This first-of-a-kind collection brings together in one volume the strongest available evidence of successful transfer effects from unofficial third-party work to official peacemaking. Using comparative case analysis from several real-world interventions, Paving the Way offers insights into the conditions and qualities of successful programs of interactive conflict resolution from experts in the field. Editor Ronald J. Fisher has assembled a collection of seminal case studies that illustrate interactive approaches to conflict resolution from the Malaysia-Indonesia conflict in the 1960s to the Peru-Equador peace process of the late 1990s. Integrating theory, research, and practice, the cases posit that interactive conflict resolution can make a significant, and sometimes essential, contribution to the resolution of protracted and violent identity conflicts. The methods and solutions offered in Paving the Way will serve as best practices for those in the field and as training tools and resources for scholars and policymakers.

This first-of-a-kind collection brings together in one volume the strongest available evidence of successful transfer effects from unofficial third-party work to official peacemaking. Using comparative case analysis from several real-world interventions, Paving the Way offers insights into the conditions and qualities of successful programs of interactive conflict resolution from experts in the field. Editor Ronald J. Fisher has assembled a collection of seminal case studies that illustrate interactive approaches to conflict resolution from the Malaysia-Indonesia conflict in the 1960s to the Peru-Equador peace process of the late 1990s. Integrating theory, research, and practice, the cases posit that interactive conflict resolution can make a significant, and sometimes essential, contribution to the resolution of protracted and violent identity conflicts. The methods and solutions offered in Paving the Way will serve as best practices for those in the field and as training tools and resources for scholars and policymakers.

During the late twentieth and early twenty-first centuries, dictatorships in Latin America hastened the outward movement of intellectuals, academics, artists, and political and social activists to other countries. Following the coups that toppled democratically elected governments or curtailed parliamentary oversight, the incoming military or civilian-military administrations assumed that, by forcing those aligned with opposition movements out of the country, they would assure their control of politics and domestic public spheres. Yet, by enlarging a diaspora of co-nationals, the authoritarian rulers merely extrapolated internal dissent and conflicts, emboldening opposition forces beyond their national borders. Displaced individuals soon had a presence in many host countries, gaining the support of solidarity circles and advocacy networks that condemned authoritarianism and worked with exiles and internal resistance towards the restoration of electoral democracy. Exiles soon became vehicles for spreading cultural ideas from abroad, celebrating cosmopolitanism over nationalism, and emphasizing human rights and democracy in Latin American countries. Exile, Diaspora, and Return explores how Argentina, Chile, Paraguay, and Uruguay have been affected by post-exilic relocations, transnational migrant displacements, and diasporas. Specifically, this book provides the first comprehensive analysis of diasporic experiences and the impact of returnees on the public life, culture, institutions, and development of post-authoritarian politics in the Southern Cone of the Americas. Bringing together sociopolitical, cultural, and policy analysis with the testimonies of dozens of intellectuals, academics, political activists, and policy makers, the authors address the impact of exile on people's lives and on their fractured experiences; the debates and prospects of return; the challenges of dis-exile and post-exilic trends; and the ways in which those who experienced exile impacted democratized institutions, public culture, and discourse. Furthermore, the authors present new readings of the recent history of South America and the diasporas that emphasize the importance of regional, transnational or global dimensions over the national.

This Argentine literary classic, one of the most subtle and perceptive commentaries ever written about life on the frontier, appeared in print initially in serial form. Later published as a book, Una excursion a los indios ranqueles constitutes one of the few literary works that presents a vivid and testimonial account of a peaceful encounter between the native inhabitants of the South and those who consider themselves to be representatives of European civilization and of the Argentina of the future. Esteemed for its humor and narrative originality, Lucio V. Mansilla's Una excursion a los indios ranqueles is comparable to Sarmiento's Facundo and the two complement each other. Mansilla's book offers penetrating observations about the fundamental aspects of the confrontation between "civilization and barbarism," as well as about immigration, racial and ethnic diversity, private property ownership and land tenure. Juan Manuel de Rosas had dominated a large part of the country between 1829 and 1852 and despite having led successful expeditions against the indigenous frontier populations, the situation of the "Indian question" after his fall from power was a problematic one. In 1869, after a peace treaty was signed, Mansilla was sent to the tense frontier zone on a fact-finding mission. Colonel Mansilla, an experienced and cultured aristocrat, as well as a nephew of Rosas' (which he wrote "Rozas), was an exception in his era for his advocacy of an open dialogue as the best solution for the "Indian problem." Eventually the peaceful treaty he sought with the Ranqueles was rejected by the government, which gradually established policies of ethnic cleansing and land expropriation Mansilla, with subtle humor, titled his expedition an "excursion," elegantly minimizing the dangers it entailed and avoiding any allusion to his disobedience to orders. During the trip Mansilla wrote a series of letters to a friend which were later published in La Tribuna of Buenos Aires. His detailed observations offer, besides a sharp-eyed and amusing commentary, quantities of ethnographic information, particularly valuable since shortly after that the majority of indigenous people in the south of Argentina were exterminated or assimilated. This book, as well as his participation in political and social events, established Lucio V. Mansilla as one of the dominating figures of the "Generation of 1880," which is so important in the literary and intellectual development of modern Argentina. This edition, by Saul Sosnowski, is an updated version of the text published by Biblioteca Ayacucho in 1984, to which he has added many very useful footnotes that aid in fuller comprehension of the text.

Repression, Exile, and Democracy, translated from the Spanish, is the first work to examine the impact of dictatorship on Uruguyan culture. Some of Uruguay's best-known poets, writers of fiction, playwrights, literary critics and social scientists participate in this multidisciplinary study, analyzing how varying cultural expressions have been affected by conditions of censorship, exile and insilio (internal exile), torture, and death.
The first section provides a context for the volume, with its analyses of the historical, political, and social aspects of the Uruguayan experience. The following chapters explore various aspects of cultural production, including personal experiences of exile and imprisonment, popular music, censorship, literary criticism, return from exile, and the role that culture plays in redemocratization.
This book's appeal extends well beyond the study of Uruguay to scholars and students of the history and culture of other Latin American nations, as well as to fields of comparative literature and politics in general.Contributors. Hugo Achugar, Alvarro Barros-Lemez, Lisa Block de Behar, Amanda Berenguer, Hiber Conteris, Jose Pedro Diaz, Eduardo Galeano, Edy Kaufman, Leo Masliah, Carina Perelli, Teresa Porzecanski, Juan Rial, Mauricio Rosencof, Jorge Ruffinelli, Saul Sosonowski, Martin Weinstein, Ruben Yanez