1. The book demonstrates how art, history and cultural heritage can help to create a climate-literate public that responds to environmental issues and climate change in an informed way. 2. Sutton shows how arts and humanities approaches to environmental and climate change can engage a far wider public in learning, conversation and action than science can alone. This will make the book most interesting to readers looking for ways to broaden engagement with environmental and climate issues. The ideas shared within the book should also act as inspiration for a broad spectrum of practitioners, particularly those writing, designing, and curating public engagement materials in museums and for the media. 3. Unlike competing titles, the proposed book references the growing body of broad-reaching material (instead of focusing on single-topic research (archaeology), or a single genre of museums (science or natural history)). Unlike other titles, it also collects usually isolated and distinctive examples into one publication.

1. The book demonstrates how art, history and cultural heritage can help to create a climate-literate public that responds to environmental issues and climate change in an informed way. 2. Sutton shows how arts and humanities approaches to environmental and climate change can engage a far wider public in learning, conversation and action than science can alone. This will make the book most interesting to readers looking for ways to broaden engagement with environmental and climate issues. The ideas shared within the book should also act as inspiration for a broad spectrum of practitioners, particularly those writing, designing, and curating public engagement materials in museums and for the media. 3. Unlike competing titles, the proposed book references the growing body of broad-reaching material (instead of focusing on single-topic research (archaeology), or a single genre of museums (science or natural history)). Unlike other titles, it also collects usually isolated and distinctive examples into one publication.

Sleep problems are among the most common, urgent and undermining troubles parents meet. This book describes Dilys Daws' pioneering method of therapy for sleep problems, honed over 40 years of work with families: brief psychoanalytic therapy with parents and infants together. Offering tried and tested ways of helping parents work things out better with their babies when such problems arise, this new edition of Dilys Daws' classic work, updated with expert help from Sarah Sutton, frees professionals from the burden of feeling they need to rush to give advice to families, showing instead how to begin the challenging journey of discovering new emotions that every baby brings. It sheds light on the sleep problem in the context of a whole range of aspects of the early world: the regulation of babies' physiological states; dreams and nightmares; the development of separateness; separation and attachment problems; and connections with feeding and weaning. This much-needed, compassionate and well-informed guide to helping parents and babies with sleep problems draws on twenty-first century development research and rich clinical wisdom to offer ways of understanding sleep problems in each individual family context, with all its particular pressures and possibilities. It will be treasured by new parents struggling with sleeplessness and is enormously valuable for anyone working with parents and their babies.

Two new adventures bringing back one of the Doctor's most `popular' foes - the Cybermen! Warzone - At Warzone, competitors gather from across the galaxy to test the limits of their endurance and achieve their personal best. So,when the TARDIS materialises in the middle of a racetrack, the Doctor and his friends must literally run for their lives. Conversion - On the fringes of the galaxy, techno-pirates and research medics fight for the secrets of advanced extra-terrestrial technology. For the Doctor, however, a more personal battle awaits as he confronts his own guilt and the creatures that killed a friend: the Cybermen. CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), George Watkins (Marc), David Banks (The Cyber Leader), Timothy Blore (Morris), Angela Bruce (Herb), Silas Carson (Commentator), Mark Hardy (Cyber Lieutenant), Pepter Lunkuse (Esma), Liz Sutherland-Lim (Creasey). Other parts played by members of the cast.

Grant funding is a critical part of museum life, yet to many it seems mysterious. This second edition of Is Your Museum Grant-Ready? is your guide to assessing readiness to attract grants, understanding how grant funders work, learning how to design highly-fundable projects and programs, and writing and submitting proposals. The author's tips, charts, models, and examples will help you create a manageable and rewarding grant program, or update and strengthen your present program. How can grants strengthen your institution? How do you know if your institution is ready to win grants? How do you know where to apply? What can you do to improve your chances of winning a grant? How has the world of grant funding changed? Every zoo, garden, aquarium, museum and historic site finds itself asking these questions when considering grant funding to expand or improve programs, broaden its reach, or simply maintain its existing level of performance. Here are your answers. Is Your Museum Grant-Ready? is invaluable to museums and informal learning institutions, and to students studying museum work.

