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Mildreds Vegan
Dan Acevedo, Sarah Wasserman, Mildred's
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R856
R706
Discovery Miles 7 060
Save R150 (18%)
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Ships in 9 - 15 working days
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Bright food, bold flavor. "Only Lady Luck can get a table at
Mildreds. It's one of London's coolest vegetarian restaurants." -
Time Out "Who needs meat when you get this much flavour?" - Hardens
Bursting with clever ideas for feasts with family and friends, as
well as for delicious, simple everyday meals, Mildreds Vegan
Cookbook brings you punchy flavours, satisfying dishes, a dash of
urban cool and a refreshing take on the conventional stereotype of
vegan food. There are plenty of dishes to wow a crowd, whether it's
Walnut, Date & Cinnamon Rolls and Smoky Baked Beans on Grilled
Sourdough for a brunch with friends; Memphis Bourbon Barbecue
Skewers and Rainbow Root Slaw with Orange, Maple & Thyme
Dressing for a summer barbecue; Chocolate Banana Cupcakes with
Chocolate Fudge Icing for a children's party; or Butternut Squash
& Tofu Terrine with Redcurrant Stuffing and an
I-can't-believe-it's-vegan Espresso Crème Caramel for a
celebration dinner. A vegan diet the Mildreds way will bring joy
and surprise to your life and ensure your taste buds are well,
alive and kicking. Sit back and enjoy fantastic-tasting food for
everyone and every occasion.
How making models allows us to recall what was and to discover what
still might be Whether looking inward to the intricacies of
human anatomy or outward to the furthest recesses of the universe,
expanding the boundaries of human inquiry depends to a surprisingly
large degree on the making of models. In this wide-ranging volume,
scholars from diverse fields examine the interrelationships between
a model’s material foundations and the otherwise invisible things
it gestures toward, underscoring the pivotal role of models in
understanding and shaping the world around us. Whether in the form
of reproductions, interpretive processes, or constitutive tools,
models may bridge the gap between the tangible and the abstract. By
focusing on the material aspects of models, including the digital
ones that would seem to displace their analogue forebears, these
insightful essays ground modeling as a tactile and emphatically
humanistic endeavor. With contributions from scholars in the
history of science and technology, visual studies, musicology,
literary studies, and material culture, this book demonstrates that
models serve as invaluable tools across every field of cultural
development, both historically and in the present day. Modelwork is
unique in calling attention to modeling’s duality, a dynamic
exchange between imagination and matter. This singular publication
shows us how models shape our ability to ascertain the surrounding
world and to find new ways to transform it. Contributors:
Hilary Bryon, Virginia Tech; Johanna Drucker, UCLA; Seher ErdoÄŸan
Ford, Temple U; Peter Galison, Harvard U; Lisa Gitelman, New York
U; Reed Gochberg, Harvard U; Catherine Newman Howe, Williams
College; Christopher J. Lukasik, Purdue U; Martin Scherzinger, New
York U; Juliet S. Sperling, U of Washington; Annabel Jane Wharton,
Duke U.
A comprehensive study of ephemera in twentieth-century
literature-and its relevance to the twenty-first century "Nothing
ever really disappears from the internet" has become a common
warning of the digital age. But the twentieth century was filled
with ephemera-items that were designed to disappear forever-and
these objects played crucial roles in some of that century's
greatest works of literature. In The Death of Things, author Sarah
Wasserman delivers the first comprehensive study addressing the
role ephemera played in twentieth-century fiction and its relevance
to contemporary digital culture. Representing the experience of
perpetual change and loss, ephemera was central to great works by
major novelists like Don DeLillo, Ralph Ellison, and Marilynne
Robinson. Following the lives and deaths of objects, Wasserman
imagines new uses of urban space, new forms of visibility for
marginalized groups, and new conceptions of the marginal itself.
