In an unnamed coastal city home to many refugees, a mother of a displaced family searches for her child, calling her name as she wanders along the cliffside road where her daughter used to work. She searches and searches until, devoid of hope and frantic with grief, she throws herself into the sea, leaving her other children behind. Bearing witness to this suicide is another woman – on a business trip from a distant country, with a swollen belly that later gives birth to a stillborn baby. In the wake of her pain, the second woman remembers other losses – of a language, a country, an identity – when once her family fled a distant war. Lyrical and devastating, The Singularity is a study of grief, migration and motherhood from one of Sweden's most exciting new novelists.

Bibbs is just about to turn thirty-nine. She has been a reality show star but the good life is beginning to slip through her fingers and there seems to be a never-ending flow of unexpected expenditures. Her boyfriend, Baby, has always provided stability and when he dumps her out of the blue, she is also faced with an ultimatum: if she wants to keep the flat she must pay 100 000 Krona within a week. She no longer has access to that kind of money and Bibbs is forced to make extreme decisions. Days & Days & Days is a pitch perfect study of success and destruction, dependence and betrayal, celebrity and anonymity.

Adam Smith, the founder of modern economics, believed that our actions stem from self-interest and the world turns because of financial gain. But every night Adam Smith's mother served him his dinner, not out of self-interest but out of love.Today, economics focuses on self-interest and excludes our other motivations. It disregards the unpaid work of mothering, caring, cleaning and cooking and its influence has spread from the market to how we shop, think and date. In this engaging takedown of the economics that has failed us, Katrine Marcal journeys from Adam Smith's dinner table to the recent financial crisis and shows us how different, how much better, things could be.

An underemployed chef is pulled into the escalating violence of his neighbour's makeshift porn channel. An elderly piano student is forced to flee her home village when word gets out that she's had sex with her thirty-something teacher. A hose pumping cava through the maquette of a giant penis becomes a murder weapon in the hands of a disaffected housewife. In this collection from the winner of Sweden's August Prize, Lina Wolff gleefully wrenches unpredictability from the suffocations of day-to-day life, shatters balances of power without warning, and strips her characters down to their strangest and most unstable selves. Wicked, discomfiting, delightful and wry, delivered with the deadly wit for which Wolff is known, Many People Die Like You presents the uneasy spectacle of people in solitude, and probes, with savage honesty, the choices we make when we believe no one is watching ... or when we no longer care.

A reimagining of Buechner's classic play Woyzeck, the tale of jealousy, love turned to hate, and murder and its consequences propels this internationally acclaimed novelThe novel W. is a literary prequel to one of modern literature's touchstone texts, the play Woyzeck-the basis of films, operas, and numerous translations and adaptations. Considered the first modern drama, Woyzeck tells the story of a loyal foot soldier who, in a fit of jealous rage, kills the woman he loves. In 1836 this true story inspired Georg Buechner to write the play, unfinished at his death at just 23 years old. W., the astonishing new novel by August Prize-winning author Steve Sem-Sandberg, grippingly recounts the lovers' relationship, the murder case, and the solder's execution, while digging deeper into the world and motivations of the characters.Taking this classic and enduring work as his starting point, in poetic and controlled prose, Sem-Sandberg reveals a ruthless, moving, and unforgettable story of human vulnerability and the abyss that Buechner felt was a part of every person. Larger forces such as the horrors of war and the dehumanizing nature of psychiatry collide with the soldier's own small world, and love devolves into hatred as Woyzeck desperately and humanly struggles to make something of the life given to him.

In this brilliant Swedish thriller and sensitive coming-of-age story, a traumatic event shatters the summer of two boys in love with their young teacher. "Nesser sensitively probes the agonies and ecstasies of adolescence, making this an exquisite example of Nordic noir's ability to reveal the darkest emotional depths beneath a cloudless summer sky." --Publishers Weekly (Starred Review) "Nesser's novel gains in power as it raises difficult questions about memory and morality." --Kirkus Reviews Sweden in the '60s. Erik and his friend Edmund spend their vacation by a forest lake daydreaming about Ewa, a young substitute teacher with an uncanny resemblance to the actress Kim Novak. The boys are having the time of their lives until a shocking discovery disrupts their world. Twenty-five years later, Erik comes across a newspaper article about unsolved crimes and is overwhelmed by memories and questions from that summer of his youth. What actually happened back then? The Summer of Kim Novak has all the tension and mystery of Nesser's world-famous thrillers, combined with a coming-of-age tale of remarkable psychological precision.

