This exceptional work explores the complexities of communication at one of the most critical stages of the life experience--during advanced, serious illness and at the end of life. Challenging the predominantly biomedical model that informs much communication between seriously ill and/or dying patients and their physicians, caregivers, and families, Sandra L. Ragan, Elaine M. Wittenberg-Lyles, Joy Goldsmith, and Sandra Sanchez-Reilly pose palliative care--medical care designed to comfort rather than to cure patients--as an antidote to the experience of most Americans at the most vulnerable juncture of their lives. With an author team comprised of three health communication scholars and one physician certified in geriatrics and palliative medicine, this volume integrates the medical literature on palliative care with that of health communication researchers who advocate a biopsychosocial approach to health care. Applying communication theories and insights to illuminate problems and to explain their complexities, the authors advocate a patient-centered approach to care that recognizes and seeks to lessen patients' suffering and the many types of pain they may experience (physical, psychological, social, and spiritual) during life-threatening illness.

The dramatic events of 2020-the presidential election, the COVID-19 pandemic, protests for racial justice-affected every corner of American life. What did these events mean for the residents of small towns and cities that are often overlooked by national newspapers? How do local stories change when they are told by journalists with roots in these communities? And what is lost as this kind of coverage disappears? American Deadline brings together dispatches from four longtime local journalists in different parts of the United States that tell the story of 2020 anew. It shares reporting from Bowling Green, Virginia; Macon, Georgia; McKeesport, Pennsylvania; and McAllen, Texas-two towns that lost their local newspapers and two where they are barely hanging on. The authors consider what makes each town distinctive and how these local perspectives tell a part of a broader American story. This book reports on how residents of these towns grapple with and talk about issues relating to race, schooling, health, immigration, deindustrialization, as well as local and national politics amid a changing and increasingly precarious information ecosystem. A distinct and intimate look at a calamitous year, American Deadline is an important book for all readers interested in the possibilities and future of local journalism.

The dramatic events of 2020-the presidential election, the COVID-19 pandemic, protests for racial justice-affected every corner of American life. What did these events mean for the residents of small towns and cities that are often overlooked by national newspapers? How do local stories change when they are told by journalists with roots in these communities? And what is lost as this kind of coverage disappears? American Deadline brings together dispatches from four longtime local journalists in different parts of the United States that tell the story of 2020 anew. It shares reporting from Bowling Green, Virginia; Macon, Georgia; McKeesport, Pennsylvania; and McAllen, Texas-two towns that lost their local newspapers and two where they are barely hanging on. The authors consider what makes each town distinctive and how these local perspectives tell a part of a broader American story. This book reports on how residents of these towns grapple with and talk about issues relating to race, schooling, health, immigration, deindustrialization, as well as local and national politics amid a changing and increasingly precarious information ecosystem. A distinct and intimate look at a calamitous year, American Deadline is an important book for all readers interested in the possibilities and future of local journalism.

This exceptional work explores the complexities of communication at one of the most critical stages of the life experience--during advanced, serious illness and at the end of life. Challenging the predominantly biomedical model that informs much communication between seriously ill and/or dying patients and their physicians, caregivers, and families, Sandra L. Ragan, Elaine M. Wittenberg-Lyles, Joy Goldsmith, and Sandra Sanchez-Reilly pose palliative care--medical care designed to comfort rather than to cure patients--as an antidote to the experience of most Americans at the most vulnerable juncture of their lives. With an author team comprised of three health communication scholars and one physician certified in geriatrics and palliative medicine, this volume integrates the medical literature on palliative care with that of health communication researchers who advocate a biopsychosocial approach to health care. Applying communication theories and insights to illuminate problems and to explain their complexities, the authors advocate a patient-centered approach to care that recognizes and seeks to lessen patients' suffering and the many types of pain they may experience (physical, psychological, social, and spiritual) during life-threatening illness.

Ben suena con convertirse en un gran chef de cocina y no dudara en luchar por ello pese a todos los obstaculos que pueda encontrar en su camino. Cuando parece que por fin su rumbo esta encaminado, un dia un tragico suceso provocara que la vida de Ben y de su familia de un giro radical. Ahora todas sus fuerzas tendran que centrarse en recuperar y mantener la unidad familiar, a pesar del sufrimiento que arrastra todos los dias, y pronto se vera, sin buscarlo, luchando por su propia supervivencia.

This cult movie took the world by storm in 1999, grossing over $200 million dollars despite an original budget of just $30,000. In Burkittsville, in the year 1994, three students - Heather (Heather Donahue), Josh (Joshua Leonard) and Michael (Michael Williams) - head into the woods to investigate the local legend of the Blair Witch, a spirit blamed for the deaths of various children. However, soon after setting out, the trio run into trouble...

This cult movie took the world by storm in 1999, grossing over $200 million dollars despite an original budget of just $30,000. In Burkittsville, in the year 1994, three students - Heather (Heather Donahue), Josh (Joshua Leonard) and Michael (Michael Williams) - head into the woods to investigate the local legend of the Blair Witch, a spirit blamed for the deaths of various children. However, soon after setting out, the trio run into trouble...