In the autumn of 2010, a little-known New Zealander called Joe Schmidt took over as head coach at Leinster. He had never been in charge of a professional team.

After Leinster lost three of their first four games, a prominent Irish rugby pundit speculated that Schmidt had 'lost the dressing room'. Nine years on, Joe Schmidt has stepped down as Ireland coach having achieved success on a scale never before seen in Irish rugby. Two Heineken Cups in three seasons with Leinster. Three Six Nations championships in six seasons with Ireland, including the Grand Slam in 2018. And a host of firsts: the first Irish victory in South Africa; the first Irish defeat of the All Blacks, and then a second; and Ireland's first number 1 world ranking. Along the way, Schmidt became a byword for precision and focus in coaching, remarkable attention to detail and the highest of standards. But who is Joe Schmidt?

In Ordinary Joe, Schmidt tells the story of his life and influences: the experiences and management ideas that made him the coach, and the man, that he is today. And his diaries of the 2018 Grand Slam and the 2019 Rugby World Cup provide a brilliantly intimate insight into the stresses and joys of coaching a national team in victory and defeat. From the small towns in New Zealand's North Island where he played barefoot rugby and jostled around the dinner table with seven siblings, to the training grounds and video rooms where he consistently kept his teams a step ahead of the opposition, Ordinary Joe reveals an ordinary man who has helped his teams to achieve extraordinary things.

In 1979, the SADF established a highly clandestine unit, called Delta40 or D40 in short. This ultra­secret unit was tasked with the dirty work of “disappearing” hundreds of ANC, PAC and Swapo actvisits. With the help of Project Coast, D40 poisoned political activists and prisoners of war before dumping their bodies into the ocean from a light aircraft.

Even some of the SADF’s own special force members became victims of these ‘death flights’ when they threatened to expose the secret work of D40. D40 was renamed Barnacle and eventually became the well­known Civil Co­operation Bureau (CCB), but the existence and operations of D40 remained almost unknown until now. Its role in state­sanctioned murders was a well­kept secret.

Seasoned investigative journalist Michael Schmidt interviewed veteran D40, Barnacle and CCB operatives, as well as Recce commanders and double­agents, to piece together this top­secret history. With Death Flight he uncovers black ops kept hidden for decades

“Pappa!” roep Johannes. “Pappa, kyk net!”. “Stil!” roep meneer Blom. “Ek kry nie gewerk nie!”. “Maar jy moet kyk, Pappa,” se Nella Della. Sy hou haar hand ’n bietjie stywer om die mannetjie sodat hy nie kan ontsnap nie. Meneer Blom kyk. “Wat is dit?” vra hy effens knorrig, asof hy vies is dat hulle hom oor so ’n kleinigheid pla. “Is dit ’n kabouter? Kabouters bestaan nie. Dit is dus onmoontlik. Los my nou dat ek kan werk.” ’n Kabouter is dit nie, maar ’n wiplala met die naam Wiplala. En Wiplala kan toor, of soos hy dit noem ‘tinkel’. Die enigste probleem is dat Wiplala dit soms regkry om te tinkel en soms nie. Wanneer hy die Blom-gesin net so klein maak soos hy, is dit die begin van ’n opwindende avontuur. Die Bloms wonder egter of hulle ooit weer normale mense sal word!. Wiplala verskyn oorspronklik in 1957 in Nederlands. Dit is uit die pen van die bekende Nederlandse kinderboekskrywer Annie M.G. Schmidt. Die boek word in verskeie tale vertaal (onder meer Duits, Fins, Engels en selfs Japannees). In 2014 verskyn daar ook ’n film wat gebaseer is op die boek.

Wannie woon alleen in ? klein kamertjie op die boonste verdieping van ’n gebou. Hy maak hier vriende met Zaza, die kokkerot, en Dollie, die vriendelike duif wat wéét wanneer om haar ding te doen. Kort voor lank moet Wannie sy dierevriende uit die moeilikheid help. Met sy rooi insleeplorretjie, en saam met Agie en die Stampertjies beleef hy groot avonture.

It all begins with Kalmann in hot water. He’s at the FBI Headquarters in Washington, arrested during the Jan 6, 2021 riots at the Capitol Building. All he wanted was to visit his American father in the US for the Christmas holidays – but his dad takes him (and a group of MAGA friends) to the protests in Washington to “regain the house which is ours�. He is promptly arrested during the riots. Thanks to sympathetic FBI agent Dakota Leen, he’s soon on a plane back to Iceland. But not before Dakota informs him that his recently deceased grandfather was on an FBI list of suspected Russian spies working in Iceland during the Cold War. Back home, Kalmann begins to suspect that his grandfather’s death from “heart failure� was a murder. His maverick investigation uncovers another assassination and takes him to the site of a US radar station abandoned in the 1970s. So, there are now two deaths to be solved and the threat of more to come. Much to do for our unlikely amateur detective who somehow never loses heart.

Think you know Chicago? If you are thinking of Al Capone, the L, the Cubs, Barack Obama or the Great Fire of 1871, then you are remembering the highlights from the tour bus. Here's the rest of the story, day by day. Chicago opened the first blood bank, invented the vacuum cleaner and sent a bowling ball around the world. One high school football game drew 120,000 people. Chicagoans fought nineteen years over the name of a street. For fifty years, they saved a gallows for an escaped killer. And those are just some of the stories.

A Wall Street Journal Bestseller 'IT SHOULD BE READ BY ANYONE TRYING TO MAKE SENSE OF GEOPOLITICS TODAY' FINANCIAL TIMES Three of our most accomplished and deep thinkers come together to explore Artificial Intelligence (AI) and the way it is transforming human society - and what it means for us all. An AI learned to win chess by making moves human grand masters had never conceived. Another AI discovered a new antibiotic by analysing molecular properties human scientists did not understand. Now, AI-powered jets are defeating experienced human pilots in simulated dogfights. AI is coming online in searching, streaming, medicine, education, and many other fields and, in so doing, transforming how humans are experiencing reality. In The Age of AI, three leading thinkers have come together to consider how AI will change our relationships with knowledge, politics, and the societies in which we live. The Age of AI is an essential roadmap to our present and our future, an era unlike any that has come before.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.