In her role as devoted wife, the Hindu goddess Parvati is the divine embodiment of viraha, the agony of separation from one's beloved, a form of love that is also intense suffering. These contradictory emotions reflect the overlapping dissolutions of love, family, and mental health explored by Sarah Pinto in this visceral ethnography. Daughters of Parvati centers on the lives of women in different settings of psychiatric care in northern India, particularly the contrasting environments of a private mental health clinic and a wing of a government hospital. Through an anthropological consideration of modern medicine in a nonwestern setting, Pinto challenges the dominant framework for addressing crises such as long-term involuntary commitment, poor treatment in homes, scarcity of licensed practitioners, heavy use of pharmaceuticals, and the ways psychiatry may reproduce constraining social conditions. Inflected by the author's own experience of separation and single motherhood during her fieldwork, Daughters of Parvati urges us to think about the ways women bear the consequences of the vulnerabilities of love and family in their minds, bodies, and social worlds.

."..a fascinating new ethnography on birth and infant death and the ways in which these twin events serve as sites for the construction of political subjectivity in areas of rural North India where multiple development projects and discourses converge, leaving in their wake both excess and lack...it provides provocative insights into some of the forces that set our globe offkilter." Medical Anthropological Quarterly

"Drawing on the theoretical literature of medical anthropology as well as that of psychoanalysis, this is a complex, multilayered work. Pinto is a fine writer, and throughout the book her ethnography... that] holds together brilliantly... beautifully illuminates her theoretical argument... and] makes a significant contribution to the literature on reproduction, globalization, and development in India." South East Review of Asian Studies

.".. the] ethnography is...rich, topical, and thought-provoking." JRAI

"Pinto masterfully intertwines reproductive health experiences of women in Uttar Pradesh with wider concerns...Pinto's book is a valuable contribution to the anthropology of childbirth in India. The author has produced an insightful work enriched with detailed ethnographic descriptions, intense case studies, and nuanced personal reflections on her fieldwork and the production of ethnographic knowledge." Anthropos

In the Sitapurdistrict of Uttar Pradesh, an agricultural region with high rates of infant mortality, maternal health services are poor while family planning efforts are intensive. By following the daily lives of women in this setting, the author considers the women's own experiences of birth and infant death, their ways of making-do, and the hierarchies they create and contend with. This book develops an approach to the care that focuses on emotion, domestic spaces, illicit and extra-institutional biomedicine, and household and neighborly relations that these women are able to access. It shows that, as part of the concatenation of affect and access, globalized moralities about reproduction are dependent on ambiguous ideas about caste. Through the unfolding of birth and death, a new vision of "untouchability" emerges that is integral to visions of progress.

Sarah Pinto is an Associate Professor of Anthropology at Tufts University. She teaches courses on medical anthropology, gender, and feminist and social theory, with particular attention to cultures of biomedicine, kinship, and political, cultural, and epistemological concerns related to the human body. Her geographic area of specialization is India. She is co-editor of Postcolonial Disorders (University of California 2008), and author of numerous articles on medicine and health intervention in South Asia. She is completing an ethnography of psychiatry's treatment of women patients in urban India, asking how kinship and legal processes related to family life shape clinical practice, and how clinical practice informs subjectivities in and of intimacy. This work is particularly interested in the stakes of mental illness for divorced or divorcing women in India, and asks what these circumstances can tell us about the place of gender in framing culturally relevant ethical frameworks. Pinto is currently developing a research project on the transnational history of hysteria, focusing on dialogues on hysteria between India and Europe in the 19th and 20th centuries and their role in shaping contemporary etiologies.

By following the daily lives of rural women in the Sitapur district of Uttar Pradesh, an agricultural region with high rates of infant mortality, where maternal health services are poor while family planning efforts are intensive, from a range of castes and communities, the author considers the women's own experiences of birth and infant death, their ways of making-do, and the hierarchies they create and contend with. This book develops an approach to access to care that focuses on emotion, domestic spaces, illicit and extra-institutional biomedicine, and household and neighborly relations. It shows that, as part of the concatenation of affect and access, globalized moralities about reproduction are dependent on ambiguous ideas about caste. Through the unfolding of birth and death, a new vision of untouchability emerges that is integral to visions of progress.

