This cutting-edge book explores and advances contemporary geographical understandings of resistance. Calling for geographers to focus on the emergence of resistance and to avoid making assumptions on the forms it takes, chapters critically interrogate concepts of resistance and illustrate the political potential of re-thinking them. Engaging with anarchist, feminist and postcolonial scholarship, this book traces existing debates on resistance in geography and suggests how they can be productively reanimated. Contributors explore multiple and everyday spaces, subjects, and temporalities of resistance, reconsidering the study of resistance in light of recent ontological developments, including in non-representational theory, the non-human, post-politics and more-than-human geographies. Using detailed case studies, the book examines what critical geographies of resistance might look like in practice, providing insight on how geography can respond to and engage with the contemporary world. This book will be a fascinating read for scholars and students of human, social and cultural geography, geopolitics, sociology, and those studying resistance across the social sciences. It will also be of interest to activists looking to formulate alternative resistant claims and practices.

The rascals from the world s friendliest family circus are back in the second installment of this smafunderful * fully illustrated series.Everyone knows Sir Sidney s Circus is the best in the world. But who s the "star" of the show? "The Circus Times "is having a contest to find out. Just thinking about it gives Sir Sidney a worrywart, and it s quickly clear why. Soon after he goes off to rest, the performers start thinking too much about winning the trophy and not enough about putting on a good show.Meanwhile, it looks as if ringmaster-in-training Barnabas Brambles might need some help managing the crew, so Bert and Gert, the sly brother-and-sister mice who travel with the show, set out to write a book to teach him how it s done.Does Bert and Gert s plan work? And who" is" the star of the circus? All will be revealed in "The Greatest Star on Earth."*Kirkus Reviews"

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The economic crisis in Argentina in 2001-2002 that spilled over into Uruguay causing fiscal and political problems is the starting point for my research on space and theater, and it demonstrates why we must look at the River Plate in both global and local ways. Connections among monetary policies, industries, and legal, social, and political movements mean that national spaces like Uruguay's are fraught with tensions that come from both within and outside of borders. Recent economic crises like the one that is occurring in Greece, further demonstrate how nation states and trade blocks must constantly negotiate power as they toggle between national and international pressures. Nation states are being prompted to reconceive perspectives on governance that fall away from the parameters of Westphalian autonomy and reconcile their views with trends that instead require thinking about power as a network with shifting centers. The introduction launches the study by addressing these political and economic trends, the spatial turn in theater and performance studies, the rise of multiculturalism, and also examines the Uruguayan historical context of the post-dictatorship and impunity laws that pit national sovereignty against international human rights laws. These crises are enacted on the Uruguayan stage and contextualized through networks and spatial topographies, intertextualties on the page, explorations of history and memory, and ultimately notions of identity in four areas: the postdramatic and economic realm (chapter one: Peveroni), cultural geography and pyschogeography (chapter two: Morena), midrash and questions of human rights and growing fascist trends (chapter three: Sanguinetti), and finally in mapmaking on the stage through mise-en-perf/performise and "wayfinding" through sites of contested power (chapter four: Calderon). The concluding chapter (Blanco) looks at the reinterpretation of Greek tragedy as a commentary on the messy process of democratization. Here, access to the polis and power are problematized through the lens of international sex trafficking and gendered roles that exclude portions of the populace from participation in the process of self-governance.