This collection of chapters, written by prominent scholars in their respective fields, re-examines the nature of self-awareness in both Western and Eastern philosophy, inquires into its diverse and variable modes, and significantly broadens the framework of its analysis. The chapters collected focus on reflective and pre-reflective forms of self-awareness, as well as the relation between self-awareness and the awareness of things and the world. Included are examinations of the affective and embodied dimensions of self-awareness, the distinct forms of self-awareness in memory, phantasy, and dreams, as well as the temporal and spatial nature of self-awareness. This edited volume appeals to students and researchers working in phenomenology and on the philosophy of self-awareness.

This volume is the first book-length analysis of the problematic concept of the 'horizon' in Edmund Husserl's phenomenology, as well as in phenomenology generally. A recent arrival on the conceptual scene, the horizon still eludes robust definition. The author shows in this authoritative exploration of the topic that Husserl, the originator of phenomenology, placed the notion of the horizon at the centre of philosophical enquiry. He also demonstrates the rightful centrality of the concept of the horizon, all too often viewed as an imprecise metaphor of tangential significance. His systematic analysis deploys both early and late work by Husserl, as well as hitherto unpublished manuscripts. Opening out the question to include that of the origins of the horizon, the book explores the horizon as philosophical theme or notion, as a figure of intentionality, and as a signification of one's consciousness of the world-our 'world-horizon'. It argues that the central philosophical significance of the problematic of the horizon makes itself apparent in realizing how this problematic enriches our philosophical understanding of subjectivity. Systematic, thorough, and revealing, this study of the significance of a core concept in phenomenology will be relevant not only to the phenomenological community, but also to anyone interested in the intersections of phenomenology and other philosophical traditions, such as hermeneutics and pragmatism. "

What are the challenges that Nietzsche's philosophy poses for contemporary phenomenology? Elodie Boublil, Christine Daigle, and an international group of scholars take Nietzsche in new directions and shed light on the sources of phenomenological method in Nietzsche, echoes and influences of Nietzsche within modern phenomenology, and connections between Nietzsche, phenomenology, and ethics. Nietzsche and Phenomenology offers a historical and systematic reconsideration of the scope of Nietzsche's thought. -- Indiana University Press

The Phenomenology of Pain is the first book-length investigation of its topic to appear in English. Groundbreaking, systematic, and illuminating, it opens a dialogue between phenomenology and such disciplines as cognitive science and cultural anthropology to argue that science alone cannot clarify the nature of pain experience without incorporating a phenomenological approach. Building on this premise, Saulius Geniusas develops a novel conception of pain grounded in phenomenological principles: pain is an aversive bodily feeling with a distinct experiential quality, which can only be given in original first-hand experience, either as a feeling-sensation or as an emotion. Geniusas crystallizes the fundamental methodological principles that underlie phenomenological research. On the basis of those principles, he offers a phenomenological clarification of the fundamental structures of pain experience and contests the common conflation of phenomenology with introspectionism. Geniusas analyzes numerous pain dissociation syndromes, brings into focus the de-personalizing and re-personalizing nature of chronic pain experience, and demonstrates what role somatization and psychologization play in pain experience. In the process, he advances Husserlian phenomenology in a direction that is not explicitly worked out in Husserl's own writings.

How has the concept of productive imagination been developed in post-Kantian philosophy? This important and innovative volume explores this question, with particular focus on hermeneutics, phenomenology and neo-Kantianism. The essays in this collection demonstrate that imagination is productive not only because it fabricates non-existent objects, but also because it shapes human experience and co-determines the meaning of the experienced world. The authors show how imagination forms experience at the kinaesthetic, pre-linguistic, poetic, historical, artistic, social and political levels. The volume offers both a thematic and a historical overview of productive imagination understood as Kant originally wanted us to understand it.

