Historians now mark the years between 1880 and 1915 as the beginning of mass culture in the United States and its consolidation under the ideals and values of private corporations. In this study, Sarah Lyons Watts contends that modern American attitudes toward the relationship between labor and capital, as well toward the place industrial labor was to occupy in the corporate state, coalesced in the debates in popular, business, and professional literature in the decades around the turn of the century. She illustrates how the magnitude and significance of changes in the transmission of cultural authority made these years critical in the evolution of industrialists' labor ideas. Following a detailed introduction that provides an overview of the period and a discussion of cultural hegemony, Watts focuses on three case studies: the Pullman strike, an ideological struggle in which public opinion figured not just in the outcome of the strike, but in the definition of labor's place in the corporate order; modern management, which sought to replace workers' traditional definitions with its own and transform the ethos of modern factory work; and the National Association of Manufacturers' anti-union campaign. These case studies demonstrate how nationwide organizations of businessmen met the charges against concentrated capital made by unionists and reformers, advancing arguments that linked the moral value of capital to civic services, national honor, and progress. A concluding chapter, recounting the dramatic social reorganization that was the ultimate product of this period, and a selected bibliography, complete the work. This book will be a useful reference for courses in American, business, social, and labor history, as well as an important resource for public and academic libraries.

The Piano Prep Test is an ideal introduction to the ABRSM exam experience: it gives students a goal to work towards and a certificate on the day - something to be really proud of. The test covers many elements that beginner pianists will be working on, including pitch, time, tone and performance. Our Piano Prep Test book has exciting new pieces, easy to follow instructions, listening games and entertaining illustrations. For the first time it includes duets as well as solo pieces. Preparing for your Piano Prep Test has never been more fun!

At the Cavendish Home for Boys and Girls, you will definitely learn your lesson. An atmospheric, heartfelt, and delightfully spooky novel for fans of "Coraline," "Splendors and Glooms," and "The Mysterious Benedict Society."
Victoria hates nonsense. There is no need for it when your life is perfect. The only smudge on her pristine life is her best friend Lawrence. He is a disaster--lazy and dreamy, shirt always untucked, obsessed with his silly piano. Victoria often wonders why she ever bothered being his friend. (Lawrence does, too.)
But then Lawrence goes missing. And he's not the only one. Victoria soon discovers that The Cavendish Home for Boys and Girls is not what it appears to be. Kids go in but come out...different. Or they don't come out at all.
If anyone can sort this out, it's Victoria--even if it means getting a little messy.

Legendary literary game-maker Garrison Griswold is back in action - this time with "Unlock the Rock," an extravaganza on Alcatraz Island. But just as the fun starts to take off for Emily and James, important items from Griswold's game begin to disappear, and someone is framing Emily's brother Matthew as the criminal. As the friends jump from one clue to the next, they discover a web of connections between the stolen items and a tragic nineteenth century mystery involving Harriet Beecher Stowe. This new historic enigma is irresistible, but it might be impossible to decipher. And with Matthew's record on the line, Emily and James can't afford to leave this mystery uncracked.

Who was Theodore Roosevelt? Most of us think of him as one of America's greatest presidents, a champion of progressive politics, and a master statesman. But many feared the political power that Roosevelt wielded. Woodrow Wilson once called him "the most dangerous man of the age." Mark Twain thought him "clearly insane." William James scorned the "flood of bellicose emotion" he let loose during his presidency. Even his biographer, Edmund Morris, is astonished at Roosevelt's "irrational love of battle."
In this book, Sarah Watts probes this dark side of the Rough Rider, presenting a fascinating psychological portrait of a man whose personal obsession with masculinity profoundly influenced the fate of a nation. Drawing on his own writings and on media representations of him, Watts attributes the wide appeal of Roosevelt's style of manhood to the way it addressed the hopes and anxieties of men of his time. Like many of his contemporaries, Roosevelt struggled with what it meant to be a man in the modern era. He saw two foes within himself: a fragile weakling and a primitive beast. The weakling he punished and toughened with rigorous, manly pursuits such as hunting, horseback riding, and war. The beast he unleashed through brutal criticism of homosexuals, immigrants, pacifists, and sissies--anyone who might tarnish the nation's veneer of strength and vigor. With his unabashed paeans to violence and aggressive politics, Roosevelt ultimately offered American men a chance to project their longings and fears onto the nation and its policies. In this way he harnessed the primitive energy of men's desires to propel the march of American civilization--over the bodies of anyone who might stand inits way.
Written with passion and precision, this powerful revisioning of an American icon will forever alter the way we see Theodore Roosevelt and his political legacy.