Within a century of the Arab Muslim conquest of vast territories in the Middle East and North Africa, Islam became the inheritor of the intellectual legacy of classical antiquity. In an epochal cultural transformation between the eighth and tenth centuries CE, most of what survived in classical Greek literature and thought was translated from Greek into Arabic. This translation movement, sponsored by the ruling Abbasid dynasty, swiftly blossomed into the creative expansion and reimagining of classical ideas that were now integral parts of the Islamic tradition. Romance and Reason, a lavishly illustrated catalogue accompanying the exhibition of the same name at New York University's Institute for the Study of the Ancient World, explores the breadth and depth of Islamic engagement with ancient Greek thought. Drawing on manuscripts and artifacts from the collections of the National Library of Israel and prominent American institutions, the catalogue's essays focus on the portrayal of Alexander the Great as ideal ruler, mystic, lover, and philosopher in Persian poetry and art, and how Islamic medicine, philosophy, and science contended with and developed the classical tradition. Contributors include Roberta Casagrande-Kim, Leigh Chipman, Steven Harvey, Y. Tzvi Langermann, Rachel Milstein, Julia Rubanovich, Samuel Thrope, and Raquel Ukeles. Exhibition Dates: February 14-May 13, 2018

The Bundahisn, meaning primal or foundational creation, is the central Zoroastrian account of creation, cosmology, and eschatology. Compiled sometime in the ninth century CE, it is one of the most important surviving testaments to Zoroastrian literature in the Middle Persian language and to pre-Islamic Iranian culture. Despite having been composed some two millennia after the Prophet Zoroaster's revelation, it is nonetheless a concise compendium of ancient Zoroastrian knowledge that draws on and reshapes earlier layers of the tradition. Well known in the field of Iranian Studies as an essential primary source for scholars of ancient Iran's history, religions, literatures, and languages, the Bundahisn is also a great work of literature in and of itself, ranking alongside the creation myths of other ancient traditions. The book's thirty-six diverse chapters, which touch on astronomy, eschatology, zoology, medicine, and more, are composed in a variety of styles, registers, and genres, from spare lists and concise commentaries to philosophical discourses and poetic eschatological visions. This new translation, the first in English in nearly a century, highlights the aesthetic quality, literary style, and complexity and raises the profile of pre-Islamic Zoroastrian literature.