on relatives, friends, and various censorable
topics omitted from the Table Talk of 1835 and unpublished until
now. These two volumes also contain talk recorded by other
listeners from 1798 until Coleridge's death in 1834. Some of these
records have not been previously published; some are published from
manuscripts that differ from versions previously known. Also
included are previously unpublished remarks by Wordsworth. Along
with a bibliography of earlier editions of Table Talk and other
useful appendixes, Carl Woodring's edition reprints the second
edition (1836), which differs from the manuscripts more extensively
than the edition of 1835. THis is the first fully annotated edition
of a work that long remained more popular in the United Kingdom
than any of the works in prose published by Coleridge himself. The
two volumes make a convenient encyclopedia of his ideas and
interests. Carl Woodring is George Edward Woodberry Professor of
Literature Emeritus at Columbia University. Originally published in
1990. The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These editions preserve the original texts of these important books
while presenting them in durable paperback and hardcover editions.
The goal of the Princeton Legacy Library is to vastly increase
access to the rich scholarly heritage found in the thousands of
books published by Princeton University Press since its founding in
1905.
The manuscript of Coleridge's Logic is published here in its
entirety for the first time, along with the texts of manuscripts
that are directly related to it. Coleridge's plans to write about
logic go back at least as far as 1803, but it was not until the
1820s that he undertook to write a book that would be of practical
use to young men about to enter "the bar, the pulpit, and the
senate." By that time the philosophy course he taught to classes of
such young men had given them access to his thoughts, and he in
turn benefited from their interest and enthusiasm. Coleridge wished
to encourage his readers to think for themselves in a manner that
was consistent and self-aware. He hoped to provide them with a
system of logic "applied to the purposes of real life." His Logic
differs from earlier English models in its emphasis on the
psychology of thought and in its sceptical treatment fo the figures
of the syllogism. Here the influence of Kant's Critique of Pure
Reason predominates. The Logic is also concerned with the
psychology of language--indeed Coleridge thought of calling the
book "The Elements of Discourse"--and with the philosophical and
theological implications of different semantic theories. Here he
was sustained by a vigorous English tradition and aided by his own
subtle experience of the relationship between thoughts and words.
The Logic is an introduction to thinking about thought. It touches
on a variety of topics--education, the origin of language, the
importance of defining terms, subjective and objective truth, the
meaning of abstraction, understadning and reason, conception and
perception, self-consciousness, intuition, space and time, cause
and effect, mathematical evidence, and the mind's emancipation from
the senses--and behind these characteristic concerns Coleridge's
more comprehensive views may be freshly glimpsed. J.R. de J.
Jackson is Professor of English at the University of Toronto. He is
the author of Method and Imagination in Coleridge's Criticism and
the editor of Coleridge: The Critical Heritage (both published by
Routledge & Kegan Paul). Bollingen Series LXXV Originally
published in 1981. The Princeton Legacy Library uses the latest
print-on-demand technology to again make available previously
out-of-print books from the distinguished backlist of Princeton
University Press. These editions preserve the original texts of
these important books while presenting them in durable paperback
and hardcover editions. The goal of the Princeton Legacy Library is
to vastly increase access to the rich scholarly heritage found in
the thousands of books published by Princeton University Press
since its founding in 1905.
Volume 1 of 2. Coleridge's Shorter Works and Fragments brings
together a number of substantial essays that were not long enough
to require volumes to themselves, among them his "Theory of Life,"
"Essays on the Principles of Genial Criticism," "Treatise on
Method," "Confessions of an Inquiring Spirit," "On the Passions,"
and "On the Prometheus of Aeschylus." To these are added more than
four hundred other pieces, some of them fragementary, many of them
previously unpublished, ranging in date from school essays of the
early 1790s to a discussion of the bullion controversy in 1834. As
might be expected, the subject matter includes literature and
language, theology, philosophy, politics, and science, but in many
less predictable topics (such as child labor laws, marriage,
suicide, church history, the abolition of slavery, the state of the
colonies) also appear. By gathering this material and presenting it
in chronological order, Shorter Works and Fragments reveals the
development and major characteristics of Coleridge's seemingly
inexhaustible variety. H.J. Jackson and J.R. de J. Jackson,
Professors of English at the University of Toronto, are the editors
of Coleridge's Marginalia and Logic, respectively, in the Collected
Works of Samuel Taylor Coleridge. Bollingen Series LXXV Originally
published in 1995. The Princeton Legacy Library uses the latest
print-on-demand technology to again make available previously
out-of-print books from the distinguished backlist of Princeton
University Press. These editions preserve the original texts of
these important books while presenting them in durable paperback
and hardcover editions. The goal of the Princeton Legacy Library is
to vastly increase access to the rich scholarly heritage found in
the thousands of books published by Princeton University Press
since its founding in 1905.
... must have come on like punk rock to a public groaning under the
weight of over-cooked Augustanisms. The Guardian They were written
chiefly with a view to ascertain how far the language of
conversation in the middle and lower classes of society is adapted
to the purposes of poetic pleasure -- William Wordsworth, from the
Advertisment prefacing the original 1798 edition. When it was first
published, Lyrical Ballads enraged the critics of the day:
Wordsworth and Coleridge had given poetry a voice, one decidedly
different to what had been voiced before. For Wordsworth, as he so
clearly stated in his celebrated preface to the 1800 edition (also
reproduced here), the important thing was the emotion aroused by
the poem, and not the poem itself. This acclaimed Routledge
Classics edition offers the reader the opportunity to study the
poems in their original contexts as they appeared to Coleridge's
and Wordsworth's contemporaries, and includes some of their most
famous poems, including Coleridge's Rime of the Ancyent Marinere.
Movement, deeply influenced by a love of nature. the founders of
the Romantic Movement.
Coleridge began in 1795 a series of public lectures. This volume
includes all the printed and manuscript versions of the Bristol
lectures in chronological sequence. Among the contents are
"Lectures on Revealed Religion, Its Corruption, and Its Political
Views" and "Lecture on the Slave-Trade." Originally published in
1971. The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These editions preserve the original texts of these important books
while presenting them in durable paperback and hardcover editions.
The goal of the Princeton Legacy Library is to vastly increase
access to the rich scholarly heritage found in the thousands of
books published by Princeton University Press since its founding in
1905.
Based on a comparison of early editions, manuscripts, and copies
annotated by the poet himself, this edition provides a reliable
text of Coleridge's last prose work, first published in 1830.
Originally intended to influence public opinion on the Catholic
Emancipation Bill of 1829, the work became a brief but brilliant
synthesis of Coleridge's political and theological thought, whose
influence extended well beyond the nineteenth century. John
Colmer's introduction and notes place the work in its literary and
historical context and they illuminate Coleridge's process of
composition and the development of his ideas on Church and State.
John Comer's introduction and notes place the work in its literary
and historical context and they illuminate Coleridge's process of
composition and the development of his ideas on Church and State.
Originally published in 1976. The Princeton Legacy Library uses the
latest print-on-demand technology to again make available
previously out-of-print books from the distinguished backlist of
Princeton University Press. These editions preserve the original
texts of these important books while presenting them in durable
paperback and hardcover editions. The goal of the Princeton Legacy
Library is to vastly increase access to the rich scholarly heritage
found in the thousands of books published by Princeton University
Press since its founding in 1905.
|
|