Rerouting the Postcolonial re-orientates and re-invigorates the field of Postcolonial Studies in line with recent trends in critical theory, reconnecting the ethical and political with the aesthetic aspect of postcolonial culture.

Bringing together a group of leading and emerging intellectuals, this volume charts and challenges the diversity of postcolonial studies, including sections on:

• new directions and growth areas from performance and autobiography to diaspora and transnationalism
• new subject matters such as sexuality and queer theory, ecocriticism and discussions of areas of Europe as postcolonial spaces
• new theoretical directions such as globalization, fundamentalism, terror and theories of a ~affecta (TM).

Each section incorporates a clear, concise introduction, making this volume both an accessible overview of the field whilst also an invigorating collection of scholarship for the new millennium.

The Routledge Reader in Caribbean Literature is an outstanding compilation of over seventy primary and secondary texts of writing from the Caribbean. Locating key writers within a specifically Caribbean framework, the editors Alison Donnell and Sarah Lawson Welsh demonstrate that these singular voices have emerged not out of a cultural void or sparse literary background, but out of a wealth of literary tradition which until now was unknown or critically neglected. Writers from 1900 to the present, both famous and less well-known, are given a voice in this remarkable anthology which encompasses poetry, short stories, essays, articles and interviews. Amongst the many represented here are: * C.L.R. James * George Lamming * Jean Rhys * Benjamin Zephaniah * Claude McKay * Jamaica Kincaid * Sylvia Wynter * Derek Walcott * David Dabydeen * Grace Nichols The editors provide an accessible historical and cultural introduction to the writings, making this volume an ideal teaching tool as well as a fascinating collection for anyone interested in the literature of the Caribbean.

This is a compilation of over 70 primary and secondary texts of writing from the Caribbean. It locates key writers within a specifically Caribbean Caribbean framework, and demonstrates that these singular voices have emerged not out of a cultural void or sparse literary background, but rather out of a wealth of literary tradition which until now was unknown or critically neglected. Writers both famous and less well-known are given a voice in this anthology, which encompasses poetry, short stories, essays, articles and interviews. Amongst those represented are: C.L.R James, George Lamming, Jean Rhys, Benjamin Zephaniah, W.D. Ashcroft, Jamaica Kincaid, V.S. Naipaul, Derek Walcott, David Dabydeen and Grace Nichols. The editors provide an historical and cultural introduction to the writings, making this volume a useful teaching tool as well as a collection for anyone interested in the literature of the Caribbean.

How do diasporic writers negotiate their identities through and with food? What tensions emerge between the local and the global, between the foodways of the past and of the present? How are concepts of culinary 'tradition' and 'authenticity' articulated in Caribbean cookery writing? Drawing on a rich and varied tradition of Caribbean writings, Food, Text & Culture in the Anglophone Caribbean shows how the creation of food and the creation of narrative are intimately linked cultural practices which can tell us much about each other. Historically, Caribbean writers have explored, defined and re-affirmed their different cultural, ethnic, caste, class and gender identities by writing about what, when and how they eat. Images of feeding, feasting, fasting and other food rituals and practices, as articulated in a range of Caribbean writings, constitute a powerful force of social cohesion and cultural continuity. Moreover, food is often central to the question of what it means to be Caribbean, especially in diasporic and globalized contexts. Suitable for undergraduates, postgraduates and scholars, the book offers the first study of food and writing in an Anglophone Caribbean context.

Rerouting the Postcolonial re-orientates and re-invigorates the field of Postcolonial Studies in line with recent trends in critical theory, reconnecting the ethical and political with the aesthetic aspect of postcolonial culture.

Bringing together a group of leading and emerging intellectuals, this volume charts and challenges the diversity of postcolonial studies, including sections on:

• new directions and growth areas from performance and autobiography to diaspora and transnationalism
• new subject matters such as sexuality and queer theory, ecocriticism and discussions of areas of Europe as postcolonial spaces
• new theoretical directions such as globalization, fundamentalism, terror and theories of a ~affecta (TM).

Each section incorporates a clear, concise introduction, making this volume both an accessible overview of the field whilst also an invigorating collection of scholarship for the new millennium.

Sci-fi horror film based on the novel by John Lymington, starring Christopher Lee and Peter Cushing. When a freak heatwave sends the temperature soaring on the remote island of Fara, the locals, including Dr Vernon Stone (Cushing) and novelist Jeffrey Callum (Patrick Allen), are left dazed by the rising temperature. When Callum is reunited with his former mistress Angela Roberts (Jane Merrow), the atmosphere becomes even more tense. It is left to Godfrey Hanson (Lee), a visitor to the island, to solve the mystery of the deadly soaring temperatures.

