This handbook demonstrates that spreading scandals seemed to have been one of the most entertaining source of activities but also and normative efforts made by the Victorians to ensure conformity of decorum. Whether to initiate female nurses into what had been male-dominated professions in medicine and military or for women to assert authority under the guise of spiritual dispensation or for women to murder their husbands and wives or for men to desire men and women to desire women, this handbook of Victorian scandals covers a gamut of moral infractions and transgressions either practiced, rumored, or fantasized in art forms. Although there have been others who have written on Victorian scandals, this handbook provides a broad spectrum of infractions that were considered scandalous to the Victorians and has been written by scholars in diverse disciplines. This handbook identifies Victorian transgressions that made the news and that may still shock modern readers. Evoking both moral outrage and popular entertainment, Victorian scandals, as analyzed in this handbook, will give readers a telescopic view of the lives and attitudes that the Victorians effected to govern themselves and each other.

This is the first collection to investigate Charles Dickens on his vast and various opinions about the uses and abuses of the tenets of Christian faith that imbue English Victorian culture. Although previous studies have looked at his well-known antipathies toward Dissenters, Evangelicals, Catholics, and Jews, they have also disagreed about Dickens' thoughts on Unitarianism and speculated on doctrines of Protestantism that he endorsed or rejected. Besides addressing his depiction of these religious groups, the volume's contributors locate gaps in scholarship and unresolved illations about poverty and charity, representations of children, graveyards, labor, scientific controversy, and other social issues through an investigation of Dickens' theological concerns. In addition, given that Dickens' texts continue to influence every generation around the globe, a timely inclusion in the collection is a consideration of the neo-Victorian multi-media representations of Dickens' work and his ideas on theological questions pitched to a postmodern society.

A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.

Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were "mad." Such portraits demand a "rediagnosing" of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights.

Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality-including opium paraphernalia, slave ships, clothing, and biographical objects-and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.

Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film is the first volume to focus solely on the replication, reconstruction, and re-presentation of Victorian things. It investigates the role of materiality in contemporary returns to the past as a means of assessing the function of things in remembering, revisioning, and/or reimagining the nineteenth century. Examining iterations of material culture in literature, film and popular television series, this volume offers a reconsideration of nineteenth-century things and the neo-Victorian cultural forms that they have inspired, animated, and even haunted. By turning to new and relatively underexplored strands of neo-Victorian materiality—including opium paraphernalia, slave ships, clothing, and biographical objects—and interrogating the critical role such objects play in reconstructing the past, this volume offers ways of thinking about how mis/apprehensions of material culture in the nineteenth century continue to shape our present understanding of things.

A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.

Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were "mad." Such portraits demand a "rediagnosing" of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights.

Old Roger Melton has died, leaving behind one of the greatest fortunes in Europe. His arrogant relative Ernest Melton expects to be the heir, but much to the family's surprise Roger leaves his vast estate to his obscure young nephew, Rupert Sent Leger. But Rupert's newfound wealth comes with strange conditions attached, one of which is that he must inhabit the old castle of Vissarion in the remote Balkan nation known as the Land of the Blue Mountains. Rupert, an intrepid adventurer, agrees and travels to Vissarion with his Aunt Janet, who possesses the occult power of Second Sight. But all is not as it seems at Vissarion. Rupert finds himself visited by a ghostly woman clothed in a burial shroud who sleeps in a tomb. Haunted by her strange beauty, Rupert wonders whether she is a phantom, a vampire, or something else entirely. He is determined to solve this mystery, but the solution is even more dangerous than he could possibly imagine First published in a now scarce edition in 1909, "The Lady of the Shroud" is one of Stoker's most popular supernatural novels and a worthy successor to "Dracula" (1897). Often reprinted in severely abridged editions, "The Lady of the Shroud" returns to print in this new edition, containing the original unabridged text, together with a new introduction by Sarah E. Maier, annotations, the text of contemporary reviews, a chronology of Bram Stoker's life and works, a bibliography, and Stoker's important 1908 article "The Censorship of Fiction."