This book offers an empirically informed understanding of how identity and agency become wholly embedded within practices of media-remembering. It draws upon data collected from the British military, the BBC and Falkland Islanders during the 30th Anniversary of the Falklands war to uniquely offer multiple perspectives on a single 'remembering' phenomenon. The study offers an analysis of the convergence, interconnectedness and interdependence of media and remembering, specifically the production, interpretation and negotiation of remembering in the media ecology. In so doing it not only examines the role of media in the formation and sustaining of collective memory but also the ways those who remember or are remembered in media texts become implicated in these processes.

This book examines the practices of actors involved in the media reportage of war, and the ways in which these practices may influence the conduct of modern military operations. War is a complex phenomenon which raises numerous questions about the organization of society that continue to challenge all those involved in its study. Increasingly, this includes the need to engage theoretically and empirically with the progressive collapse between the ways in which wars are conducted and the manner in which they are reported in the media. Drawing on the work of Erving Goffman, Military Media Management offers a distinctly new approach to our appreciation of the dynamic relationship between war and media; one that is fundamentally a product of social relations between those engaged in reporting war, and those conducting war campaigns. By exploring how and why the military manage information in particular ways, the text succeeds in providing a framework through which wider sociological investigation of this relationship can be understood. This book will be of much interest to students of military and security studies, media studies, war and conflict studies and IR in general.

This book examines the practices of actors involved in the media reportage of war, and the ways in which these practices may influence the conduct of modern military operations. War is a complex phenomenon which raises numerous questions about the organization of society that continue to challenge all those involved in its study. Increasingly, this includes the need to engage theoretically and empirically with the progressive collapse between the ways in which wars are conducted and the manner in which they are reported in the media. Drawing on the work of Erving Goffman, Military Media Management offers a distinctly new approach to our appreciation of the dynamic relationship between war and media; one that is fundamentally a product of social relations between those engaged in reporting war, and those conducting war campaigns. By exploring how and why the military manage information in particular ways, the text succeeds in providing a framework through which wider sociological investigation of this relationship can be understood. This book will be of much interest to students of military and security studies, media studies, war and conflict studies and IR in general.

Spaces of War, War of Spaces provides a rich, international and multi-disciplinary engagement with the convergence of war and media through the conceptual lens of 'space'. 'Space' offers a profound, challenging and original framework through which notions of communication, embodiment, enactment, memory and power are interrogated not only in terms of how media spaces (traditional, digital, cultural, aesthetic, embodied, mnemonic) transform the conduct, outcomes and consequences of war for all involved, but how 'war' actors (political, military, survivors, victims) recreate space in a manner that is transformative across political, social, cultural and personal spheres. Foregrounding the work of artists, activists and practitioners alongside more traditional scholarly approaches Spaces of War, War of Spaces engages with the 'messiness' of war and media through the convergence of practice and theory, where showing and embodying is made explicit.

Spaces of War, War of Spaces provides a rich, international and multi-disciplinary engagement with the convergence of war and media through the conceptual lens of 'space'. 'Space' offers a profound, challenging and original framework through which notions of communication, embodiment, enactment, memory and power are interrogated not only in terms of how media spaces (traditional, digital, cultural, aesthetic, embodied, mnemonic) transform the conduct, outcomes and consequences of war for all involved, but how 'war' actors (political, military, survivors, victims) recreate space in a manner that is transformative across political, social, cultural and personal spheres. Foregrounding the work of artists, activists and practitioners alongside more traditional scholarly approaches Spaces of War, War of Spaces engages with the 'messiness' of war and media through the convergence of practice and theory, where showing and embodying is made explicit.

Wars are now mediated in unprecedented ways and through a variety of communicative forms. Correspondingly, there is an increasing awareness among those involved in war of the need to gauge and manage what is communicated. Communicating War: Media, Memory and Military contextualises these developments by locating the emergence of recent wars and terrorist activity in a wider frame of global socio-political change, highlighting the social, political and historical aspects of 'communicating war'. This includes: . the remembering and forgetting of wars through cultures of collective memory and media selectivity; . the organization, practice and culture of media institutions in the mediation of war information; . and the strategic use of information by military institutions and terrorist organizations in the execution of war and terrorist acts. Remaining sensitive to the complexities of conflict, the book moves beyond a focus on UK and US interventions and reflects upon the communication of war in relation to all forms of conflict, particularly terrorism and under reported civil conflicts. Adopting a multi-disciplinary approach, Communicating War: Memory, Media, Military will be of interest to students in journalism, media, war and peace studies, international relations and international politics. Contributors include practitioners from within the journalistic and military communities and international scholars from a broad range of social sciences: Stuart Allan, David Altheide, Chris Atton, Oliver Boyd-Barrett, Nico Carpentier, Neal Curtis, Richard Keeble, Andrew Hoskins, Makram Khoury-Machool, Sarah Maltby, Donald Matheson, Lara Pawson, Ron Schleifer, Martin Shaw, Angus Taverner, John Tulloch, Howard Tumber and Jeremy Tunstall. - REVIEWERS COMMENTS - "Few topics of media research affect us more personally, and emotionally, than how media represents war, and the military's partly hidden role in that process. Communicating War is a wide-ranging and important contribution to that debate, which also has the advantage of being right up-todate. Essential reading " Nick Couldry, Professor of Media and Communications, Goldsmiths University of London "We live in an age where the relationship between war and communications media is more complex and more urgent than ever before. Communicating War is, therefore, to be welcomed. Its rich collection sets the agenda, as does the War and Media Network, from which it emerges. Crucially, the collection reminds us of that which is 'forgotten', which can be as important in the war-media relationship today as those things embedded in memory." James Gow, Professor of International Peace and Security, Kings College London "A timely and hugely valuable contribution to the scholarly literature on news about conflict and war. The range of contributors, and the variety of themes covered, make this collection essential reading for students and researchers of conflict reporting in the post-9/11 world." Brian McNair, Professor of Journalism and Communication, University of Strathclyde. "Communicating War is a timely collection of great diversity, bringing both historical depth and theoretical sophistication to a range of urgent contemporary debates about the media's role in war." Philip Hammond, Reader in Media and Communications, London South Bank University