The opposition between 'religion' and 'modernity' has long held the status of a self-evident truth. Recently, however, there has been a growing realization that religion has not died out and may be more compatible with modern society than previously assumed.This development is particularly striking in France where laicite has long been the official doctrine. How did religion become opposed to the secular and modern? If distinctions between sacred and secular are less adequate than commonly believed, how do these two categories interact?Addressing these questions, this book explores the persistence of religious categories on the cultural landscape of early modern France. France was the birthplace of Europe's first secular state and the centre of two movements considered indispensable to secularization - the Enlightenment and Revolution of 1789. As such France is vital for understanding how religious antecedents informed modern political institutions and ideals. By uncovering the role of religion in shaping categories most often associated with modernity this book offers a new perspective on the master narrative of secularization.

Stuart Brisley is a pioneering multi-media and performance artist who developed performance art as a form of social action in the 1960s and 1970s. This book assesses his seminal influence on British art through a focus on his lifelong engagement with the histories and imaginaries of revolution. Linking revolutionary history with material from a critical dialogue established with Brisley over the last decade, the book recognises Brisley's corpus as a fascinating stage for addressing important questions about the relationship of art, politics and history. How do we make sense of politically committed art in a contemporary context where revolution has supposedly died or is deemed impossible? What can the afterlives of performance art tell us about the historical past, including the promises and contradictions of revolutionary time? -- .

One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Marechal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.

One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Marechal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.

The opposition between 'religion' and 'modernity' has long held the status of a self-evident truth. Recently, however, there has been a growing realization that religion has not died out and may be more compatible with modern society than previously assumed.This development is particularly striking in France where laicite has long been the official doctrine. How did religion become opposed to the secular and modern? If distinctions between sacred and secular are less adequate than commonly believed, how do these two categories interact?Addressing these questions, this book explores the persistence of religious categories on the cultural landscape of early modern France. France was the birthplace of Europe's first secular state and the centre of two movements considered indispensable to secularization - the Enlightenment and Revolution of 1789. As such France is vital for understanding how religious antecedents informed modern political institutions and ideals. By uncovering the role of religion in shaping categories most often associated with modernity this book offers a new perspective on the master narrative of secularization.