Growing public interest in environmental sustainability is a gift to historic sites and museums. It is an invitation to use our knowledge, collections, and sites to discuss how human practices and interactions with the environment in past were - and were not - environmentally sustainable. Being green still has a great deal to do with using less energy, buying less stuff, and recycling more, but now sustainability just as important in strategic planning, interpretation and public engagement. Environmental Sustainability at Historic Sites and Museums details how to go green at every level of your organization Why is this important? Because it is no longer a choice; environmental awareness as an amenity has become climate awareness as a necessity. Seas and storms threaten historic coastal communities. Flooding increasingly threatens sites near rivers. What structural precautions, collections care changes, and insurance approaches should you take for the new normal? What self-sufficiencies must you develop? What role do you have in community responses? Let environmental sustainability change the way you operate, engage the community and fulfill your mission. Let this book introduce you to the topic if you're new to it; or take you to the next level of performance if you've been doing this awhile. From one of the leading experts in the sustainability practices in museums, this book explains how engaging in sustainable practices will benefit not only the planet, but also the people you serve, your programs and even your profits. To demonstrate this, Sutton provides case studies from museums at the forefront of the green movement.

Growing public interest in environmental sustainability is a gift to historic sites and museums. It is an invitation to use our knowledge, collections, and sites to discuss how human practices and interactions with the environment in past were - and were not - environmentally sustainable. Being green still has a great deal to do with using less energy, buying less stuff, and recycling more, but now sustainability just as important in strategic planning, interpretation and public engagement. Environmental Sustainability at Historic Sites and Museums details how to go green at every level of your organization Why is this important? Because it is no longer a choice; environmental awareness as an amenity has become climate awareness as a necessity. Seas and storms threaten historic coastal communities. Flooding increasingly threatens sites near rivers. What structural precautions, collections care changes, and insurance approaches should you take for the new normal? What self-sufficiencies must you develop? What role do you have in community responses? Let environmental sustainability change the way you operate, engage the community and fulfill your mission. Let this book introduce you to the topic if you're new to it; or take you to the next level of performance if you've been doing this awhile. From one of the leading experts in the sustainability practices in museums, this book explains how engaging in sustainable practices will benefit not only the planet, but also the people you serve, your programs and even your profits. To demonstrate this, Sutton provides case studies from museums at the forefront of the green movement.

Finding themselves in 1914, Simon, Liz, Jade, Neil and Charlotte realise that this isn’t an alternate phase of history. This is really their past and anything they change could have serious repercussions. While Simon and Neil watch for the barrier to return and Jade tries to ensure Charlotte doesn’t tamper with the past, Liz insists on attending the meeting of local suffragette, Flora Walsh. When Simon realises the real reason why Liz wants to meet Flora, he’s shocked. Flora is Liz’s great grandmother. And Liz knows she is destined to die the following day. All Liz wants to do is spend that final day with her. What’s the harm in that? Cast: Cheryl Burfield (Liz Skinner), Spencer Banks (Simon Randall), Sarah Sutton (Charlotte Trent), Rachel Fenwick (Flora Walsh), Luke R. Francis (Leo Baxter / Parkes) Orlando Gibbs (Neil Riley / Butler), Hugh Ross (Sir Crispin Grawl/American Captain), Amanda Shodeko (Jade Okafor). Other parts played by members of the cast.

Why is love not enough for children whose early lives have been disturbing? What makes it so hard for such children to make the most of new relationships? How can we help children whose minds are adapted to adversity take in new experience? In the new era of brain research, neuroscience shows the way ahead. Being Taken In looks at the neuroscience showing how the mother/infant framing relationship wires in our way of understanding the world, and sets a navigation system, complete with built-in danger alerts. For disturbed children, these danger alerts are everywhere, and can even be triggered by the caregiver themselves. This makes the world a disturbing place, not just in the past, but right now. This book applies neuroscience and child development research to clinical practice, and points to emotional regulation through attunement and reflexivity as key factors in effecting change.

