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Italian Cinema Audiences - Histories and Memories of Cinema-going in Post-war Italy (Hardcover): Daniela Treveri Gennari,... Italian Cinema Audiences - Histories and Memories of Cinema-going in Post-war Italy (Hardcover)
Daniela Treveri Gennari, Catherine O'Rawe, Danielle Hipkins, Silvia Dibeltulo, Sarah Culhane
R3,104 Discovery Miles 31 040 Ships in 9 - 17 working days

We know a lot about the directors and stars of Italian cinema's heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project 'Italian Cinema Audiences 1945-60', Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema's role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.

Italian Cinema Audiences - Histories and Memories of Cinema-going in Post-war Italy (Paperback): Daniela Treveri Gennari,... Italian Cinema Audiences - Histories and Memories of Cinema-going in Post-war Italy (Paperback)
Daniela Treveri Gennari, Catherine O'Rawe, Danielle Hipkins, Silvia Dibeltulo, Sarah Culhane
R1,176 Discovery Miles 11 760 Ships in 10 - 17 working days

We know a lot about the directors and stars of Italian cinema’s heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project ‘Italian Cinema Audiences 1945-60’, Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema’s role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.

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