Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Exam Board: Cambridge Level: KS4 Subject: Health & Social Care First Teaching: September 2016 First Exam: June 2017 Support your teaching of the new Cambridge Technicals 2016 suite with Cambridge Technical Level 3 Health & Social Care, developed in partnership between OCR and Hodder Education; this textbook covers each specialist pathway and ensures your ability to deliver a flexible course that is both vocationally focused and academically thorough. Cambridge Technical Level 3 Health & Social Care is matched exactly to the new specification and follows specialist pathways in health science, social care and support, and working with children and young people. - Ensures effective teaching of each specialist pathway offered within the qualification. - Focuses learning on the skills, knowledge and understanding demanded from employers and universities. - Provides ideas and exercises for the application of practical skills and knowledge. - Developed in partnership between Hodder Education and OCR, guaranteeing quality resources which match the specification perfectly Hodder Education have worked with OCR to make updates to our Cambridge Technicals textbooks to bring them more closely in line with the model assignment course requirements. We would like to let you know about a recent change to this textbook, updated pages which are now available free of charge as a PDF when you click on the 'Amended Pages' link on the left of this webpage.

Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 1960s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, Cold War studies, and Middle East studies.

Sarah Roger investigates Jorge Luis Borges's development as an author in light of Franz Kafka's influence, and in consideration of Borges's relationship with his father, Jorge Guillermo Borges (Borges pere, a failed author). Borges believed that much of Kafka's writing derived from his personal experiences, particularly his relationship with his father. This book looks at how reading Kafka helped Borges mediate and make productive use of his own relationship with his father, and it offers a thorough analysis of Borges pere's writing, which is supplemented by an appendix that reprints Borges pere's poetry for the first time. Borges and Kafka also provides extensive analysis of Kafka's presence in Borges's critical writing, his translations, and the stories that he modelled on Kafka. Particular attention is paid to the concepts that Borges identified as Kafka's obsessions: subordination, infinity, and hierarchical relationships, which Borges referred to as the 'patria potestad.' Roger's analysis is accompanied by an annotated bibliography documenting every mention of Kafka in Borges's writing and a list of every Kafka text Borges read. Kafka's influence is especially evident in the stories where Borges was openly imitating Kafka-'La loteria en Babilonia' (1941), 'La biblioteca de Babel' (1941), and 'El Congreso' (1971)-but it features throughout Ficciones. Reading Borges's writing in light of his interest in Kafka demonstrates his focus not just on the individual's subordinate place in an infinite hierarchy but also on the repercussions these circumstances had for a struggling author like Borges, who was seeking to define himself through his writing.

An introduction to a previously unpublished major collection of Islamic, Modern and Contemporary Middle Eastern art, notable for its exceptional range and breadth from earliest times to the present   The Farjam Collection of Islamic, and Modern and Contemporary Middle Eastern art, comprising over 5,000 artworks, is well known in the Middle East and to the cognoscenti but has remained unpublished until now. This two-volume publication comprises over 800 highlights from the collection, introducing it as a major resource for scholars, students, and bibliophiles. Unusual amongst collections of Islamic art, the exceptional range and breadth of this collection includes the arts of the Islamic world from earliest times up to and including the contemporary Middle East. This unique characteristic, represented across the themes of the two volumes, provides an unusual cross-cultural experience demonstrating continuity, dialogue, and influences—from within as well as in between the cultures—throughout centuries. Organized thematically with high-quality photography throughout, the book reflects current trends in the study of Islamic and Contemporary art through essays and entries written by eminent scholars.

Fat Cat is a lazy cat, who loves nothing more than sitting on his mat inside the farmhouse eating his favourite food, chocolate sandwiches! Every day his best friends try to encourage him to come and play, but every day Fat Cat always manages to find an excuse not to join them - or perhaps he feels he can't. Until a clever little mouse has a clever little plan to coax him off his mat... Slapstick fun combined with vibrant illustrations by Sarah Rogers, Fat Cat and the Chocolate Sandwich is a tale of two halves, indulging in a chocolate sandwich alone or having fun with your friends... Which one would you choose?

A showcase of 500 highlights of the Farjam Collection, featuring painting, works on paper, photography, sculpture, installations, and videos   The Farjam Collection of Islamic, and Modern and Contemporary Middle Eastern art, comprising over 5,000 artworks owned by Dr Farhad Farjam, is a major collection well known in the Middle East and to the cognoscenti, but which has remained unpublished until now. This volume examines around 500 highlights from the Farjam Collection of Modern and Contemporary art from the Arab and Iranian worlds. Showcased with high-quality photography throughout, the expansive collection encompasses a wide variety of media, including painting, works on paper, photography, sculpture, installations, and videos. It features numerous treasures from across the twentieth and twenty-first centuries, including works by modern and contemporary artists such Dia al-Azzawi, Hassan Sharif, Mohamed Melehi, Bahman Mohassess, Hussein Bicar, Kadhim Haidar, Baya Mahieddine, Ayman Baalbaki, Rashid Rana, Fahrelnissa Zeid, Farhad Moshiri, Dana Awartani, Mounir Fatmi, Shezad Dawood, Mona Saudi, Susan Hefuna, Shirin Neshat, Mahmoud Said, and Sohrab Sepehri.   Bringing together historians, critics, and curators from around the globe to reflect on these works, through essays, entries, and interviews with leading artists, this volume demonstrates how this extraordinary collection highlights important trends and histories of modern and contemporary art of the Arab world, Iran, Turkey, and beyond.