Investigating how people and places are connected into the creative economy, this volume takes a holistic view of the intersections between community, policy and practice and how they are co-constituted. The role of the creative economy and broader cultural policy within community development is problematised and, in a significant addition to work in this area, the concept of 'place' forms a key cross cutting theme. It brings together case studies from the European Union across urban, rural and coastal areas, along with examples from the developing world, to explore tensions in universal and regionally-specific issues. Empirically-based and theoretically-informed, this collection is of particular interest to academics, postgraduates, policy makers and practitioners within geography, urban and regional studies, cultural policy and the cultural/creative industries.

Muslim women are opening up new educational and career pathways across the UK, pioneering roles in digital media, fashion design and visual art. However, their contributions to the economy and culture are rarely the focus of media and government reports. Now, Saskia Warren draws on in-depth fieldwork with British Muslim women working in these roles, taking a narrative approach to look at how they frame their own everyday labour experiences. Drawing on interviews, focus groups, activity diaries, and online digital and visual analysis, Warren explores how Muslim womanhood is variously celebrated, contested, resisted and subverted. From negotiating family expectations to encountering prejudice from education providers and employers, and from founding businesses to finding ways to respect religion in their creative work, these personal insights bring the struggles and successes of British Muslim women creatives to life.

Muslim women are opening up new educational and career pathways across the UK, pioneering roles in digital media, fashion design and visual art. However, their contributions to the economy and culture are rarely the focus of media and government reports. Now, Saskia Warren draws on in-depth fieldwork with British Muslim women working in these roles, taking a narrative approach to look at how they frame their own everyday labour experiences. Drawing on interviews, focus groups, activity diaries, and online digital and visual analysis, Warren explores how Muslim womanhood is variously celebrated, contested, resisted and subverted. From negotiating family expectations to encountering prejudice from education providers and employers, and from founding businesses to finding ways to respect religion in their creative work, these personal insights bring the struggles and successes of British Muslim women creatives to life.