HarperCollins is proud to present its incredible range of best-loved, essential classics. 'Instead of the cross, the Albatross About my neck was hung' When an albatross leads a stricken ship out of treacherous ice, a hapless mariner shoots the bird, arousing the wrath of spirits who pursue the ship. Haunted by Death, the crew begin to perish one by one, until only the cursed mariner remains to confront his guilt. As penance for his actions he is condemned to wander the earth, telling his tale to those he meets as a warning. The Rime of the Ancient Mariner is Samuel Taylor Coleridge's longest major poem and marks the beginning of the romantic movement in British literature. This edition also includes many of Coleridge's other works, including Kubla Khan, Christabel and a selection of the 'conversation' poems.

Great title poem plus "Kubla Khan," "Christabel," 20 other sonnets, lyrics, odes: "Sonnet: To a Friend who asked how I felt when the Nurse first presented my Infant to me," "Frost at Midnight," "The Nightingale," "The Pains of Sleep," "To William Wordsworth," "Youth and Age," many more. All are reprinted from an authoritative edition published by Oxford University Press. Alphabetical lists of titles and first lines.

When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to that which had been voiced before. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

One of the highly praised Lakeland poets, alongside his friend William Wordsworth, Samuel Taylor Coleridge was a founder of the Romantic movement in England. His work - still popular today - includes such classics as The Rime of the Ancient Mariner and Kubla Khan as well as the beautiful early poem Frost at Midnight: 'Or if the secret ministry of frost, Shall hang them up in silent icicles, Quietly shining to the quiet Moon.' Despite the great beauty of his work, he suffered from bouts of depression and today it is speculated he may well have had bipolar disorder. For both mental and physical ailments he was treated with laudanum which led to a lifelong addition to opium. Coleridge's influence was widespread - he was a major influence on Ralph Waldo Emerson - indeed, he invented the phrase suspension of disbelief. This collection is a fascinating insight into his life, as well as his work.

Coleridge's flawed genius has fascinated people for almost 200 years. His greatest poems have a quality which sets them apart from - and perhaps above - those of even his most admired Romantic contemporaries. Yet they sit oddly, too, with the bulk of his own work, seeming to spring, if not from a different sensibility, then at least from a different state of mind. Here, Ted Hughes describes the psychological ordeal which produced the supreme utterances of 'Kubla Khan', 'The Rime of the Ancient Mariner' and 'Christabel, Part One', and his choice gives us those poems in the company of others related to them. The result is a daring and radical attempt to get to the heart of Coleridge's spiritual and poetic concerns.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Coleridge's poetry and prose - all the major poems, complemented by important criticism, letters, and marginalia - to give the essence of his work and thinking. Samuel Taylor Coleridge, poet, critic, and radical thinker, exerted an enormous influence over contemporaries as different as Wordsworth, Southey and Lamb. He was also a dedicated reformer, and set out to use his reputation as a public speaker and literary philosopher to change the course of English thought. This collection represents the best of Coleridge's poetry from every period of his life, particularly his prolific early years, which produced The Rime of the Ancient Mariner, Christabel, and Kubla Khan. The central section of the book is devoted to his most significant critical work, Biographia Literaria, and reproduces it in full. It provides a vital background for both the poetry section which precedes it and for the shorter prose works which follow. There is also a generous sample of his letters, notebooks, and marginalia, some recently discovered, which show a different, more spontaneous side to his fascinating and complex personality. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

His writings are wide-ranging in form and content, and vast in number. Norton s long-awaited edition is the most comprehensive and user-friendly student edition available. Supporting apparatus includes detailed headnotes, footnotes (both Coleridge s and the editors ), biographical register, glossary, and an index of poems and first lines. "Criticism" includes twenty assessments of Coleridge s poetry and prose by British and American authors. A Chronology and Selected Bibliography are also included."

Feelings come alive through the words of the Romantic poets. Romanticism gained traction in the late 1700s as writers moved away from the intellectualism of the Enlightenment and toward more emotional and natural themes. The major works of the movement's six most famous poets-William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, Samuel Taylor Coleridge, John Keats, and William Blake-are represented in this handsome Word Cloud Classics volume, The Romantic Poets. One of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verse of its stars.

Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth's Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work's transformations in response to the pressures of the literary marketplace.