From 2013 to 2017, Linda Bostroem Knausgard was periodically confined to a psychiatric ward and subjected to electroconvulsive therapy, resulting in the loss of memories. This is the story of her struggle against mental illness and isolation "(Bostroem Knausgard's) first openly autobiographical book becomes an act of self-examination powerful enough to match if not surpass those of her ex-husband's."--The Guardian From 2013 to 2017, Linda Bostroem Knausgard was periodically interned in a psychiatric ward where she was subjected to electroconvulsive therapy. As the treatments at this "factory" progressed, the writer's memories began to disappear. What good is a writer without her memory? This book, based on the author's experiences, is an eloquent and profound attempt to hold on to the past, to create a story, to make sense, and to keep alive ties to family, friends, and even oneself. Moments from childhood, youth, marriage, parenting, and divorce flicker across the pages of October Child. This is the story of one woman's struggle against mental illness and isolation. It is a raw testimony of how writing can preserve and heal.

From 2013 to 2017, the narrator was periodically interned in a psychiatric ward where she was subjected to electroconvulsive therapy. As the treatments at this 'factory' progressed, the writer's memories began to disappear. This novel, based on the author's experiences, is an eloquent and profound attempt to hold on to the past, to create a story, to make sense, and to keep alive ties to family, friends, and even oneself.

`Do you have to stare like that?' I asked. `Think about the actors in porn. They've got no problem showing themselves off.' `Think about when I broke your nose,'I replied.Ellinor is thirty-six. She wears soft black sweatpants and a Michelin Man jacket. She fights. Smart and unsentimental, she tries her hand at online dating, only to be stranded by a snowstorm in Stockholm, far from her village in the south of Sweden. Ellinor finds herself at the heart of an intrigue involving an ex-wife who happens to be a blind medium, an overweight literary critic with a Houellebecq obsession, and a manuscript: a very important manuscript. Cut to Max Lamas, its author, who dreams of a polyglot lover, a woman who will understand him, in every tongue. His search takes him to Italy, where he befriends a marchesa on the brink of ruin, and where her granddaughter, Lucrezia, brings this tale to its final, shocking conclusion. The Polyglot Lovers, winner of the 2016 August Prize, Sweden's most prestigious literary prize, is a masterclass in comic plot and timing, as well as a delight for readers, thanks to Wolff's trademark deadpan wit.

For readers of Rachel Cusk, Lisa Taddeo and the essays of Zadie Smith, Bear Woman is a beautifully wrought memoir from one of Sweden's bestselling authors A beautifully written and astonishing memoir of a woman - a writer - in the midst of motherhood, marriage and life. While struggling with the demands of family and career, the writer discovers a figure from history, Marguerite de la Rocque, a sixteenth-century noblewoman who was abandoned, pregnant, on a remote island in Nova Scotia. When she is finally rescued, her lover and her baby have died, but she has survived this inhospitable wilderness, alone, for two long years. It's a remarkable story of survival, but one that has been consigned to a footnote. Delving deeper into Marguerite's hidden life, the writer begins to question her ability to tell this story, the story of any women in history - or even her own. 'The deeply personal journey of a writer, surprising and illuminating, and for me, familiar in the most reassuring way as she loses herself in this compelling story' - Esther Freud, author of Hideous Kinky

