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An in-depth study of the expanding role of the moving image in
British art over the past thirty years Over the past three decades
the moving image has grown from a marginalized medium of British
art into one of the nation's most vital areas of artistic practice.
How did we get here? Artists' Moving Image in Britain Since 1989
seeks to provide answers, unfolding some of the
narratives-disparate, entwined, and often colorful-that have come
to define this field. Ambitious in scope, this anthology considers
artists and artworks alongside the organizations, institutions, and
economies in which they exist. Writings by scholars from both art
history and film studies, curators from diverse backgrounds, and
artists from across generations offer a provocative and
multifaceted assessment of the evolving position of the moving
image in the British art world and consider the effects of numerous
technological, institutional, and creative developments.
Distributed for the Paul Mellon Center for Studies in British Art
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