Investigating connections between philosophical hermeneutics and neighbouring traditions of thought, this volume considers the question of how post-Heideggerian hermeneutics, as represented by Gadamer, Ricoeur and recent scholars following in their wake, relate to these traditions, both in general terms and bearing upon specific questions. The traditions covered in this volume-existentialism, pragmatism, poststructuralism, Eastern philosophy, and hermeneutics itself-are all characterized by significant internal diversity, adding to the difficulty in reaching an interpretation that is at once comparative and critical. None of these traditions represent a unified system of belief; all are umbrella terms which are at once useful and imprecise, and the differences internal to each must not to be understated. An innovative work of comparative philosophy, this volume avoids oversimplification and offers specific analyses that treat hermeneutics in relation to particular themes and key figures in each of these traditions of thought. Philosophical hermeneutics is explicitly dialogical, and it is in this spirit that the authors of this book approach their subjects, revealing the important affinities and opportunities for mutually enriching conversations which have until now been overlooked.

Although the concept of productive imagination plays a fundamental role in Kant, German Idealism, Romanticism, Phenomenology and Hermeneutics, the meaning of this central concept remains largely undetermined. The significance of productive imagination is therefore all-too-often either inflated or underrated. The articles collected in this volume trace the development of productive imagination through the history of philosophy, identify the different meanings this concept has been ascribed in different philosophical frameworks, and raise the question anew concerning this concept's philosophical significance. Special attention is given to the historical background that underlies the emergence of productive imagination in modernity, to Kant's concept of productive imagination, to the further development of this concept in German Idealism, Wilhelm Dilthey, Edmund Husserl, Ernst Cassirer and Martin Heidegger, Jean-Paul Sartre and Paul Ricoeur. A group of leading scholars present a systematic and comprehensive reference tool for anyone working in the fields of social imaginaries.

The relationship between these two central theoretical and philosophical approaches, which we thought we knew, is more complex and interesting than our standard story might suggest. It is not always clear how hermeneutics-that is, post-Heideggerian hermeneutics as articulated by Hans-Georg Gadamer, Paul Ricoeur, and a large number of thinkers working under their influence-regards the phenomenological tradition, be it in its Husserlian or various post-Husserlian formulations. This volume inquires into this issue both in general, conceptual terms and through specific analyses into questions of ontology and metaphysics, science, language, theology, and imagination. With a substantial editors' introduction, the volume contains 15 chapters, from some of the most significant scholars in this field covering the essential questions about the history, present and future of these two disciplines. The volume will be of interest to any philosopher or student with an interest in developing a sophisticated and nuanced understanding of contemporary hermeneutics and phenomenology.

This volume is the first book-length analysis of the problematic concept of the 'horizon' in Edmund Husserl's phenomenology, as well as in phenomenology generally. A recent arrival on the conceptual scene, the horizon still eludes robust definition. The author shows in this authoritative exploration of the topic that Husserl, the originator of phenomenology, placed the notion of the horizon at the centre of philosophical enquiry. He also demonstrates the rightful centrality of the concept of the horizon, all too often viewed as an imprecise metaphor of tangential significance. His systematic analysis deploys both early and late work by Husserl, as well as hitherto unpublished manuscripts. Opening out the question to include that of the origins of the horizon, the book explores the horizon as philosophical theme or notion, as a figure of intentionality, and as a signification of one's consciousness of the world-our 'world-horizon'. It argues that the central philosophical significance of the problematic of the horizon makes itself apparent in realizing how this problematic enriches our philosophical understanding of subjectivity. Systematic, thorough, and revealing, this study of the significance of a core concept in phenomenology will be relevant not only to the phenomenological community, but also to anyone interested in the intersections of phenomenology and other philosophical traditions, such as hermeneutics and pragmatism.

The Phenomenology of Pain is the first book-length investigation of its topic to appear in English. Groundbreaking, systematic, and illuminating, it opens a dialogue between phenomenology and such disciplines as cognitive science and cultural anthropology to argue that science alone cannot clarify the nature of pain experience without incorporating a phenomenological approach. Building on this premise, Saulius Geniusas develops a novel conception of pain grounded in phenomenological principles: pain is an aversive bodily feeling with a distinct experiential quality, which can only be given in original first-hand experience, either as a feeling-sensation or as an emotion. Geniusas crystallizes the fundamental methodological principles that underlie phenomenological research. On the basis of those principles, he offers a phenomenological clarification of the fundamental structures of pain experience and contests the common conflation of phenomenology with introspectionism. Geniusas analyzes numerous pain dissociation syndromes, brings into focus the de-personalizing and re-personalizing nature of chronic pain experience, and demonstrates what role somatization and psychologization play in pain experience. In the process, he advances Husserlian phenomenology in a direction that is not explicitly worked out in Husserl's own writings.