A celebrated bestseller in Sweden, and the winner of the prestigious Per Olov Enquist Literary Prize, The White City is an arresting story of betrayal and empowerment as a criminal's girlfriend is left behind to pick up the pieces of her imploded existence. Karin knew what she was getting herself into when she fell for John, a high-flying wheeler-dealer. But she never imagined things would turn out like this: John is gone and the coke-filled parties, seemingly endless flow of money, and high social status have been replaced by cut telephone lines, cut heat, and cut cash. All that remains of Karin's former life is the mansion he bought for her--and his daughter, the child Karin once swore she would never bring into their dangerous world. Now she is on her own with baby Dream. As the authorities zero in on organized crime, John's shady legacy is catching up with her. Over the course of a few days, Karin is forced to take drastic measures to claim what she considers rightfully hers so that she can start over. With slow-burning psychological intrigue and a seductive atmosphere, The White City is an intimate portrayal of one woman's struggle to pull herself up from the paralyzing depths of despair and an unflinching examination of what it means to lose control--over your body and your life.

Winner of Sweden's most prestigious literary prize for young readers, Girls Lost is a thriller featuring three teenage girls: Kim, Bella, and Momo. The three occupy a challenging limbo between childhood and adulthood, made only more difficult by the steady provocation of their malicious male classmates and pubescent bodies that are changing beyond their control. They are on the precipice of a grown-up world that seems to be broken into two groups: male and female; public and private; assailant and target. Eager to escape, the girls seek refuge in Bella's greenhouse, a free zone where their imaginations run wild and their talents can flourish. After their classmates' violations escalate, the three friends plant a strange seed in the greenhouse, and a shimmering, magical flower blossoms. Intrigued, they drink the nectar from the flower, and suddenly find themselves transformed from girls to boys until the next morning. The three return each night to drink from the flower, anxious to explore their world - and new, older male friends - with agency and freedom. As they fall deeper into the boys' world, they discover a new reality, one of power and violence, of gangs and drugs. When their nightly escapades turn darker, two of the teens grow wary, ready to turn back and face the reality of womanhood; but Kim is determined to see their discovery to its catastrophic, fiery end. In this tale, the body is a battlefield, and masculinity is a drug. Brilliantly poetic and deeply poignant, this magical story was adapted into an internationally-renowned feature film exploring how we shape our identity, and how we cope with our own transformations.

When Ester Nilsson meets the actor Olof Sten, she falls madly in love.

Olof makes no secret of being married, but he and Ester nevertheless start to meet regularly and begin to conduct a strange dance of courtship. Olof insists he doesn't plan to leave his wife, but he doesn't object to this new situation either . . . it’s far too much fun.

Ester, on the other hand, is convinced that things might change. But as their relationship continues over repeated summers of distance, and winters of heated meetings in bars, she is forced to realize the truth: Ester Nilsson has become a mistress.

To read Acts of Infidelity is to dive inside the mind of a brilliant, infuriating friend - Ester's and Olof’s entanglements and arguments are the stuff of relationship nightmares. Cutting, often cruel, and written with razor-sharp humour, Acts of Infidelity is clever, painful, maddening, but most of all perfectly, precisely true.

A grieving young woman learns something new about love from a dominatrix in this haunting and erotic debut. Echo is a failing actress who prefers to lose herself in the lives of others rather than examine her own. When her father disappears in a seaside misstep, she and her mother are left grief-stricken, unsure of how to piece back together their family that, it turns out, had never been whole. But then Orly -- a dominatrix -- moves in across the street. And through her, Echo begins to find the pieces that will allow her to carry on. Set among the bright colours and harshly glittering lights of Los Angeles, this is a love story about people addled with dreams and expectations who turn to the erotic for answers.

For readers of Rachel Cusk, Lisa Taddeo and the essays of Zadie Smith, Bear Woman is a beautifully wrought memoir from one of Sweden's bestselling authors, in which she examines motherhood and the female experience. 'The deeply personal journey of a writer, surprising and illuminating, and for me, familiar in the most reassuring way as she loses herself in this compelling story' - Esther Freud, author of Hideous Kinky Marguerite de la Rocque didn't exist before her guardian abandoned her on a remote island. Abandoned, pregnant to a man she'd met on board one of the first ships sailing to settle what became Canada, Marguerite was forced to fight for her life against the treacherous wilderness of Nova Scotia, giving birth alone. When her guardian returned nearly two years later, her lover and her baby had died, but Marguerite had survived. Returning to France, her story was concealed so that her family's reputation might be protected. Centuries later, a woman with small children of her own begins writing what she believes to be a television script about the life of Marguerite de la Rocque and her incredible story of survival against the odds. As she delves deeper into the hidden history of Marguerite and her extraordinary story of persecution and survival, the woman begins to question her ability to tell this story, or that of any woman in history, and in so doing exposes a fundamental truth about what it is to be both a writer and mother. Combining historical text, autobiographical fiction and essay with the uncertainty of memory, Bear Woman is a deeply moving journey into what it means to be a woman, in a world in which men still hold power.