‘If she wants to win, she must adopt a man’s heart (in other words, constant, strong and wise) to consider and to pursue the best course of action’

Written by Europe’s first professional woman writer, The Treasure of the City of Ladies offers advice and guidance to women of all ages and from all levels of medieval society, from royal courtiers to prostitutes. It paints an intricate picture of daily life in the courts and streets of fifteenth-century France and gives a fascinating glimpse into the practical considerations of running a household, dressing appropriately and maintaining a reputation in all circumstances. Christine de Pizan’s book provides a valuable counterbalance to male accounts of life in the middle ages and demonstrates, often with dry humour, how a woman’s position in society could be made less precarious by following the correct etiquette.

This revised edition of Sarah Lawson’s landmark translation contains an introduction covering the life and work of Christine de Pizan and an overview of the recent scholarly reappraisal of her writing. Also included are new explanatory notes on the text, a bibliography and a glossary of names.

This first full-length study of Grace Nichols's work argues that, rather than exploring the tension between its 'Caribbeaness' and 'Britishness', it is more productively read in terms of a series of border crossings. Nichols's major female protagonists are seen as epic journeyers travelling across different cultural and psychic landscapes. It shows how her poetry explores the boundaries of race, class and gender as part of the lived experience of being a black woman in Britain and the study focuses on the specifics of black British women's writing, different feminist reading strategies, rewriting history and revisioning myth in Nichols's poetry and the nature of diaspora, cultural hybridity and the complex meaning of 'home' for the migrant writer.

Description

Sera Anstadt's touching story of her son's schizophrenia and autism was published in Holland in 1980 and soon went through numerous reprinting and became a minor classic.

Raf (short for Rafael) was a sensitive, intense child who grew into a seriously disturbed adolescent. It is the mid 60s, and his mother feels that the social workers and medical professionals are blaming her for his condition. The theories of R.D. Laing are widely accepted and she is made to feel guilty for her son's illness and only learns the diagnosis by accident when she is chatting with her GP at a party.

Raf's schizophrenia becomes progressively worse; he hallucinates and hears voices. In The Netherlands he cannot be hospitalised unless he gives his permission, but he is making life unbearable for his mother. He wanders around the country but usually comes home in a confused state and is unsure where he has been. Foreign travel is predictably disastrous. Over the years he enters various mental institutions, where the policies vary from extreme laissez-faire to trial-and-error experiments in medication. To schizophrenia is added autism. He tends to feel better at each hospitalisation only to slip back to a worse state after the novelty wears off. Sometimes when he is feeling better he goes back to live with his mother for a time. At length he finds a clinic where he seems to be reasonably happy and the management is not wedded to any rigid theory. He achieves a certain equilibrium, and the story ends when he makes a brief visit back to his family and remarks that... "all my friends are crazy."

This is a brave and honest book which provides the reader with a well-balanced account of what it means to love someone deeply and to support him on his journey through an imaginary world that dictates his reality.

About the Author

Serafina 'Sera' Anstadt was born in Lvov, Ukraine in 1923, when the city was still in Poland. She and her parents and older brother Milo emigrated from Poland to The Netherlands in 1930, where she has lived ever since. As Jews, they had to go into hiding after the Nazi invasion of The Netherlands. This is Sera's first book, originally written in 1980, over the past 25 years she has written a further eight books - both fiction and non-fiction. She has also worked as an actress.

The Duc de Richleau (Christopher Lee) is concerned by the disappearance of his young friend Simon (Patrick Mower) from the social scene. Accompanied by former army colleague Rex (Leon Greene), de Richleau discovers that Simon has joined a group of Devil worshippers, led by the evil Mocata (Charles Gray). Through de Richleau's attempts to wrest Simon from Mocata's influence, Rex becomes romantically involved with Tanith, another member of the cult.

How do diasporic writers negotiate their identities through and with food? What tensions emerge between the local and the global, between the foodways of the past and of the present? How are concepts of culinary 'tradition' and 'authenticity' articulated in Caribbean cookery writing? Drawing on a rich and varied tradition of Caribbean writings, Food, Text & Culture in the Anglophone Caribbean shows how the creation of food and the creation of narrative are intimately linked cultural practices which can tell us much about each other. Historically, Caribbean writers have explored, defined and re-affirmed their different cultural, ethnic, caste, class and gender identities by writing about what, when and how they eat. Images of feeding, feasting, fasting and other food rituals and practices, as articulated in a range of Caribbean writings, constitute a powerful force of social cohesion and cultural continuity. Moreover, food is often central to the question of what it means to be Caribbean, especially in diasporic and globalized contexts. Suitable for undergraduates, postgraduates and scholars, the book offers the first study of food and writing in an Anglophone Caribbean context.