Sleep problems are among the most common, urgent and undermining troubles parents meet. This book describes Dilys Daws' pioneering method of therapy for sleep problems, honed over 40 years of work with families: brief psychoanalytic therapy with parents and infants together. Offering tried and tested ways of helping parents work things out better with their babies when such problems arise, this new edition of Dilys Daws' classic work, updated with expert help from Sarah Sutton, frees professionals from the burden of feeling they need to rush to give advice to families, showing instead how to begin the challenging journey of discovering new emotions that every baby brings. It sheds light on the sleep problem in the context of a whole range of aspects of the early world: the regulation of babies' physiological states; dreams and nightmares; the development of separateness; separation and attachment problems; and connections with feeding and weaning. This much-needed, compassionate and well-informed guide to helping parents and babies with sleep problems draws on twenty-first century development research and rich clinical wisdom to offer ways of understanding sleep problems in each individual family context, with all its particular pressures and possibilities. It will be treasured by new parents struggling with sleeplessness and is enormously valuable for anyone working with parents and their babies.

Psychoanalysis, Neuroscience and the Stories of Our Lives: The Relational Roots of Mental Health offers a new understanding of identity and mental health, shining the light of twenty-first century neurobiology on the core tenets of psychoanalysis. Accessibly written, it outlines the great leaps forward in neuroscience over the past three decades, and the consequent implications for understanding mental health symptoms today. Central to the book is the idea that the seeds of mental illness are discovered not in the individual's own fallibilities, but in the complex relationships we experience from our very first moments. Integrating the latest neuroscientific research, it depicts the individual as inherently interdependent with their environment, their neurobiological and emotional foundations framed by the context in which they are raised. Integrating traditional psychoanalytic ideas with findings from neurobiology and neuroscience, it reframes the oedipal set up, examines clinical depression as the presence of absence, and revisits resistance and the neurobiology of denial. Weaving narratives drawn from clinical practice, and highlighting implications for contemporary lives, the book is a tour de force, smashing the myth that our minds develop separately from the world around us. This clear, lucid book, providing a timely overview of emotional and neurobiological development, will appeal to both psychologists and psychoanalysts. It will be also be a key reference work for mental health professionals, particularly those working in early years services.

Peter Davison, Janet Fielding and Sarah Sutton reprise their roles as The Doctor, Tegan and Nyssa, in a run of stories following on from 1983's adventure The Arc of Infinity. Reunited with the Doctor and Nyssa, Tegan joins them on a trip to Amsterdam's Rijkmuseum to see a new exhibition of the work of Rembrandt van Rijn, featuring his drawings of "Vessels of the Stars". The Doctor is astonished to discover that they are designs for spaceships that would actually work, and decides to pop back to the Dutch Golden Age for a quiet word with Rembrandt - but the world-weary artist is no mood to help. Meanwhile, strange forces are swirling in the canals, creatures from ancient myth, the watery, goblin-like Nix. What is their connection to the mysterious Countess Mach-Teldak - and to the events of Tegan's life during her year away from the Doctor? Forever kept busy, Peter Davison's most recently been seen on the London stage in the critically acclaimed The Vertical Hour, and in the musical Gypsy opposite Imelda Staunton. The Doctor, Nyssa and Tegan team first met in 1981's Doctor Who adventure Logopolis, where Tegan and Nyssa were on hand to help the Doctor (Tom Baker) regenerate into his fifth incarnation (Peter Davison). Writer Jonathan Morris has been responsible for some hugely popular Doctor Who stories for Big Finish, most recently with 2015's We Are The Daleks...CAST: Peter Davison (The Doctor), Janet Fielding (Tegan), Sarah Sutton (Nyssa), Tim Delap (Kyle), Richard James (Rembrandt Van Rijn), Elizabeth Morton (Teldak), Robbie Stevens (Polsbroek/Nix), Wayne Forester (Glauber).

