This beautifully illustrated book seeks to tell children the true, diverse and decolonised story of art around the world. Even before they could write, people were telling stories with pictures. And though art is universal, the story we know about it is not.   A Whole World of Art opens your eyes to a global view of art by taking you on a whirlwind tour around the world and through time. With two companions – a boy and a girl – travel through 25 destinations from the history of art, circling the globe.   As they travel, they explore the rich visual canon from each culture they visit through looking at different key works and examine the lives of the artists who created them. Each spread shows a stunning, edge-to-edge illustrated scene from art history portraying an artist or artists making important artwork within a detailed background. A paragraph of introductory text and small captions around the page give fascinating details about the artists and the time and place in which they lived. Art project ideas provide inspiration throughout. Visit: Athens, Greece (450 BCE), where you will marvel at the gleaming gold statues and marble architecture;  The Ming Dynasty, China (1368–1644), where you will discover intricate designs, drawings and calligraphy on paper and porcelain;  Benin City, Africa (1550), where you will meet the brass-casters who create elaborately detailed plaques and ornaments only for the Oba (or king);  Coyoacan, Mexico (1907–1954), where you will get to know the painters Frida Kahlo and Diego Rivera;  Written by art history teacher Dr Sarah Phillips, who rewrote and decolonised the A Level syllabus in the UK, and illustrated by talented artist Dion Mehaga Bangun Djayasaputra, this gorgeous book offers a fresh, inclusive view of the history of art.

The Middle East is in the midst of considerable and unpredictable changes, but deeply patrimonial political systems do not change overnight - and neither do the international and regional structures that have helped them to endure for so long. The informal rules that guide Yemeni society and its dysfunctional political settlement look set to endure, in spite of unprecedented protests. Entangled in a narrative of acute crisis and possible state failure, the country still relies on foreign assistance to prop up its ailing economy. Fearing the threat from al-Qaeda on Yemeni soil as well as the crisis of the Houthi insurgency and the southern secessionist movement, regional and Western powers have continued to bankroll the regime without taking significant steps to address the underlying causes of instability and threat. Drawing on research carried out on the ground in Yemen, this Adelphi examines the shadowy structures that govern political life and sustain a network of social elites predisposed against any far-reaching systemic reform. It looks behind the scenes at the regime's opaque internal politics, at its entrenched patronage system and at the 'rules of the game' that will shape the behaviour of the post-Saleh rulers, to offer insights for how the West may better engage within that game

Artichoke Floral 500 Piece Puzzle features stunning image by famous foodie and photographer Sarah Phillips whose organization Ugly Produce is Beautiful is working hard to educate consumers and reduce massive food waste. With these colorful green artichokes, ruby red tomatoes and purple flowers styled against a contrasting black background, it's easy to see how beautiful food is, even if it appears imperfect in the grocery store. Galison puzzles are packaged in matte-finish sturdy boxes, perfect for gifting, reuse, and storage.

The Middle East is in the midst of considerable and unpredictable changes, but deeply patrimonial political systems do not change overnight and neither do the international and regional structures that have helped them to endure for so long. The informal rules that guide Yemeni society and its dysfunctional political settlement look set to endure, in spite of unprecedented protests. Entangled in a narrative of acute crisis and possible state failure, the country still relies on foreign assistance to prop up its ailing economy. Fearing the threat from al-Qaeda on Yemeni soil as well as the crisis of the Houthi insurgency and the southern secessionist movement, regional and Western powers have continued to bankroll the regime without taking significant steps to address the underlying causes of instability and threat. Drawing on research carried out on the ground in Yemen, this Adelphi examines the shadowy structures that govern political life and sustain a network of social elites predisposed against any far-reaching systemic reform. It looks behind the scenes at the regime s opaque internal politics, at its entrenched patronage system and at the rules of the game that will shape the behaviour of the post-Saleh rulers, to offer insights for how the West may better engage within that game

Caribbean Jewish Crossings is the first essay collection to consider the Caribbean's relationship to Jewishness through a literary lens. Although Caribbean novelists and poets regularly incorporate Jewish motifs in their work, scholars have neglected this strain in studies of Caribbean literature. The book takes a pan-Caribbean approach, with chapters addressing the Anglophone, Francophone, Hispanophone, and Dutch-speaking Caribbean. Part 1 traces the emergence of a Caribbean-Jewish literary culture in Suriname, St. Thomas, Jamaica, and Cuba from the late eighteenth century through the early twentieth century. Part 2 brings into focus Sephardic and crypto-Jewish motifs in contemporary Caribbean literature, while Part 3 turns to the question of colonialism and its relationship to Holocaust memory. The volume concludes with the compelling voices of contemporary Caribbean creative writers.

