Rerouting the Postcolonial re-orientates and re-invigorates the field of Postcolonial Studies in line with recent trends in critical theory, reconnecting the ethical and political with the aesthetic aspect of postcolonial culture.

Bringing together a group of leading and emerging intellectuals, this volume charts and challenges the diversity of postcolonial studies, including sections on:

• new directions and growth areas from performance and autobiography to diaspora and transnationalism
• new subject matters such as sexuality and queer theory, ecocriticism and discussions of areas of Europe as postcolonial spaces
• new theoretical directions such as globalization, fundamentalism, terror and theories of a ~affecta (TM).

Each section incorporates a clear, concise introduction, making this volume both an accessible overview of the field whilst also an invigorating collection of scholarship for the new millennium.

The Routledge Reader in Caribbean Literature is an outstanding compilation of over seventy primary and secondary texts of writing from the Caribbean. Locating key writers within a specifically Caribbean framework, the editors Alison Donnell and Sarah Lawson Welsh demonstrate that these singular voices have emerged not out of a cultural void or sparse literary background, but out of a wealth of literary tradition which until now was unknown or critically neglected. Writers from 1900 to the present, both famous and less well-known, are given a voice in this remarkable anthology which encompasses poetry, short stories, essays, articles and interviews. Amongst the many represented here are: * C.L.R. James * George Lamming * Jean Rhys * Benjamin Zephaniah * Claude McKay * Jamaica Kincaid * Sylvia Wynter * Derek Walcott * David Dabydeen * Grace Nichols The editors provide an accessible historical and cultural introduction to the writings, making this volume an ideal teaching tool as well as a fascinating collection for anyone interested in the literature of the Caribbean.

This is a compilation of over 70 primary and secondary texts of writing from the Caribbean. It locates key writers within a specifically Caribbean Caribbean framework, and demonstrates that these singular voices have emerged not out of a cultural void or sparse literary background, but rather out of a wealth of literary tradition which until now was unknown or critically neglected. Writers both famous and less well-known are given a voice in this anthology, which encompasses poetry, short stories, essays, articles and interviews. Amongst those represented are: C.L.R James, George Lamming, Jean Rhys, Benjamin Zephaniah, W.D. Ashcroft, Jamaica Kincaid, V.S. Naipaul, Derek Walcott, David Dabydeen and Grace Nichols. The editors provide an historical and cultural introduction to the writings, making this volume a useful teaching tool as well as a collection for anyone interested in the literature of the Caribbean.

How do diasporic writers negotiate their identities through and with food? What tensions emerge between the local and the global, between the foodways of the past and of the present? How are concepts of culinary 'tradition' and 'authenticity' articulated in Caribbean cookery writing? Drawing on a rich and varied tradition of Caribbean writings, Food, Text & Culture in the Anglophone Caribbean shows how the creation of food and the creation of narrative are intimately linked cultural practices which can tell us much about each other. Historically, Caribbean writers have explored, defined and re-affirmed their different cultural, ethnic, caste, class and gender identities by writing about what, when and how they eat. Images of feeding, feasting, fasting and other food rituals and practices, as articulated in a range of Caribbean writings, constitute a powerful force of social cohesion and cultural continuity. Moreover, food is often central to the question of what it means to be Caribbean, especially in diasporic and globalized contexts. Suitable for undergraduates, postgraduates and scholars, the book offers the first study of food and writing in an Anglophone Caribbean context.

Rerouting the Postcolonial re-orientates and re-invigorates the field of Postcolonial Studies in line with recent trends in critical theory, reconnecting the ethical and political with the aesthetic aspect of postcolonial culture.

Bringing together a group of leading and emerging intellectuals, this volume charts and challenges the diversity of postcolonial studies, including sections on:

• new directions and growth areas from performance and autobiography to diaspora and transnationalism
• new subject matters such as sexuality and queer theory, ecocriticism and discussions of areas of Europe as postcolonial spaces
• new theoretical directions such as globalization, fundamentalism, terror and theories of a ~affecta (TM).

Each section incorporates a clear, concise introduction, making this volume both an accessible overview of the field whilst also an invigorating collection of scholarship for the new millennium.

How do diasporic writers negotiate their identities through and with food? What tensions emerge between the local and the global, between the foodways of the past and of the present? How are concepts of culinary 'tradition' and 'authenticity' articulated in Caribbean cookery writing? Drawing on a rich and varied tradition of Caribbean writings, Food, Text & Culture in the Anglophone Caribbean shows how the creation of food and the creation of narrative are intimately linked cultural practices which can tell us much about each other. Historically, Caribbean writers have explored, defined and re-affirmed their different cultural, ethnic, caste, class and gender identities by writing about what, when and how they eat. Images of feeding, feasting, fasting and other food rituals and practices, as articulated in a range of Caribbean writings, constitute a powerful force of social cohesion and cultural continuity. Moreover, food is often central to the question of what it means to be Caribbean, especially in diasporic and globalized contexts. Suitable for undergraduates, postgraduates and scholars, the book offers the first study of food and writing in an Anglophone Caribbean context.

This first full-length study of Grace Nichols's work argues that, rather than exploring the tension between its 'Caribbeaness' and 'Britishness', it is more productively read in terms of a series of border crossings. Nichols's major female protagonists are seen as epic journeyers travelling across different cultural and psychic landscapes. It shows how her poetry explores the boundaries of race, class and gender as part of the lived experience of being a black woman in Britain and the study focuses on the specifics of black British women's writing, different feminist reading strategies, rewriting history and revisioning myth in Nichols's poetry and the nature of diaspora, cultural hybridity and the complex meaning of 'home' for the migrant writer.