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Although the last three decades have offered a growing body of
scholarship on images of fantastic women in popular culture, these
studies either tend to focus on one particular variety of fantastic
female (the action or sci-fi heroine), or on her role in a specific
genre (villain, hero, temptress). This edited collection strives to
define the ""Woman Fantastic"" more fully. The Woman Fantastic may
appear in speculative or realist settings, but her presence is
always recognizable. Through futuristic contexts, fantasy worlds,
alternate histories, or the display of superpowers, these
insuperable women challenge the laws of physics, chemistry, and/or
biology. In chapters devoted to certain television programs, adult
and young adult literature, and comics, contributors discuss
feminist negotiation of today's economic and social realities.
Senior scholars and rising academic stars offer compelling analyses
of fantastic women from Wonder Woman and She-Hulk to Talia Al Ghul
and Martha Washington; from Carrie Vaughn's Kitty Norville series
to Cinda Williams Chima's The Seven Realms series; and from
Battlestar Gallactica's female Starbuck to Game of Thrones's Sansa
and even Elaine Barrish Hammond of USA's Political Animals. This
volume furnishes an important contribution to ongoing discussions
of gender and feminism in popular culture.
Urban Creatures skirts the edge of reality, dexterously defying
form and genre. Primal urges feed on the city, stalking its
inhabitants. From a psychotherapist gorging on tragedy, to a
predatory hair thief, and a grief-stricken father's search for his
lost daughter, humanity's subterranean secrets and shames are
unearthed. Urban survival makes creatures of us all. Sarah Gray's
short stories shift from the unsettling to the surreal to the
frightening, all cut through with her characteristic black humor.
Trevor is the most amazing tortoise you could ever hope to meet. In
the darkest part of night, he fires up his rocket boots and blasts
off on a secret, dangerous mission in to the jungle! Will he be
able to complete his task while avoiding the sharp claws of a
ferocious lion? Join him on his hairy adventure to find out!
Contributions by: Marleen S. Barr, Shiloh Carroll, Sarah Gray,
Elyce Rae Helford, Michael R. Howard II, Ewan Kirkland, Nicola
Mann, Megan McDonough, Alex Naylor, Rhonda Nicol, Joan Ormrod, J.
Richard Stevens, Tosha Taylor, Katherine A. Wagner, and Rhonda V.
Wilcox. Although the last three decades have offered a growing body
of scholarship on images of fantastic women in popular culture,
these studies either tend to focus on one particular variety of
fantastic female (the action or sci-fi heroine), or on her role in
a specific genre (villain, hero, temptress). This edited collection
strives to define the ""Woman Fantastic"" more fully. The Woman
Fantastic may appear in speculative or realist settings, but her
presence is always recognizable. Through futuristic contexts,
fantasy worlds, alternate histories, or the display of superpowers,
these insuperable women challenge the laws of physics, chemistry,
and/or biology. In chapters devoted to certain television programs,
adult and young adult literature, and comics, contributors discuss
feminist negotiation of today's economic and social realities.
Senior scholars and rising academic stars offer compelling analyses
of fantastic women from Wonder Woman and She-Hulk to Talia Al Ghul
and Martha Washington; from Carrie Vaughn's Kitty Norville series
to Cinda Williams Chima's The Seven Realms series; and from
Battlestar Gallactica's female Starbuck to Game of Thrones's Sansa
and even Elaine Barrish Hammond of USA's Political Animals. This
volume furnishes an important contribution to ongoing discussions
of gender and feminism in popular culture.
Inspired by author Sarah Gray's ability to creatively harness her
experience of Motor Neurone Disease, Claret Press sponsored a short
story competition. It called for entries that dealt with mental or
physical disability in innovative ways. With Sarah, Katie Isbester
PhD (editor-in-chief of Claret Press), and Dr James Scott (an
orthopedic surgeon) as judges, the competition offered prizes of
250, 150 and 50. Over 70 stories flowed in. The quality was
exceptionally high, and the stories were, without exception,
moving. The best of a great selection have been collected here.
Some stories are hilarious, some heartbreaking. They include
sci-fi, romance, satire and memoir. All challenge us to see mental
and physical disability through a different lens - one infused with
humanity. This beautiful full-colour book includes fifteen original
photographs by internationally renowned artist, Tansy Spinks, whose
photography can been seen in the Museum of Fine Art in Houston, the
National Media Museum in Bradford, and now at the V&A. Net
proceeds from the sale of the book go to support the MNDA. We are
proud to announce that our fundraiser has raised almost 2000 and
counting. FInd Sarah's work here: Surface Tension, Half Life, and
Urban Creatures - coming soon.
On the Flathead Reservation in northwestern Montana, the sixty
remaining fluent speakers of Montana Salish, most of them elderly,
speak their language only to each other, changing to English when
outsiders or younger tribal members are present. The Aleuts who
used to live on Bering Island off the east coast of Russia speak
Russian in addition to their native Aleut. The Republic of
Singapore, an island nation of just 238 square miles, boasts four
official languages. Language contact is everywhere: no nation has a
completely monolingual citizenry and many have more than one
official language.
Sarah G. Thomason documents the linguistic consequences of
language contacts worldwide. Surveying situations in which language
contact arises, she focuses on what happens to the languages
themselves: sometimes nothing, sometimes the incorporation of new
words, sometimes the spread of new sounds and sentence structures
across many languages and wide swathes of territory. She outlines
the origins and results of contact-induced language change, extreme
language mixture -- which can produce pidgins, creoles, and
bilingual mixed languages -- and language death. The book concludes
with a brief survey of language endangerment.
Complete with lists of additional readings and references as
well as a glossary for students new to the subject, this textbook
is a richly documented introduction to a lively, fast-developing
field.
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