In the years leading up to India’s independence, a young Punjabi woman, ill at ease in her marriage and eager for personal and national freedom, sat down with psychiatrist Dev Satya Nand for an experiment in his new method of dream analysis. “Mrs A.’s” analysis included a surge of emotion and reflections on sexuality, gender, marriage, ambition, trauma, and art. She turned to female figures from Hindu myth to reimagine her social world and its ethical arrangements, envisioning a future beyond marriage, colonial rule, and gendered constraints. This book is an exploration of their conversation, its window onto gender and sexuality in late colonial Indian society, and the ways Mrs. A. put ethics in motion, creating alternatives to ideals of belonging, recognition, and consciousness. It finds in Mrs. A.’s musings repertoires for the creative transformation of ideals and explores the possibilities of thinking with a concept of “counter-ethics”. Following Mrs. A. in pursuing mythic narratives, and turning in its conclusion to art as a guide for theorizing ethics, this book asks what perspectives on gender, power, meaning, and imagination are possible from the position of the counter-ethic and its orientation toward movement and change.

This book brings together researchers from different fields, traditions and perspectives to examine the ways in which place and space might (be) unsettle(d). Researchers from across the humanities and social sciences have been drawn to the study of place and space since the 1970s, and the term 'unsettled' has been an occasional but recurring presence in this body of scholarship. Though it has been used to invoke a range of meanings, from the dangerous to the liberating, the term itself has rarely been at the centre of sustained examination. This collection highlights the idea of the unsettled in the scholarly investigation of place and space. The respective chapters offer a dialogue between a diverse and eclectic group of researchers, crossing significant disciplinary and interdisciplinary boundaries in the process. The purpose of the collection is to juxtapose a range of different approaches to, and perspectives on, the unsettling of place and space. In doing so, Interdisciplinary Unsettlings of Place and Space makes an important contribution and offers new insights into how scholarship and research into different fields and practices may help us re-envision place and space.

In the years leading up to India’s independence, a young Punjabi woman, ill at ease in her marriage and eager for personal and national freedom, sat down with psychiatrist Dev Satya Nand for an experiment in his new method of dream analysis. “Mrs A.’s” analysis included a surge of emotion and reflections on sexuality, gender, marriage, ambition, trauma, and art. She turned to female figures from Hindu myth to reimagine her social world and its ethical arrangements, envisioning a future beyond marriage, colonial rule, and gendered constraints. This book is an exploration of their conversation, its window onto gender and sexuality in late colonial Indian society, and the ways Mrs. A. put ethics in motion, creating alternatives to ideals of belonging, recognition, and consciousness. It finds in Mrs. A.’s musings repertoires for the creative transformation of ideals and explores the possibilities of thinking with a concept of “counter-ethics”. Following Mrs. A. in pursuing mythic narratives, and turning in its conclusion to art as a guide for theorizing ethics, this book asks what perspectives on gender, power, meaning, and imagination are possible from the position of the counter-ethic and its orientation toward movement and change.

In her role as devoted wife, the Hindu goddess Parvati is the divine embodiment of viraha, the agony of separation from one's beloved, a form of love that is also intense suffering. These contradictory emotions reflect the overlapping dissolutions of love, family, and mental health explored by Sarah Pinto in this visceral ethnography. Daughters of Parvati centers on the lives of women in different settings of psychiatric care in northern India, particularly the contrasting environments of a private mental health clinic and a wing of a government hospital. Through an anthropological consideration of modern medicine in a nonwestern setting, Pinto challenges the dominant framework for addressing crises such as long-term involuntary commitment, poor treatment in homes, scarcity of licensed practitioners, heavy use of pharmaceuticals, and the ways psychiatry may reproduce constraining social conditions. Inflected by the author's own experience of separation and single motherhood during her fieldwork, Daughters of Parvati urges us to think about the ways women bear the consequences of the vulnerabilities of love and family in their minds, bodies, and social worlds.

The essays in this volume reflect on the nature of subjectivity in the diverse places where anthropologists work at the beginning of the twenty-first century. Contributors explore everyday modes of social and psychological experience, the constitution of the subject, and forms of subjection that shape the lives of Basque youth, Indonesian artists, members of nongovernmental HIV/AIDS programs in China and the Republic of Congo, psychiatrists and the mentally ill in Morocco and Ireland, and persons who have suffered trauma or been displaced by violence in the Middle East and in South and Southeast Asia.
"Painting on book jacket by Entang Wiharso"