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Visual Imagery and Human Rights Practice examines the interplay
between images and human rights, addressing how, when, and to what
ends visuals are becoming a more central means through which human
rights claims receive recognition and restitution. The collection
argues that accounting for how images work on their own terms is an
ever more important epistemological project for fostering the
imaginative scope of human rights and its purchase on reality.
Interdisciplinary in nature, this timely volume brings together
voices of scholars and practitioners from around the world, making
a valuable contribution to the study of media and human rights
while tackling the growing role of visuals across cultural, social,
political and legal structures.
Visual Imagery and Human Rights Practice examines the interplay
between images and human rights, addressing how, when, and to what
ends visuals are becoming a more central means through which human
rights claims receive recognition and restitution. The collection
argues that accounting for how images work on their own terms is an
ever more important epistemological project for fostering the
imaginative scope of human rights and its purchase on reality.
Interdisciplinary in nature, this timely volume brings together
voices of scholars and practitioners from around the world, making
a valuable contribution to the study of media and human rights
while tackling the growing role of visuals across cultural, social,
political and legal structures.
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