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Metropolitan Museum Journal, Volume 54, 2019 (Paperback): Niv Allon, Stephanie D'Alessandro, Sarah Graff, Navina Najat... Metropolitan Museum Journal, Volume 54, 2019 (Paperback)
Niv Allon, Stephanie D'Alessandro, Sarah Graff, Navina Najat Haidar, Melanie Holcomb, …
R1,545 Discovery Miles 15 450 Ships in 12 - 17 working days

The Metropolitan Museum Journal is issued annually and publishes original research on works of art in the Museum's collection. Highlights of volume 54 include conservators' discoveries of Renaissance sculptor Andrea della Robbia's workshop techniques, a new reading of lavishly dressed women on tile panels from 17th-century Iran as courtesans, and John Singer Sargent's decisive role in choosing his socialite sitters' fashionable dress.

Art and Its Histories, Volume I - Caves to Cathedrals Revisited (Paperback): Maya Muratov, Heather Horton, Sarah Graff, Mika... Art and Its Histories, Volume I - Caves to Cathedrals Revisited (Paperback)
Maya Muratov, Heather Horton, Sarah Graff, Mika Natif
R4,529 Discovery Miles 45 290 Ships in 10 - 15 working days

Art and Its Histories, Volume I: Caves to Cathedrals Revisited tells a succinct and absorbing story about the varied, complex roles that images and objects have played in cultures from Prehistory to the Middle Ages. Each chapter in the textbook provides historical, social, religious, and cultural context for the images and objects analyzed, as well as recent research about materiality, gender, and social class to demonstrate connections between art history and contemporary visual culture. In addition to an engaging introduction and conclusion that emphasize connectivity across cultures, thirteen chapters, written by subject experts, explore over 500 individual images and objects within their respective historical contexts. Each chapter is accompanied by suggested activities and assignments that enrich the student reading and learning experience. Art and Its Histories, Volume I demonstrates that across historical periods cultures do not exist in isolation; instead they are in constant dialogue with each other, promoting cross-cultural pictorial languages and styles. It is the first textbook in a two-volume series designed to support courses and programs in art history. All of the contributors and editors are alumni of New York University's Institute of Fine Arts.

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