Peter Davison, Janet Fielding and Sarah Sutton reprise their roles as The Doctor, Tegan and Nyssa, in a run of stories following on from 1983's adventure The Arc of Infinity: Today should be much like every other day for Hargreaves, the computer consciousness that co-ordinates daily life aboard the spaceship Aquitaine, stationed on the outer fringes of a black hole. Water the plants, run the diagnostics, cook the Captain's breakfast; then tidy the plates away, rotate the ship, clean the windows of the observation deck. When at last the day's work is done, Hargreaves will dim the lights in the sleeping quarters. But no-one will sleep aboard the Aquitaine tonight. Because the Aquitaine's crew is missing. But today will be different. Today, a space/time ship called the TARDIS will materialise in the botanical section, bringing the Doctor, Nyssa and Tegan aboard the Aquitaine. Together, they'll seek to discover the truth of what happened to Hargreaves' crew...if only the ghosts will let them. Forever kept busy, Peter Davison's most recently been seen on the London stage in the critically acclaimed The Vertical Hour, and in the musical Gypsy opposite Imelda Staunton. The Doctor, Nyssa and Tegan team first met in 1981's Doctor Who adventure Logopolis, where Tegan and Nyssa were on hand to help the Doctor (Tom Baker) regenerate into his fifth incarnation (Peter Davison). One of Big Finish's last outings with The Fifth Doctor, Tegan and Nyssa was in Doctor Who - The Fifth Doctor Boxed Set, one story from which (Iterations of I) won the Scribe Award at the 2015 San Diego Comic Con. CAST: Peter Davison (The Doctor), Janet Fielding (Tegan), Sarah Sutton (Nyssa), Matthew Cottle (Hargreaves), Harry Myers (Dr Sergei Akunin), Nina Sosanya (Captain Anna Maynard), Gerald Kyd (Lt Maurizio Savinio), Danusia Samal (Lt Freya Jennings).

Why is love not enough for children whose early lives have been disturbing? What makes it so hard for such children to make the most of new relationships? How can we help children whose minds are adapted to adversity take in new experience? In the new era of brain research, neuroscience shows the way ahead."Being Taken In" looks at the neuroscience showing how the mother/infant framing relationship wires in our way of understanding the world, and sets a navigation system, complete with built-in danger alerts. For disturbed children, these danger alerts are everywhere, and can even be triggered by the caregiver themselves. This makes the world a disturbing place, not just in the past, but right now. This book applies neuroscience and child development research to clinical practice, and points to emotional regulation through attunement and reflexivity as key factors in effecting change. This is the scientific rationale for psychoanalytic psychotherapy, which enhances neural plasticity, wiring in new connections in the brain through the therapeutic relationship, in much the same way as the early framing relationship."Being Taken In" offers insight from child psychotherapy, psychoanalysis, child development research and neuroscience which will be of use to all those living and working with disturbed children.

Grant funding is a critical part of museum life, yet to many it seems mysterious. This second edition of Is Your Museum Grant-Ready? is your guide to assessing readiness to attract grants, understanding how grant funders work, learning how to design highly-fundable projects and programs, and writing and submitting proposals. The author's tips, charts, models, and examples will help you create a manageable and rewarding grant program, or update and strengthen your present program. How can grants strengthen your institution? How do you know if your institution is ready to win grants? How do you know where to apply? What can you do to improve your chances of winning a grant? How has the world of grant funding changed? Every zoo, garden, aquarium, museum and historic site finds itself asking these questions when considering grant funding to expand or improve programs, broaden its reach, or simply maintain its existing level of performance. Here are your answers. Is Your Museum Grant-Ready? is invaluable to museums and informal learning institutions, and to students studying museum work.

