Writing Wales explores representations of Wales in English and Welsh literatures written across a broad sweep of history, from the union of Wales with England in 1536 to the beginnings of its industrialization at the turn of the nineteenth century. The collection offers a timely contribution to the current devolutionary energies that are transforming the study of British literatures today, and it builds on recent work on Wales in Renaissance, eighteenth-century, and Romantic literary studies. What is unique about Writing Wales is that it cuts across these period divisions to enable readers for the first time to chart the development of literary treatments of Wales across three of the most tumultuous centuries in the history of British state-formation. Writing Wales explores how these period divisions have helped shape scholarly treatments of Wales, and it asks if we should continue to reinforce such period divisions, or else reconfigure our approach to Wales' literary past. The essays collected here reflect the full 300-year time span of the volume and explore writers canonical and non-canonical alike: George Peele, Michael Drayton, Henry Vaughan, Katherine Philips, and John Dyer here feature alongside other lesser-known authors. The collection showcases the wide variety of literary representations of Wales, and it explores relationships between the perception of Wales in literature and the realities of its role on the British political stage.

Writing Wales explores representations of Wales in English and Welsh literatures written across a broad sweep of history, from the union of Wales with England in 1536 to the beginnings of its industrialization at the turn of the nineteenth century. The collection offers a timely contribution to the current devolutionary energies that are transforming the study of British literatures today, and it builds on recent work on Wales in Renaissance, eighteenth-century, and Romantic literary studies. What is unique about Writing Wales is that it cuts across these period divisions to enable readers for the first time to chart the development of literary treatments of Wales across three of the most tumultuous centuries in the history of British state-formation. Writing Wales explores how these period divisions have helped shape scholarly treatments of Wales, and it asks if we should continue to reinforce such period divisions, or else reconfigure our approach to Wales' literary past. The essays collected here reflect the full 300-year time span of the volume and explore writers canonical and non-canonical alike: George Peele, Michael Drayton, Henry Vaughan, Katherine Philips, and John Dyer here feature alongside other lesser-known authors. The collection showcases the wide variety of literary representations of Wales, and it explores relationships between the perception of Wales in literature and the realities of its role on the British political stage.

Written by topic experts, this new edition of Farr's Physics for Medical Imaging is designed specifically for trainee radiologists preparing for the physics component of their FRCR exams. The book effectively explains the principles and techniques behind the most common forms of medical imaging, including X-ray, CT, ultrasound, MRI, nuclear medicine, and fluoroscopy. Trainee radiologists and radiographers will find this an easy to understand and useful adjunct to their exam preparation - even those who haven't studied physics since school. Designed for those studying for their FRCR part 1 exams - covers everything you need to know Easy to read and navigate, suitable for those with varying levels of physics knowledge Written by topic experts - physicists and a radiologist, to make the information more accessible to radiology trainees Clear line drawings and sample images illustrate the principles discussed Fully revised and updated Reflects changes to the FRCR examination Increased amount of clinical content Covers new legislation concerning radiological safety New chapter on radiology information technology

The specially commissioned essays in Women and Poetry, 1660-1750 address the multiplicity of female poetic practice and the public image of the woman poet between the Restoration and mid-eighteenth century. The volume includes biographically informative accounts of individual poets alongside detailed essays which discuss the different contexts and poetic traditions shaping women's poetry in this key period in literary history. Women and Poetry, 1660-1750 draws together a wealth of recent scholarship from a strong cast of contributors (including Germaine Greer) into one accessible volume aimed at both students and specialist readers.

In a lecture entitled The First Forty Years: Some Notes on Anglo-Welsh Literature, published in 1957, the novelist and critic Gwyn Jones stated that Welsh writing in English 'began with Caradoc Evans in 1915'. His claim was widely accepted and proved influential in the development of Welsh writing in English as an academic subject. The primary aim of this volume is to refute that erroneous misconception, as its sub-title The First Four Hundred Years indicates. From 1536, the date of that Act which bound Wales to England, an abundance of Welsh authors chose to write in English. Some did so because their education had been entirely in English and they were not fully literate in Welsh. Others chose English with deliberate political intent, aiming to alert anglophone audiences to the social situation in Wales and persuade them of the value of the Welsh language and its literature. Their work constitutes a site of prolonged political tension, in which the pros and cons of the continuing existence of Wales are argued intensively. How far is it possible to reconfigure a self-consciousness forged under the dominion of a non-indigenous culture? This is an issue of central concern to large tracts of the worlds population today; in Wales it has for centuries featured large in English-language - as well as Welsh- language - writing. The First Four Hundred Years is also informed by social class and gender issues as it rescues from oblivion the work of many forgotten male and female writers.