This beautifully illustrated book seeks to tell children the true story of art, in which the rich visual canon from every culture is explored by looking at key works from different times and places. Even before they could write, people were telling stories with pictures. And though art is universal, the story we know about it is not. Art Decolonized opens your eyes to a global view of art by taking you on a whirlwind tour around the world and through time. With two companions--a boy and a girl--travel through 25 destinations from the history of art, circling the globe. Each spread shows a stunning, edge-to-edge illustrated scene from art history portraying an artist or artists making important artwork within a detailed background. A paragraph of introductory text and small captions around the page give fascinating details about the artists and the time and place in which they lived. Art project ideas provide inspiration throughout. Visit: Athens, Greece (450 BCE), where you will marvel at the gleaming gold statues and marble architecture The Ming Dynasty, China (1368-1644), where you will discover intricate designs, drawings, and calligraphy on paper and porcelain Benin City, Africa (1550), where you will meet the brass-casters who create elaborately detailed plaques and ornaments only for the Oba (or king) Coyoacan, Mexico (1907-1954), where you will get to know the painters Frida Kahlo and Diego Rivera Written by art history teacher Dr. Sarah Phillips, who rewrote and decolonized the A Level syllabus in the UK, and illustrated by talented artist Dion Mehaga Bangun Djayasaputra, this gorgeous book offers a fresh, inclusive view of the history of art.

In original and insightful ways, Caribbean writers have turned to Jewish experiences of exodus and reinvention, from the Sephardim expelled from Iberia in the 1490s to the "Calypso Jews" who fled Europe for Trinidad in the 1930s. Examining these historical migrations through the lens of postwar Caribbean fiction and poetry, Sarah Phillips Casteel presents the first major study of representations of Jewishness in Caribbean literature. Bridging the gap between postcolonial and Jewish studies, Calypso Jews enriches cross-cultural investigations of Caribbean creolization. Caribbean writers invoke both the 1492 expulsion and the Holocaust as part of their literary archaeology of slavery and its legacies. Despite the unequal and sometimes fraught relations between Blacks and Jews in the Caribbean before and after emancipation, Black-Jewish literary encounters reflect sympathy and identification more than antagonism and competition. Providing an alternative to U.S.-based critical narratives of Black-Jewish relations, Casteel reads Derek Walcott, Maryse Conde, Michelle Cliff, Jamaica Kincaid, Caryl Phillips, David Dabydeen, and Paul Gilroy, among others, to reveal a distinctive interdiasporic literature.

Diaspora studies have tended to privilege urban landscapes over rural ones, wanting to avoid the racial homogeneity, conservatism, and xenophobia usually associated with the latter. In Second Arrivals: Landscape and Belonging in Contemporary Writing of the Americas, Sarah Phillips Casteel examines the work of writers such as Derek Walcott, V. S. Naipaul, Jamaica Kincaid, Philip Roth, and Joy Kogawa, among others, to show how it expresses the appeal that rural and wilderness spaces can hold for the diasporic imagination.

Casteel proposes an alternative to postmodern celebrations of rootlessness, bringing together writers from the Caribbean and North America who uniquely reimagine the New World landscape from the vantage point of cultural and geographical dislocation. As represented in a range of genres and media--fiction, poetry, garden writing, and installation art--these alternative forms of belonging reinterpret New World nature as infused with history and as subject to competing claims, generating a new poetics of American place. The author's transnational approach also gives significant attention to Canadian material, which has largely been overlooked in hemispheric studies of the literature of the Americas.

Contributing to the growing movement of comparative American studies, Second Arrivals will appeal to scholars and students of inter-American studies, Caribbean studies, Canadian studies, diaspora studies, postcolonial studies, and ecocriticism.

Baking is a science. But who wants to spend hours in the kitchen experimenting?

Thankfully, Sarah Phillips does. She has discovered what causes baking disasters and shows bakers at all levels of expertise how to avoid them. With unique tips and exhaustively tested recipes, Baking 9-1-1 takes the guesswork out of baking and explains:

• How to make a cake that won't fall in the middle
• What it takes to bake a flaky piecrust
• The easiest way to prevent a cheesecake from cracking
• How to make the perfect chocolate chip cookie that's thick and chewy
• The trick to storing baked goods
• The answers to niggling questions such as "Does butter really need to be room temperature?" and "What is the difference between one cup flour sifted and one cup sifted flour?" among many others.

The recipes in Baking 9-1-1 solve bakers' most frustrating problems. They include an all-purpose pie dough, a lemon meringue pie that doesn't sweat, thick and rich chocolate ganache fudge sauce, no-fuss buttermilk biscuits, and dozens more. Baking 9-1-1 is the source for foolproof answers that simply can't be found anywhere else.

Caribbean Jewish Crossings is the first essay collection to consider the Caribbean's relationship to Jewishness through a literary lens. Although Caribbean novelists and poets regularly incorporate Jewish motifs in their work, scholars have neglected this strain in studies of Caribbean literature. The book takes a pan-Caribbean approach, with chapters addressing the Anglophone, Francophone, Hispanophone, and Dutch-speaking Caribbean. Part 1 traces the emergence of a Caribbean-Jewish literary culture in SuriName, St. Thomas, Jamaica, and Cuba from the late eighteenth century through the early twentieth century. Part 2 brings into focus Sephardic and crypto-Jewish motifs in contemporary Caribbean literature, while Part 3 turns to the question of colonialism and its relationship to Holocaust memory. The volume concludes with the compelling voices of contemporary Caribbean creative writers.