She also inquires into present-day conundrums: our fascination with
the durable, our concerns with the digital, and our curiosity about
what new fictional narratives have to say about deletion and
preservation. The Death of Things offers readers fascinating,
original angles on how objects shape our world. Creating an
alternate literary history of the twentieth century, Wasserman
delivers an insightful and idiosyncratic journey through objects
that were once vital but are now forgotten.
How making models allows us to recall what was and to discover what
still might be Whether looking inward to the intricacies of human
anatomy or outward to the furthest recesses of the universe,
expanding the boundaries of human inquiry depends to a surprisingly
large degree on the making of models. In this wide-ranging volume,
scholars from diverse fields examine the interrelationships between
a model's material foundations and the otherwise invisible things
it gestures toward, underscoring the pivotal role of models in
understanding and shaping the world around us. Whether in the form
of reproductions, interpretive processes, or constitutive tools,
models may bridge the gap between the tangible and the abstract. By
focusing on the material aspects of models, including the digital
ones that would seem to displace their analogue forebears, these
insightful essays ground modeling as a tactile and emphatically
humanistic endeavor. With contributions from scholars in the
history of science and technology, visual studies, musicology,
literary studies, and material culture, this book demonstrates that
models serve as invaluable tools across every field of cultural
development, both historically and in the present day. Modelwork is
unique in calling attention to modeling's duality, a dynamic
exchange between imagination and matter. This singular publication
shows us how models shape our ability to ascertain the surrounding
world and to find new ways to transform it. Contributors: Hilary
Bryon, Virginia Tech; Johanna Drucker, UCLA; Seher Erdogan Ford,
Temple U; Peter Galison, Harvard U; Lisa Gitelman, New York U; Reed
Gochberg, Harvard U; Catherine Newman Howe, Williams College;
Christopher J. Lukasik, Purdue U; Martin Scherzinger, New York U;
Juliet S. Sperling, U of Washington; Annabel Jane Wharton, Duke U.
'If you think vegetarian food is limiting, this is the book to
change your mind.' Health & Fitness 'Theres inspiration here to
help you elevate humble vegetables into something special.' The
Caterer 'Be warned, you'll want seconds of everything...' Veggie
Magazine 'This is good food at it's best, made with delicious,
fresh ingredients, which are easy to source and easy to cook with.'
The Vegetarian Experience An exciting new cookery book from the
popular vegetarian restaurant, Mildreds: The Vegetarian Cookbook
has something for everyone. Whether you are a vegetarian, or are
trying to cut down on your meat intake, the international
influences in these recipes promise variety and flavour. There are
also plenty of ideas for how to adapt the dishes quickly by adding
meat, to cater for keen omnivores. With easy ingredients and smart,
time-saving ideas, each recipe is easy to cook from the comfort of
your own home. The dishes are flexible and include ingredients that
can be easily sourced, allowing you to make hassle-free and
delicious meals.
A comprehensive study of ephemera in twentieth-century
literature-and its relevance to the twenty-first century "Nothing
ever really disappears from the internet" has become a common
warning of the digital age. But the twentieth century was filled
with ephemera-items that were designed to disappear forever-and
these objects played crucial roles in some of that century's
greatest works of literature. In The Death of Things, author Sarah
Wasserman delivers the first comprehensive study addressing the
role ephemera played in twentieth-century fiction and its relevance
to contemporary digital culture. Representing the experience of
perpetual change and loss, ephemera was central to great works by
major novelists like Don DeLillo, Ralph Ellison, and Marilynne
Robinson. Following the lives and deaths of objects, Wasserman
imagines new uses of urban space, new forms of visibility for
marginalized groups, and new conceptions of the marginal itself.
She also inquires into present-day conundrums: our fascination with
the durable, our concerns with the digital, and our curiosity about
what new fictional narratives have to say about deletion and
preservation. The Death of Things offers readers fascinating,
original angles on how objects shape our world. Creating an
alternate literary history of the twentieth century, Wasserman
delivers an insightful and idiosyncratic journey through objects
that were once vital but are now forgotten.
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