What are the challenges that Nietzsche's philosophy poses for contemporary phenomenology? Elodie Boublil, Christine Daigle, and an international group of scholars take Nietzsche in new directions and shed light on the sources of phenomenological method in Nietzsche, echoes and influences of Nietzsche within modern phenomenology, and connections between Nietzsche, phenomenology, and ethics. Nietzsche and Phenomenology offers a historical and systematic reconsideration of the scope of Nietzsche s thought."

Investigating connections between philosophical hermeneutics and neighbouring traditions of thought, this volume considers the question of how post-Heideggerian hermeneutics, as represented by Gadamer, Ricoeur and recent scholars following in their wake, relate to these traditions, both in general terms and bearing upon specific questions. The traditions covered in this volume-existentialism, pragmatism, poststructuralism, Eastern philosophy, and hermeneutics itself-are all characterized by significant internal diversity, adding to the difficulty in reaching an interpretation that is at once comparative and critical. None of these traditions represent a unified system of belief; all are umbrella terms which are at once useful and imprecise, and the differences internal to each must not to be understated. An innovative work of comparative philosophy, this volume avoids oversimplification and offers specific analyses that treat hermeneutics in relation to particular themes and key figures in each of these traditions of thought. Philosophical hermeneutics is explicitly dialogical, and it is in this spirit that the authors of this book approach their subjects, revealing the important affinities and opportunities for mutually enriching conversations which have until now been overlooked.

The relationship between these two central theoretical and philosophical approaches, which we thought we knew, is more complex and interesting than our standard story might suggest. It is not always clear how hermeneutics-that is, post-Heideggerian hermeneutics as articulated by Hans-Georg Gadamer, Paul Ricoeur, and a large number of thinkers working under their influence-regards the phenomenological tradition, be it in its Husserlian or various post-Husserlian formulations. This volume inquires into this issue both in general, conceptual terms and through specific analyses into questions of ontology and metaphysics, science, language, theology, and imagination. With a substantial editors' introduction, the volume contains 15 chapters, from some of the most significant scholars in this field covering the essential questions about the history, present and future of these two disciplines. The volume will be of interest to any philosopher or student with an interest in developing a sophisticated and nuanced understanding of contemporary hermeneutics and phenomenology.

How has the concept of productive imagination been developed in post-Kantian philosophy? This important and innovative volume explores this question, with particular focus on hermeneutics, phenomenology and neo-Kantianism. The essays in this collection demonstrate that imagination is productive not only because it fabricates non-existent objects, but also because it shapes human experience and co-determines the meaning of the experienced world. The authors show how imagination forms experience at the kinaesthetic, pre-linguistic, poetic, historical, artistic, social and political levels. The volume offers both a thematic and a historical overview of productive imagination understood as Kant originally wanted us to understand it.

Although the concept of productive imagination plays a fundamental role in Kant, German Idealism, Romanticism, Phenomenology and Hermeneutics, the meaning of this central concept remains largely undetermined. The significance of productive imagination is therefore all-too-often either inflated or underrated. The articles collected in this volume trace the development of productive imagination through the history of philosophy, identify the different meanings this concept has been ascribed in different philosophical frameworks, and raise the question anew concerning this concept's philosophical significance. Special attention is given to the historical background that underlies the emergence of productive imagination in modernity, to Kant's concept of productive imagination, to the further development of this concept in German Idealism, Wilhelm Dilthey, Edmund Husserl, Ernst Cassirer and Martin Heidegger, Jean-Paul Sartre and Paul Ricoeur. A group of leading scholars present a systematic and comprehensive reference tool for anyone working in the firsl of social imaginaries.