A practical, easy-to-read guide that aims to help undergraduate students cope with the demands of English and Creative Writing degrees.

Written by lecturers and industry professionals with decades of experience in writing and higher education, this book also includes hints and tips from previous students. Find out what your tutors are looking for when marking your work, how to avoid common pitfalls, what the difference between clear and creative writing is, how to organise and behave on your work placement, and how to structure and research that all-important first assignment.

This guide demystifies academic language and marking processes so that you can make the most of your degree.

In Manchester Fleur is drifting through life haunted by her murdered boyfriend Daniel. In Japan Chinatsu is trying to escape a passionless marriage to Yugi Hamogoshi, a man with a secret who won't let her go. Fleur and Chinatsu used to be schoolfriends. Fleur and Chinatsu had a bond. Fleur and Chinatsu had dreams. This is the story of what happens before they can be together again. A cross-cultural thriller like no other, Sarah Dobbs' KILLING DANIEL exposes the secret lives of contrasting people with unflinching insight and lyrical prose. This is a cross-cultural thriller like no other

A truly astonishing, illustrated history of Science fiction, covering fantasy, and horror, with forays into crime, mystery and the gothic. Using timelines, online links, illustrations, posters, movie stills, book covers, and more, this amazing new book propels us into the well of modern imagination, from its roots in Frankenstein, through Verne, H.G. Wells, the late gothic and weird horror of Lovecraft to the mass market sensationalism of the Pulp magazines. The Pulps then invoked a new generation of writers (such as Ray Bradbury and Robert Bloch) of the Golden Age before many transitioned to screenwriting for the movies and early TV (Psycho, Star Trek, Twilight Zone), inspiring, in turn, the invasion of superheroes, gigantic spaceships, and dystopian landscapes onto our data-streaming tablets and computers. The book explores the interplay between great writers, (Asimov and Arthur C. Clarke) and story-telling directors (Kubrick, James Cameron, Ridley Scott, Christopher Nolan, George Lucas) who create powerful Sci-Fi, reflecting and challenging the developments of technology, science and society. Each have played a major role in this all-consuming, speculative form of world-building, from its early manifestation as a shocking literary event, to the mass market sensation is today.