An entrancing new telling of ancient Greek myths "This book is a triumph! . . . [A] magnificent retelling of the Greek myths."-Alexander McCall Smith, author of the No. 1 Ladies' Detective Agency series "Move over, Edith Hamilton! Sarah Iles Johnston has hit the magical refresh button on Greek myths."-Maria Tatar, author of The Heroine with 1001 Faces Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals is a major new telling of ancient Greek myths by one of the world's preeminent experts. In a fresh, vibrant, and compelling style that draws readers into the lives of the characters, Sarah Iles Johnston offers new narrations of all the best-known tales as well as others that are seldom told, taking readers on an enthralling journey from the origin of the cosmos to the aftermath of the Trojan War. Some of the mortals in these stories are cursed by the gods, while luckier ones are blessed with resourcefulness and resilience. Gods transform themselves into animals, humans, and shimmering gold to visit the earth in disguise-where they sometimes transform offending mortals into new forms, too: a wolf, a spider, a craggy rock. Other mortals-both women and men-use their wits and strength to conquer the monsters created by the gods-gorgons, dragons, harpies, fire-breathing bulls. Featuring captivating original illustrations by Tristan Johnston, Gods and Mortals highlights the rich connections between the different characters and stories, draws attention to the often-overlooked perspectives of female characters, and stays true both to the tales and to the world in which ancient people lived. The result is an engaging and entertaining new take on the Greek myths.

Fascinating texts written on small gold tablets that were deposited in graves provide a unique source of information about what some Greeks and Romans believed regarding the fate that awaited them after death, and how they could influence it. These texts, dating from the late fifth century BCE to the second century CE, have been part of the scholarly debate on ancient afterlife beliefs since the end of the nineteenth century. Recent finds and analysis of the texts have reshaped our understanding of their purpose and of the perceived afterlife. The tablets belonged to those who had been initiated into the mysteries of Dionysus Bacchius and relied heavily upon myths narrated in poems ascribed to the mythical singer Orpheus. After providing the Greek text and a translation of all the available tablets, the authors analyze their role in the mysteries of Dionysus, and present an outline of the myths concerning the origins of humanity and of the sacred texts that the Greeks ascribed to Orpheus. Related ancient texts are also appended in English translations. Providing the first book-length edition and discussion of these enigmatic texts in English, and their first English translation, this book is essential to the study of ancient Greek religion.

Fascinating texts written on small gold tablets that were deposited in graves provide a unique source of information about what some Greeks and Romans believed regarding the fate that awaited them after death, and how they could influence it. These texts, dating from the late fifth century BCE to the second century CE, have been part of the scholarly debate on ancient afterlife beliefs since the end of the nineteenth century. Recent finds and analysis of the texts have reshaped our understanding of their purpose and of the perceived afterlife. The tablets belonged to those who had been initiated into the mysteries of Dionysus Bacchius and relied heavily upon myths narrated in poems ascribed to the mythical singer Orpheus. After providing the Greek text and a translation of all the available tablets, the authors analyze their role in the mysteries of Dionysus, and present an outline of the myths concerning the origins of humanity and of the sacred texts that the Greeks ascribed to Orpheus. Related ancient texts are also appended in English translations. Providing the first book-length edition and discussion of these enigmatic texts in English, and their first English translation, this book is essential to the study of ancient Greek religion.

Religious beliefs and practices, which permeated all aspects of life in antiquity, traveled well-worn routes throughout the Mediterranean: itinerant charismatic practitioners journeying from place to place peddled their skills as healers, purifiers, cursers, and initiators; and vessels decorated with illustrations of myths traveled with them. New gods encountered in foreign lands by merchants and conquerors were sometimes taken home to be adapted and adopted. A full understanding of this complex spiritual world unfolds in Religions of the Ancient World, the first basic reference work that collects and organizes available information to offer an expansive, comparative perspective. At once sweeping in scope and groundbreaking in format, the Guide eschews the usual encyclopedic approach, instead presenting, side by side, materials from ten cultures and traditions. Thus specific beliefs, cults, gods, and ritual practices that arose and developed in Mediterranean religions--of Egypt, Anatolia and the Near East, Mesopotamia, Iran, Greece, and the Roman world, from the third millennium to the fourth century C.E.--are interpreted in comparison with one another, and with reference to aspects that crisscross cultural boundaries, such as Cosmology, Myth, Law and Ethics, and Magic. Written by leading scholars of ancient religion, the essays in this guide sketch the various religious histories, raise central theoretical issues, and examine individual topics such as Sacred Times and Spaces; Prayers, Hymns, Incantations, and Curses; Sin, Pollution, and Purity; Death, the Afterlife, and Other Last Things; Divination and Prophecy; Deities and Demons; and Sacred Texts and Canonicity. Clearly and stylishly written, grandly illustrated, this comprehensive work welcomes readers as never before into the diversity and interconnections of religion in the ancient world.

