WHY PUBLISH: - Part one of the book comprises entirely of contributions from First Nations artists, including: Destiny Deacon, Julie Dowling and Dianne Jones. Each image is complemented by a short explanatory essay by a writer of their choice. - Stellar line up of prominent scholars working in Australia, UK, USA. The editors are also well regarded art historians. - This volume tackles many important, hot-topic themes, including: identity, appropriation, hybridity, Orientalism, paternalism.

Cambridge English Readers is an exciting new series of original fiction, specially written for learners of English. Graded into six levels--from elementary to advanced--the stories in this series provide easy and enjoyable reading on a wide range of contemporary topics and themes.Cristina Rinaldi works for the Museo Nacional de Bellas Artes in Buenos Aires. She loves art and is happy with her life. Then one day she has a motorbike accident and can't remember some things. But there are two men who think she remembers too much, and they want to kill her before she tells the police what she saw.

Although Roman provincial art is often portrayed as a poor copy of works created in the imperial capital, this volume's contributors offer new interpretations of provincial mosaics, wall-paintings, statues and jewelry. They express what these art works reveal about the nature of life under an imperial regime. Broad geographical and chronological coverage allows unique insights into the social and political significance of visual expression across the Roman Empire.

In 1750 at the age of twenty-seven Sarah Scott published her first novel, a conventional romance. A year later she left her husband after only a few months of marriage and devoted herself thereafter to writing and to promoting such causes as the creation of secular and separatist female communities. This revolutionary concept was given flesh in Millenium Hall, first published in 1762 and generally thought to be the finest of her six novels. The text may be seen as the manifesto of the 'bluestocking' movement-the protean feminism that arose under eighteenth-century gentry capitalism (originating in 1750, largely under the impetus of Scott's sister Elizabeth Montagu), and that rejected a world which early feminists saw symbolized in the black silk stockings demanded by formal society. It is a comment on Western society as well as on the strengths of Scott's novel that the message of Millenium Hall continues to resonate strongly more than two centuries later.

A new collection of essays highlighting the wide range of Buber's thought, career, and activism. Best known for I and Thou, which laid out his distinction between dialogic and monologic relations, Martin Buber (1878–1965) was also an anthologist, translator, and author of some seven hundred books and papers. Martin Buber: Creaturely Life and Social Form, edited by Sarah Scott, is a collection of nine essays that explore his thought and career. Martin Buber: Creaturely Life and Social Form shakes up the legend of Buber by decentering the importance of the I-Thou dialogue in order to highlight Buber as a thinker preoccupied by the image of relationship as a guide to spiritual, social, and political change. The result is a different Buber than has hitherto been portrayed, one that is characterized primarily by aesthetics and politics rather than by epistemology or theology. Martin Buber: Creaturely Life and Social Form will serve as a guide to the entirety of Buber's thinking, career, and activism, placing his work in context and showing both the evolution of his thought and the extent to which he remained driven by a persistent set of concerns.

A thriller's pacing. Vivid Southern locales. Witty dialogue and wry observation about what passes for news on TV...and truth in our lives. Jolie Marston is a TV news reporter with scruples. Her new boss would sell his grandmother's soul for a few ratings points. When he orders her to distort another meritless story, she explodes during a live broadcast. Her career is kaput. Blown too is her chance to cover Memphis's biggest story of the year-the slaying of a respected former mayor. When the police investigation stalls, Jolie vows to find justice. She has a deep tie to the victim: He'd been mentor and friend from her hometown in the foothills of the Smokies. Reeling from her public downfall and a failing romance, Jolie returns to that small town to start a video business. She's also there to find out who she is now that the identity she took for granted is gone. Solving the murder becomes her proving ground as she unearths a life the ex-mayor's public persona hid-one of prostitutes, drugs and danger. Jolie chases down leads in sassy, blues-steeped Memphis, tiny antebellum La Grange and her east Tennessee hometown of Singleton. Her ally in sleuthing is Martin, Singleton's wealthy, clever, discreetly gay bon vivant. They find intrigue and deceit woven through generations and discover that exposing the lies people live by can have fatal consequences.