'Listen, Stranger!' Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth's important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In The Rime of the Ancient Mariner, one of the best-known and best-loved poems in the English language, a grizzled old sailor stops a man on his way to a wedding and tells a terrifying story. He speaks of how he doomed the crew of his ship by shooting dead an albatross, awakened the wrath of ocean spirits, met Death himself, and must now walk the earth for ever and share his tragic tale of sin, guilt and - ultimately - redemption. This Macmillan Collector's Library edition of Samuel Taylor Coleridge's longest major poem features illustrations by Gustave Dore, the most remarkable wood engraver of the nineteenth century, and an introduction by writer and journalist Ned Halley. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Rime of the Ancient Mariner is the great narrative poem by Samuel Taylor Coleridge rendered into comic strip form by Hunt Emerson. The book includes the complete original poem with Coleridge's, notes and humor added by Hunt Emerson, and an introduction by Gilbert Shelton.

Samuel Taylor Coleridge (1772-1834) was the master impresario of English Romanticism -- an enormously erudite and tireless critic, lecturer, and polemicist who almost single-handedly created the intellectual climate in which the Romantic movement was received and understood. He was also, in poems such as 'The Rime of the Ancient Mariner,' 'Christabel,' and 'Kubla Khan.' the most uncanny, surreal, and startling of the great English poets.

Doré's dramatic engravings for The Rime of the Ancient Mariner are considered by many to be his greatest work. The terrifying space of the open sea, the storms and whirlpools of an unknown ocean, the hot equatorial seas swarming with monsters, the ice of Antarctica, more-are all rendered in a powerful chilling manner. Full text. 38 plates.

Coleridge's Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge's changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh's influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Coleridge's Aids to Reflection was written at a time when new movements in thought were starting to unsettle belief. It was read with admiration by early Victorians such as John Sterling, F. D. Maurice, and Thomas Arnold, contributing to the formation of the Broad Church Movement, and with respect by members of the High Church Movement, including John Henry Newman. Coleridge had intended simply to produce a selection from the writings of the seventeenth-century Archbishop Robert Leighton with comments of his own, but as he worked at the book he found the commentary expanding to take in the fruits of his religious thinking over the years, so that the second, and more important, part of the volume was totally dominated by his thought. In this, the first major edition of Aids to Reflection, the intricate story of Coleridge's changing conception is unfolded by way of an introduction and detailed notes, the surviving materials for the volume being printed in appendixes. The introduction also traces the subsequent influence of the work in England and America; further appendixes include James Marsh's influential preface to the first American edition, which is reproduced in full. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A newly edited readers' edition of Coleridge's foundational lectures on Shakespeare This volume comprises a freshly composed edition of Samuel Taylor Coleridge's 1811-12 Lectures on Shakespeare and Milton and 1818-19 Lectures on Shakespeare. Coleridge is a foundational figure in Shakespeare criticism, and remains to this day one of the most incisive and best. Nobody interested in Coleridge, Shakespeare or Literary Criticism more broadly can afford to be ignorant of Coleridge's famous lectures. Key Features A new edition of one of Romanticism's (and English Literature's) most influential critics lectures on Shakespeare Newly edited to take advantage of modern scholarship and new electronic research resources; an edition in which all hitherto untraced allusions and quotations have been identified Unlike other editions, this presents the lectures as works of fluent and readable prose, rather than notes or shorthand jotting The volume follows the same format, and embodies many of the specific features, as the editor's new edition of Coleridge's Biographia Literaria (2014)

The Opus Maximum gathers the last major body of unpublished prose writings by Samuel Taylor Coleridge. Consisting primarily of fragments dictated to Joseph Henry Green, probably between 1819 and 1823, these writings represent all that exists of what Coleridge considered to be "the principal Labour" and "the great Object" of his life, which he called variously the Logosophia and Magnum Opus. Dedicated to "the reconcilement of the moral faith with the Reason," Coleridge's envisioned Magnum Opus was supposed to "reduce all knowledges into harmony." While such a synthesis finally eluded him, and the Magnum Opus remained unfinished, the surviving fragments nonetheless bear powerful witness to Coleridge's engagement with theology, moral philosophy, natural philosophy, and logic, among other disciplines. Among the subjects that will particularly interest readers are Coleridge's criticisms of Epicureanism, pantheism, and German Naturphilosophie; his attempt to ground reason in faith; and his reflections on personhood (especially in the relationship between mother and child), on will, on language, and on the Logos. Previously unknown to all but a handful of scholars, the manuscripts presented here provide valuable insight into a crucial period of Coleridge's intellectual development, as he became increasingly dissatisfied with Naturphilosophie and struggled to affirm Trinitarian Christianity on a rational basis. With this volume, The Collected Works of Samuel Taylor Coleridge, begun forty years ago under the sponsorship of the Bollingen Foundation and the editorship of the late Kathleen Coburn, is now complete.