Religious beliefs and practices, which permeated all aspects of life in antiquity, traveled well-worn routes throughout the Mediterranean: itinerant charismatic practitioners journeying from place to place peddled their skills as healers, purifiers, cursers, and initiators; and vessels decorated with illustrations of myths traveled with them. New gods encountered in foreign lands by merchants and conquerors were sometimes taken home to be adapted and adopted. This collection of essays by a distinguished international group of scholars, drawn from the groundbreaking reference work "Religion in the Ancient World," offers an expansive, comparative perspective on this complex spiritual world.

The most practical guide to completing your research project, where straightforward, student-centred advice is quickly found and easily applied. The Psychology Project Manual supports students through the whole of the empirical project. It is a practical guide addressing common challenges that students face when undertaking the project. Students can quickly and easily find the answer to a question they have. The authors' approachable writing style also provides information that is direct and straightforward. The manual takes a student-centred approach by incorporating the student voice. In each chapter there are "smart solutions," which are challenges that students encountered when conducting their project and detail how they solved or dealt with those challenges. There is also a "handy hints" feature, which includes advice from students about aspects of the project. In addition, "Future focus" boxes identify links between students' research project experience and their future plans. This ties into the focus, throughout the text, on the employability skills that students develop when undertaking a project, whether they are going into further study or work in psychology, or going into a graduate job.

From the dawn of European literature, the figure of Medea--best known as the helpmate of Jason and murderer of her own children--has inspired artists in all fields throughout all centuries. Euripides, Seneca, Corneille, Delacroix, Anouilh, Pasolini, Maria Callas, Martha Graham, Samuel Barber, and Diana Rigg are among the many who have given Medea life on stage, film, and canvas, through music and dance, from ancient Greek drama to Broadway. In seeking to understand the powerful hold Medea has had on our imaginations for nearly three millennia, a group of renowned scholars here examines the major representations of Medea in myth, art, and ancient and contemporary literature, as well as the philosophical, psychological, and cultural questions these portrayals raise. The result is a comprehensive and nuanced look at one of the most captivating mythic figures of all time.

Unlike most mythic figures, whose attributes remain constant throughout mythology, Medea is continually changing in the wide variety of stories that circulated during antiquity. She appears as enchantress, helper-maiden, infanticide, fratricide, kidnapper, founder of cities, and foreigner. Not only does Medea's checkered career illuminate the opposing concepts of self and other, it also suggests the disturbing possibility of otherness within self. In addition to the editors, the contributors include Fritz Graf, Nita Krevans, Jan Bremmer, Dolores M. O'Higgins, Deborah Boedeker, Carole E. Newlands, John M. Dillon, Martha C. Nussbaum, Christiane Sourvinou-Inwood, and Marianne McDonald.

Greek myths have long been admired as beautiful, thrilling stories but dismissed as serious objects of belief. For centuries scholars have held that Greek epics, tragedies, and the other compelling works handed down to us obscure the "real" myths that supposedly inspired them. Instead of joining in this pursuit of hidden meanings, Sarah Iles Johnston argues that the very nature of myths as stories-as gripping tales starring vivid characters-enabled them to do their most important work: to create and sustain belief in the gods and heroes who formed the basis of Greek religion. By drawing on work in narratology, sociology, and folklore studies, and by comparing Greek myths not only to the myths of other cultures but also to fairy tales, ghost stories, fantasy works, modern novels, and television series, The Story of Myth reveals the subtle yet powerful ways in which these ancient Greek tales forged enduring bonds between their characters and their audiences, created coherent story-worlds, and made it possible to believe in extraordinary gods. Johnston captures what makes Greek myths distinctively Greek, but simultaneously brings these myths into a broader conversation about how the stories told by all cultures affect our shared view of the cosmos and the creatures who inhabit it.

During the archaic and classical periods, Greek ideas about the dead evolved in response to changing social and cultural conditionsOComost notably changes associated with the development of the polis, such as funerary legislation, and changes due to increased contacts with cultures of the ancient Near East. In "Restless Dead," Sarah Iles Johnston presents and interprets these changes, using them to build a complex picture of the way in which the society of the dead reflected that of the living, expressing and defusing its tensions, reiterating its values and eventually becoming a source of significant power for those who knew how to control it. She draws on both well-known sources, such as Athenian tragedies, and newer texts, such as the Derveni Papyrus and a recently published "lex sacra" from Selinous.Topics of focus include the origin of the "goes" (the ritual practitioner who made interaction with the dead his specialty), the threat to the living presented by the ghosts of those who died dishonorably or prematurely, the development of Hecate into a mistress of ghosts and its connection to female rites of transition, and the complex nature of the Erinyes. "Restless Dead" culminates with a new reading of Aeschylus' "Oresteia" that emphasizes how Athenian myth and cult manipulated ideas about the dead to serve political and social ends.