Scrupulously based in anthropology and history - and drawing on social theory and critical thought - this book revisits the disciplines, archives, and subjects of modernity. There are at least three interleaving emphases here. To begin with, the work rethinks institutionalized formations of anthropology and history - together with "archives" at large - as themselves intimating disciplines of modernity. Understood in the widest senses of the terms, these disciplines are constitutively contradictory. Moreover, the study interrupts familiar projections of modern subjects as molded a priori by a disenchanted calculus of interest and reason. It tracks instead the affective, embodied, and immanent attributes of our varied worlds as formative of subjects of modernity, sown into their substance and spirit. Finally, running through the book is a querying of entitlement and privilege that underlie social terrains and their scholarly apprehensions - articulating at once distinct elites, pervasive plutocracies, and modern "scholasticisms."

Over the last four decades, Dipesh Chakrabarty's astonishingly wide-ranging scholarship has elaborated a range of important issues, especially those of modernity, identity, and politics - in dialogue with postcolonial theory and critical historiography - on global and planetary scales. All of this makes Chakrabarty among the most significant (and most cited) scholars working in the humanities and social sciences today. The present text comprises substantive yet short, academic yet accessible essays that are crafted in conversation with the critical questions raised by Chakrabarty's writings. Now, Chakrabarty holds the singular distinction of making key contributions to some of the most salient shifts in understandings of the Global South that have come about in wake of subaltern studies and postcolonial perspectives, critiques of Eurocentrism together with elaborations of public pasts, and articulations of climatic histories alongside problems of the Anthropocene. Rather than exegeses and commentaries, these original, commissioned, pieces - written by a stellar cast of contributors from four continents - imaginatively engage Chakrabarty's insights and arguments, in order to incisively explore important issues of the politics of knowledge in contemporary worlds. This book will be of interest to scholars and graduate students interested in a wide variety of interdisciplinary issues across the humanities and social sciences, especially the interplay between postcolonial perspectives and subaltern studies, between man-made climate change and the human sciences, between history and theory, and between modernity and globalization.

The notion of modernity hinges on a break with the past, such as superstitions, medieval worlds, and hierarchical traditions. It follows that modernity suggests the disenchantment of the world, yet the processes of modernity also create their own enchantments in the mapping and making of the modern world. Straddling a range of disciplines and perspectives, the essays in this edited volume eschew programmatic solutions, focusing instead in new ways on subjects of slavery and memory, global transformations and vernacular and vernacular modernity, imperial imperatives and nationalist knowledge, cosmopolitan politics and liberal democracy, and governmental effects and everyday affects. It is in these ways that the volume attempts to unravel the enchantments of modernity, in order to approach anew modernity's constitutive terms, formative limits, and particular possibilities.

This book thinks through modernity and its representations by exploring critical considerations of time and space. Drawing on anthropology, history and social theory, it investigates the oppositions and enchantments, the contradictions and contentions, and the identities and ambivalences spawned under modernity. Crucially, it understands these antinomies not as errors, but as constitutive elements of modern worlds. The book questions routine portrayals of homogeneous time and antinomian blueprints of cultural space, while acknowledging the production of time and space by social subjects. Instead of assuming a straightforward, singular trajectory for the phenomena, it views modernity as involving checkered, contingent and contended processes of meaning and power, which have found heterogeneous historical elaborations over the past five centuries. Bringing together past and present, theory and narrative, it sows the historical, ethnographic and methodological deep into its critical procedures, offering an innovative understanding of cultural identities and imaginatively exploring the relationship between history and anthropology. -- .

The notion of modernity hinges on a break with the past, such as superstitions, medieval worlds, and hierarchical traditions. It follows that modernity suggests the disenchantment of the world, yet the processes of modernity also create their own enchantments in the mapping and making of the modern world. Straddling a range of disciplines and perspectives, the essays in this edited volume eschew programmatic solutions, focusing instead in new ways on subjects of slavery and memory, global transformations and vernacular and vernacular modernity, imperial imperatives and nationalist knowledge, cosmopolitan politics and liberal democracy, and governmental effects and everyday affects. It is in these ways that the volume attempts to unravel the enchantments of modernity, in order to approach anew modernity's constitutive terms, formative limits, and particular possibilities.

In this volume well-known scholars from India and Latin America - Enrique Dussel, Madhu Dubey, Walter D. Mignolo, and Sudipta Sen, to name a few - discuss the concepts of modernity and colonialism and describe how the two relate to each other. This second edition to the volume comes with a new introduction which extends and critically supplements the discussion in the earlier introduction to the volume. It explores the vital impact of the colonial pasts of India, Mexico, China, and even the Unites States, on the processes through which these countries have become modern. The collection is unique, as it brings together a range of disciplines and perspectives. The topics discussed include the Zapatista movement in Southern Mexico, the image of the South in recent African-American literature, the theories of Andre Gunder Frank about the early modernization of Asian countries, and the contradictions of the colonial state in India.

Over the last four decades, Dipesh Chakrabarty's astonishingly wide-ranging scholarship has elaborated a range of important issues, especially those of modernity, identity, and politics - in dialogue with postcolonial theory and critical historiography - on global and planetary scales. All of this makes Chakrabarty among the most significant (and most cited) scholars working in the humanities and social sciences today. The present text comprises substantive yet short, academic yet accessible essays that are crafted in conversation with the critical questions raised by Chakrabarty's writings. Now, Chakrabarty holds the singular distinction of making key contributions to some of the most salient shifts in understandings of the Global South that have come about in wake of subaltern studies and postcolonial perspectives, critiques of Eurocentrism together with elaborations of public pasts, and articulations of climatic histories alongside problems of the Anthropocene. Rather than exegeses and commentaries, these original, commissioned, pieces - written by a stellar cast of contributors from four continents - imaginatively engage Chakrabarty's insights and arguments, in order to incisively explore important issues of the politics of knowledge in contemporary worlds. This book will be of interest to scholars and graduate students interested in a wide variety of interdisciplinary issues across the humanities and social sciences, especially the interplay between postcolonial perspectives and subaltern studies, between man-made climate change and the human sciences, between history and theory, and between modernity and globalization.

This book thinks through modernity and its representations by exploring critical considerations of time and space. Drawing on anthropology, history and social theory, it investigates the oppositions and enchantments, the contradictions and contentions, and the identities and ambivalences spawned under modernity. Crucially, it understands these antinomies not as errors, but as constitutive elements of modern worlds. The book questions routine portrayals of homogeneous time and antinomian blueprints of cultural space, while acknowledging the production of time and space by social subjects. Instead of assuming a straightforward, singular trajectory for the phenomena, it views modernity as involving checkered, contingent and contended processes of meaning and power, which have found heterogeneous historical elaborations over the past five centuries. Bringing together past and present, theory and narrative, it sows the historical, ethnographic and methodological deep into its critical procedures, offering an innovative understanding of cultural identities and imaginatively exploring the relationship between history and anthropology. -- .