This collection aims to contribute to current discussion on the relationship between literature and knowledge, and attempts to develop a historical epistemology of literature. The aim is not to determine the essential epistemological conditions of literature as such or those of a universalistic author-subject, but instead, to think about the historicity of literary knowledge starting from the objectivity of its forms.

Photography Inc., is the comprehensive catalogue based on the FotoMuseum's Autumn exhibition with the same name, in Antwerp. The book charts the history of photography, from the perspective of the photography industry, with pictures, cameras and albums from the FoMu collection. Since the 19th century, photography has evolved from a luxury article to a mass-produced article. That development is what Photography Inc. illustrates. Photography continually needs to become faster, simpler, and cheaper, which has far-reaching consequences - both from an aesthetic point of view and from a social one. This book focuses on a number of milestones in the history of photography, and upon the influence companies such as Gevaert, Agfa, Kodak, Polaroid etc. have had on the approach of both amateur and professional photographers.