'Beautifully written, mysterious and compelling' Janet Fitch, bestselling author of White Oleander 'An addictive read you'll finish within hours' Stylist 'Vogel is a gleaming new talent' Observer 'An alternative feminist love story for the modern age' Big Issue 'Refreshing' Guardian 'Dreamy' Oprah Magazine ____________ A raw, fresh, haunting, emotionally and sexually honest literary debut. When Echo's father gets swept away by a freak current off the Los Angeles coast, she finds herself sinking into a complete state of paralysis. With no true friends and a troubled relationship with her mother, the failed young actress attempts to seek solace in the best way she knows: by losing herself in the lives of strangers. When, by chance, Echo meets a dominatrix called Orly, it finally feels like she might have found someone who will be nurturing and treasure her for who she is. But Orly's fifty-something houseboy, Piggy, isn't quite ready to let someone else share the intimate relationship he's worked so hard to form with his mistress. Permission is a love story about people who are sick with dreams and expectations and turn to the erotic for comfort and cure. As they stumble through the landscape of desire, they are in a desperate search for the answer to that sacred question: how do I want to be loved?

SHORTLISTED PETRONA AWARD 2018 Karin knew what she was getting herself into when she fell for John, the high-flying criminal and love of her life. But she never imagined things would turn out like this: John is now gone and the coke-filled parties, seemingly endless flow of money and high social status she previously enjoyed have been replaced by cut telephone lines, cut heat and cut cash. All that remains of Karin's former life is the big house he bought for her - and his daughter, the child Karin once swore she would never bring into their dangerous world. Now Karin is alone with the baby, and the old promise of 'the family' has proved alarmingly empty. With the authorities zeroing in on organized crime, John's shady legacy is catching up with her, and the house is about to be seized. Over the course of a few nerve-wracking days, Karin is forced to take drastic measures in order to claim what she considers rightfully hers. A slow-burning psychological thriller with a sophisticated, dreamlike atmosphere, The White City is both the portrayal of one woman's struggle to pull herself up from the paralyzing depths of despair, and an unflinching examination of what it means to lose control - over your body, your life and your fate.

For readers of Rachel Cusk, Lisa Taddeo and the essays of Zadie Smith, Bear Woman is a beautifully wrought memoir from one of Sweden's bestselling authors, in which she examines motherhood and the female experience. 'The deeply personal journey of a writer, surprising and illuminating, and for me, familiar in the most reassuring way as she loses herself in this compelling story' - Esther Freud, author of Hideous Kinky Marguerite de la Rocque didn't exist before her guardian abandoned her on a remote island. Abandoned, pregnant to a man she'd met on board one of the first ships sailing to settle what became Canada, Marguerite was forced to fight for her life against the treacherous wilderness of Nova Scotia, giving birth alone. When her guardian returned nearly two years later, her lover and her baby had died, but Marguerite had survived. Returning to France, her story was concealed so that her family's reputation might be protected. Centuries later, a woman with small children of her own begins writing what she believes to be a television script about the life of Marguerite de la Rocque and her incredible story of survival against the odds. As she delves deeper into the hidden history of Marguerite and her extraordinary story of persecution and survival, the woman begins to question her ability to tell this story, or that of any woman in history, and in so doing exposes a fundamental truth about what it is to be both a writer and mother. Combining historical text, autobiographical fiction and essay with the uncertainty of memory, Bear Woman is a deeply moving journey into what it means to be a woman, in a world in which men still hold power.