Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. Over time and across space the interactions between these artefacts and the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency.

In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the development of new theoretical frameworks to examine broader questions of materiality, agency, and identity in the past and present.

Grounded in case studies from individual objects and museum collections from North America, Europe, Africa, the Pacific Islands, and Australia, this truly international volume juxtaposes historical, geographical, and cross-cultural studies.

This work will be of great interest to archaeologists and anthropologists studying material culture, as well as researchers in museum studies and cultural heritage management."

This is the first book to describe a viable CBT approach to command Hallucinations. It is a must buy for all those on PSI courses and those who work in forensic settings.
Douglas Turkington, University of Newcastle
Command hallucinations are a particularly distressing and sometimes dangerous type of hallucination about which relatively little is known and for which no evidenced based treatment currently exists.
In "A Casebook of Cognitive Behaviour Therapy for Command Hallucinations" the development of a new and innovative evidenced based cognitive therapy is presented in a practical format ideal for the busy practitioner. This new approach is based on over a decade's research on the role of voice hearers' beliefs about the power and omnipotence of their voices and how this drives distress and "acting on" voices. The therapy protocol is presented in clear steps from formulation to intervention. The body of the book describes its application in eight cases illustrating the breadth of its application, including "complex" cases. The authors also present their interpretation of what their findings tell us about what works and doesn't work, and suggestions for future developments. Subjects covered also include:
- Understanding Command Hallucinations
- A Cognitive Versus a Quasi-Neuroleptic Approach to CBT in psychosis
- Does CBT for CH work? Findings from a Randomized Controlled Trial
This book provides a fascinating and very practical summary of the first intervention to have a major impact on distress and on compliance with command hallucinations. It will be of great interest to all mental health practitioners working with people with psychosis in community andforensic settings.

Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. Over time and across space the interactions between these artefacts and the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency.

In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the development of new theoretical frameworks to examine broader questions of materiality, agency, and identity in the past and present.

Grounded in case studies from individual objects and museum collections from North America, Europe, Africa, the Pacific Islands, and Australia, this truly international volume juxtaposes historical, geographical, and cross-cultural studies.

This work will be of great interest to archaeologists and anthropologists studying material culture, as well as researchers in museum studies and cultural heritage management."

She flew the swift P-51 and the capricious P-38, but the heavy, four-engine B-17 bomber and C-54 transport were her forte. This is the story of Nancy Harkness Love who, early in World War II, recruited and led the first group of twenty-eight women to fly military aircraft for the U.S. Army.
Love was hooked on flight at an early age. At sixteen, after just four hours of instruction, she flew solo "a rather broken down Fleet biplane that my barnstorming instructor imported from parts unknown." The year was 1930: record-setting aviator Jacqueline Cochran (and Love's future rival) had not yet learned to fly, and the most famous woman pilot of all time, Amelia Earhart, had yet to make her acclaimed solo Atlantic flight.
When the United States entered World War II, the Army needed pilots to transport or "ferry" its combat-bound aircraft across the United States for overseas deployment and its trainer airplanes to flight training bases. Most male pilots were assigned to combat preparation, leaving few available for ferrying jobs. Into this vacuum stepped Nancy Love and her civilian Women's Auxiliary Ferrying Squadron (WAFS).
Love had advocated using women as ferry pilots as early as 1940. Jackie Cochran envisioned a more ambitious plan, to train women to perform a variety of the military's flight-related jobs stateside. The Army implemented both programs in the fall of 1942, but Jackie's idea piqued General Hap Arnold's interest and, by summer 1943, her concept had won. The women's programs became one under the name Women Airforce Service Pilots (WASP), with Cochran as the Director of Women Pilots and Love as the Executive for WASP.
Nancy Love advised the Ferrying Division, which was part of the Air Transport Command, as to the best use of their WASP ferry pilots. She supervised their allocation and air-training program. She proved adept at organizing and inspiring those under her command, earning the love and admiration of her pilots. Her military superiors trusted and respected her, to the point that she became Ferrying Division commander Gen. William H. Tunner's troubleshooter.
By example, Love won the right for women ferry pilots to transition into increasingly more complex airplanes. She checked out on twenty-three different military aircraft and became the first woman to fly several of them, including the B-17 Flying Fortress. Her World War II career ended on a high note: following a general's orders, she piloted a giant C-54 Army transport over the fabled China-Burma-India "Hump," the crucial airlift route over the Himalayas.
Nancy Love believed that the women attached to the military needed to be on equal footing with the men and given the same opportunities to prove their abilities and mettle. Young women serving today as combat pilots owe much to Love for creating the opportunity for women to serve. Her foresight and tenacity nearly seventy years ago helped ensure their future. Now author Sarah Byrn Rickman, aviation historian, presents the first full-length biography of Nancy Love and her role in the WAFS and WASP programs. Her book will appeal to all with a love of flight.

Command hallucinations are a particularly distressing and sometimes dangerous type of hallucination about which relatively little is known and for which no evidenced based treatment currently exists. In A Casebook of Cognitive Behaviour Therapy for Command Hallucinations the development of a new and innovative evidence based cognitive therapy is presented in a practical format ideal for the busy practitioner. This new approach is based on over a decade's research on the role of voice hearers' beliefs about the power and omnipotence of their voices and how this drives distress and 'acting on' voices. The therapy protocol is presented in clear steps from formulation to intervention. The body of the book describes its application in eight cases illustrating the breadth of its application, including 'complex' cases. The authors also present their interpretation of what their findings tell us about what works and doesn't work, and suggestions for future developments. Subjects covered also include: understanding command hallucinations a cognitive versus a quasi-neuroleptic approach to CBT in psychosis does CBT for CH work? findings from a randomised controlled trial. This book provides a fascinating and very practical summary of the first intervention to have a major impact on distress and on compliance with command hallucinations. It will be of great interest to all mental health practitioners working with people with psychosis in community and forensic settings.

Reassembling the Collection presents innovative approaches to the study of historical and contemporary engagements between museums and the various individuals and communities who were (and are) involved in their production and consumption. Reassembling the Collection is interdisciplinary in scope and international in coverage. It addresses fundamental questions about the nature, value, and efficacy of museum collections in a postcolonial world, and the entangled agencies of those who have made, traded, received, collected, curated, worked with, researched, viewed, and experienced them in the past and present. In moving beyond the concerns of the politics of representation that have dominated critical museum studies, Reassembling the Collection considers the material networks and affective qualities of "things" alongside their representational role within the museum and explores the ways in which concepts of agency and indigeneity need to be reconfigured in light of the study of these concepts within the museum context. The contributors explore key concepts including the idea of museums as "meshworks" of material and social assemblages; how an "archaeological sensibility" might inform approaches to understanding past and present relationships between people, "things," and institutions in relation to museums; and the "weight of things" and sense of "curatorial responsibility," which arises from a reconsideration of the nature of museum objects. Contributors: Joshua A. Bell, Tony Bennett, Sarah Byrne, Anne Clarke, Rodney Harrison, Kelley Hays-Gilpin, Gwyneira Isaac, Chantal Knowles, Ramson Lomatewama, Evelyn Tetehu, Robin Torrence, Chris Wingfield