theological, philosophical, scientific, social, and psychological matters, plans for and fragments of works, and many other items of great interest. This fourth double volume of the Notebooks covers the years 1819 through 1826. The range of Coleridge's reading, his endless questioning, and his recondite sources continue to fascinate the readers. Included here are drafts and full versions of the later poems. Many passages reflect the technological interests that led to Coleridge's writing of Aids of Reflection, later to become an important source for the Transcendentalists. Another development in this volume is the startling expansion of Coleridge's interest in "the theory of life" and in chemistry--the laboratory chemistry of the Royal Institution fo Great Britain and the theoretical chemistry of German transcendentalists such as Okea, Steffens, and Oersted. Also contained in this volume is an important section on the meaning of marriage. Kathleen Coburn is Professor Emeritus at Victoria College of the University of Toronto. Merton Christensen was Professor of English at the University of Delaware. Bollingen Series L:4. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Volume 1 of 2. Coleridge's Shorter Works and Fragments brings together a number of substantial essays that were not long enough to require volumes to themselves, among them his "Theory of Life," "Essays on the Principles of Genial Criticism," "Treatise on Method," "Confessions of an Inquiring Spirit," "On the Passions," and "On the Prometheus of Aeschylus." To these are added more than four hundred other pieces, some of them fragementary, many of them previously unpublished, ranging in date from school essays of the early 1790s to a discussion of the bullion controversy in 1834. As might be expected, the subject matter includes literature and language, theology, philosophy, politics, and science, but in many less predictable topics (such as child labor laws, marriage, suicide, church history, the abolition of slavery, the state of the colonies) also appear. By gathering this material and presenting it in chronological order, Shorter Works and Fragments reveals the development and major characteristics of Coleridge's seemingly inexhaustible variety. H.J. Jackson and J.R. de J. Jackson, Professors of English at the University of Toronto, are the editors of Coleridge's Marginalia and Logic, respectively, in the Collected Works of Samuel Taylor Coleridge. Bollingen Series LXXV Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Volume 1 of 2. Coleridge's nephew, son-in-law, and first editor, Henry Nelson Coleridge, began at the end of 1822 a record of Coleridge's remarks as a way of preparing an anthology of the interests and thought of the great poet and critic. His manuscripts, gathered to form the major text of his new edition, include passages on relatives, friends, and various censorable topics omitted from the Table Talk of 1835 and unpublished until now. These two volumes also contain talk recorded by other listeners from 1798 until Coleridge's death in 1834. Some of these records have not been previously published; some are published from manuscripts that differ from versions previously known. Also included are previously unpublished remarks by Wordsworth. Along with a bibliography of earlier editions of Table Talk and other useful appendixes, Carl Woodring's edition reprints the second edition (1836), which differs from the manuscripts more extensively than the edition of 1835. THis is the first fully annotated edition of a work that long remained more popular in the United Kingdom than any of the works in prose published by Coleridge himself. The two volumes make a convenient encyclopedia of his ideas and interests. Carl Woodring is George Edward Woodberry Professor of Literature Emeritus at Columbia University. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Lyrical Ballads (1798) is a landmark collection of poems that marks the beginning of the English Romantic Movement in literature. Co-written by friends William Wordsworth and Samuel Taylor Coleridge, the collection broke away from traditional poetic form. Of the twenty-three poems, Wordsworth penned works such as 'Lines written a few miles above Tintern Abbey' and 'The Idiot Boy' that use colloquial speech and take the everyday as their theme. The collection also includes Coleridge's greatest poem 'The Rime of the Ancyent Marinere', a supernatural tale of a sailor's voyage.

Coleridge began in 1795 a series of public lectures. This volume includes all the printed and manuscript versions of the Bristol lectures in chronological sequence. Among the contents are "Lectures on Revealed Religion, Its Corruption, and Its Political Views" and "Lecture on the Slave-Trade." Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.