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If you think of dolls houses as usually being period houses, it's
time to think again! In this amazing compendium of miniature
buildings, author Sarah Walkley looks at the many other styles of
construction created by miniatures enthusiasts including cozy
cottages modern loft apartments churches garden sheds lighthouses
windmills Each of the 12 chapters will be accompanied by tips on
the key techniques needed to recreate a particular style of
property. This will include, for example, how to lay wooden floors
or work with molding to create a grand country estate, or how to
install lighting in a lighthouse. It aims to provide inspiration to
those that are new to the hobby, or want to take their model-making
a stage further, as well as being a delightful read for those who
are simply fascinated by all things miniature.
This is the first book to examine whether France's ongoing defence
of the cultural exception as a means to maintain cultural policies
and defend cultural diversity is justifiable in the digital age. It
questions whether the arrival of new players such as Apple and
Netflix makes defence impossible, and whether an explosion in the
number of films available makes policies for cultural promotion
increasingly unnecessary. The book takes a critical look at French
film policy to establish whether it promotes cultural diversity
across cinema and video on demand and the implications for ongoing
defence of the cultural exception. Sarah Walkley ultimately makes
the case for a more disciplined approach to discussion of the
cultural exception and cultural diversity in France supporting
ideological arguments about competition, freedom of expression,
consumer choice and national identity with concrete evidence of the
success of French policies in countering US film market dominance.
This is the first book to examine whether France's ongoing defence
of the cultural exception as a means to maintain cultural policies
and defend cultural diversity is justifiable in the digital age. It
questions whether the arrival of new players such as Apple and
Netflix makes defence impossible, and whether an explosion in the
number of films available makes policies for cultural promotion
increasingly unnecessary. The book takes a critical look at French
film policy to establish whether it promotes cultural diversity
across cinema and video on demand and the implications for ongoing
defence of the cultural exception. Sarah Walkley ultimately makes
the case for a more disciplined approach to discussion of the
cultural exception and cultural diversity in France supporting
ideological arguments about competition, freedom of expression,
consumer choice and national identity with concrete evidence of the
success of French policies in countering US film market dominance.
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