63BC. Following the overthrow of Catiline, Cicero and his wife retire to the coastal town of Cumae, safe from the threats of Rome. But when a stranger and his companions arrive at Cicero’s villa, new dangers lie in wait and Cicero finds himself plunged into a realm of gods and monsters. His only hope of returning home lies with a man known as the Doctor. But can Cicero trust him? CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), Samuel Barnett (Cicero), Laura Riseborough (Terentia), George Watkins (Marc), Joe Shire (Septus), Tracy-Ann Oberman (Tartarus). Other parts played by members of the cast.

You are cordially invited to Argentia, the galaxy’s most exclusive tax haven, to attend the funeral of mining magnate Carlo Mazzini. The memorial service will be followed by music, light refreshments, and murder! Carlo’s heirs have come to say their final goodbyes (and find out how much they’ve inherited) but when a masked killer begins picking them off one by one, Argentia goes into lock-down, closed off behind its own temporal displacement field. Can the Doctor, Nyssa, Tegan and Adric apprehend the murderer before Argentia – and everyone on board - is forever cut off from the rest of the Universe? Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. This release's director - Barnaby Edwards - is not only a prolific Big Finish director, but as an actor is the lead Dalek operator on TV's Doctor Who. Peter Davison - the Fifth Doctor on television - is also well known from other TV shows such as The Last Detective, Campion and A Very Peculiar Practice, while more recently he's been a significant presence in many high profile West End musical productions including Legally Blonde. CAST: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Samuel West (The Mazzini Family), Phil Cornwell (Superintendent Galgo / Zaleb 5), Sophie Winkleman (Sofia).

A walking tour guide meets a ghost who says her tour is being used to bring a terrible being into our world. Before he died, the ghost was known as the Doctor. Big Finish have been producing Doctor Who audios since 1999, starring Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, David Tennant and John Hurt. This release's director - Barnaby Edwards - is not only a prolific Big Finish director, but as an actor is the lead Dalek operator on TV's Doctor Who. Writer James Goss is the official representative of the Douglas Adams Estate, tasked with adapting the Sci-Fi/comedy legend's work as novels. CAST: Peter Davison (The Doctor), Janet Fielding (Tegan Jovanka), Sarah Sutton (Nyssa), Matthew Waterhouse (Adric), Fenella Woolgar (Leanne), Sacha Dhawan (Matthew), Stephen Greif (Sabaoth), Carolyn Seymour (Mrs Stubbs), Philip Childs (Giles), John Banks (Louie), Rebecca Tromans (Nancy).

During one of Nyssa's experiments, the TARDIS's temporal scanner picks up a message: 'Idra'. Just one word, but enough to draw the Doctor to the Archipelago of Sirius. There, the Autarch is about to announce a new crusade. A mighty war against Seth, Prince of the Dark. But who is Seth?

Psychoanalysis, Neuroscience and the Stories of Our Lives: The Relational Roots of Mental Health offers a new understanding of identity and mental health, shining the light of twenty-first century neurobiology on the core tenets of psychoanalysis. Accessibly written, it outlines the great leaps forward in neuroscience over the past three decades, and the consequent implications for understanding mental health symptoms today. Central to the book is the idea that the seeds of mental illness are discovered not in the individual's own fallibilities, but in the complex relationships we experience from our very first moments. Integrating the latest neuroscientific research, it depicts the individual as inherently interdependent with their environment, their neurobiological and emotional foundations framed by the context in which they are raised. Integrating traditional psychoanalytic ideas with findings from neurobiology and neuroscience, it reframes the oedipal set up, examines clinical depression as the presence of absence, and revisits resistance and the neurobiology of denial. Weaving narratives drawn from clinical practice, and highlighting implications for contemporary lives, the book is a tour de force, smashing the myth that our minds develop separately from the world around us. This clear, lucid book, providing a timely overview of emotional and neurobiological development, will appeal to both psychologists and psychoanalysts. It will be also be a key reference work for mental health professionals, particularly those working in early years services.