Analyzing the use of civilization in Russian-language political and media discourses, intellectual and academic production, and artistic practices, this book discusses the rise of civilizational rhetoric in Russia and global politics. Why does the concept of civilization play such a prevalent role in current Russian geopolitical and creative imaginations? The contributors answer this question by exploring the extent to which discourse on civilization penetrates Russian identity formations in imperial and national configurations, and at state and civil levels of society. Although the chapters offer different interpretations and approaches, the book shows that Russian civilizationism is a form of ideological production responding to the challenges of globalization. The concept of "civilization," while increasingly popular as a conceptual tool in identity formation, is also widely contested in Russia today. This examination of contemporary Russian identities and self-understanding will be of particular interest to students and scholars of Russian area studies and Slavic studies, intellectual and cultural history, nationalism and imperial histories, international relations, discourse analysis, cultural studies, media studies, religion studies, and gender studies.

Analyzing the use of civilization in Russian-language political and media discourses, intellectual and academic production, and artistic practices, this book discusses the rise of civilizational rhetoric in Russia and global politics. Why does the concept of civilization play such a prevalent role in current Russian geopolitical and creative imaginations? The contributors answer this question by exploring the extent to which discourse on civilization penetrates Russian identity formations in imperial and national configurations, and at state and civil levels of society. Although the chapters offer different interpretations and approaches, the book shows that Russian civilizationism is a form of ideological production responding to the challenges of globalization. The concept of "civilization," while increasingly popular as a conceptual tool in identity formation, is also widely contested in Russia today. This examination of contemporary Russian identities and self-understanding will be of particular interest to students and scholars of Russian area studies and Slavic studies, intellectual and cultural history, nationalism and imperial histories, international relations, discourse analysis, cultural studies, media studies, religion studies, and gender studies.

In 1991 the Soviet empire collapsed, at a stroke throwing the certainties of the Cold War world into flux. Yet despite the dramatic end of this 'last empire', the idea of empire is still alive and well, its language and concepts feeding into public debate and academic research. Bringing together a multidisciplinary and international group of authors to study Soviet society and culture through the categories empire and space, this collection demonstrates the enduring legacy of empire with regard to Russia, whose history has been marked by a particularly close and ambiguous relationship between nation and empire building, and between national and imperial identities. Parallel with this discussion of empire, the volume also highlights the centrality of geographical space and spatial imaginings in Russian and Soviet intellectual traditions and social practices; underlining how Russia's vast geographical dimensions have profoundly informed Russia's state and nation building, both in practice and concept. Combining concepts of space and empire, the collection offers a reconsideration of Soviet imperial legacy by studying its cultural and societal underpinnings from previously unexplored perspectives. In so doing it provides a reconceptualization of the theoretical and methodological foundations of contemporary imperial and spatial studies, through the example of the experience provided by Soviet society and culture.

Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011-12. As elsewhere in the world, these protests had unlikely origins, in Russia's case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; explores the media, including the internet, film, novels, and fashion, through which the protesters have expressed themselves; and considers the outcome of the movements, including the new forms of nationalism, intellectualism, and feminism put forward. Overall, the book shows how the Russian protest movements have suggested new directions for Russian - and global - politics.

In 1991 the Soviet empire collapsed, at a stroke throwing the certainties of the Cold War world into flux. Yet despite the dramatic end of this 'last empire', the idea of empire is still alive and well, its language and concepts feeding into public debate and academic research. Bringing together a multidisciplinary and international group of authors to study Soviet society and culture through the categories empire and space, this collection demonstrates the enduring legacy of empire with regard to Russia, whose history has been marked by a particularly close and ambiguous relationship between nation and empire building, and between national and imperial identities. Parallel with this discussion of empire, the volume also highlights the centrality of geographical space and spatial imaginings in Russian and Soviet intellectual traditions and social practices; underlining how Russia's vast geographical dimensions have profoundly informed Russia's state and nation building, both in practice and concept. Combining concepts of space and empire, the collection offers a reconsideration of Soviet imperial legacy by studying its cultural and societal underpinnings from previously unexplored perspectives. In so doing it provides a reconceptualization of the theoretical and methodological foundations of contemporary imperial and spatial studies, through the example of the experience provided by Soviet society and culture.

Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011-12. As elsewhere in the world, these protests had unlikely origins, in Russia's case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; explores the media, including the internet, film, novels, and fashion, through which the protesters have expressed themselves; and considers the outcome of the movements, including the new forms of nationalism, intellectualism, and feminism put forward. Overall, the book shows how the Russian protest movements have suggested new directions for Russian - and global - politics.

The 2010s saw an introduction of legislative acts about religion, sexuality, and culture in Russia, which caused an uproar of protests. They politicised areas of life commonly perceived as private and expected to be free of the state's control. As a result, political activism and radical grassroots movements engaged many Russians in controversies about religion and culture and polarised popular opinion in the capitals and regions alike. This volume presents seven case studies which probe into the politics of religion and culture in today's Russia. The contributions highlight the diversity of Russia's religious communities and cultural practices by analysing Hasidic Jewish identities, popular culture sponsored by the Orthodox Church, literary mobilisation of the National Bolshevik Party, cinematic narratives of the Chechen wars, militarisation of political Orthodoxy, and moral debates caused by opera as well as film productions. The authors draw on a variety of theoretical approaches and methodologies, including opinion surveys, ethnological fieldwork, narrative analysis, Foucault's conceptualisation of biopower, catachrestic politics, and sociological theories of desecularisation. The volumes contributors are Sanna Turoma, Kaarina Aitamurto, Tomi Huttunen, Susan Ikonen, Boris Knorre, Irina Kotkina, Jussi Lassila, Andrey Makarychev, Elena Ostrovskaya, and Mikhail Suslov.