George R.R. Martin's acclaimed seven-book fantasy series A Song of Ice and Fire is unique for its strong and multi-faceted female protagonists, from teen queen Daenerys, scheming Queen Cersei, child avenger Arya, knight Brienne, Red Witch Melisandre, and many more. The Game of Thrones universe challenges, exploits, yet also changes how we think of women and gender, not only in fantasy, but in Western culture in general. Divided into three sections addressing questions of adaptation from novel to television, female characters, and politics and female audience engagement within the GoT universe, the interdisciplinary and international lineup of contributors analyze gender in relation to female characters and topics such as genre, sex, violence, adaptation, as well as fan reviews. The genre of fantasy was once considered a primarily male territory with male heroes. Women of Ice and Fire shows how the GoT universe challenges, exploits, and reimagines gender and why it holds strong appeal to female readers, audiences, and online participants.

Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues we play with fiction horror. In horror we engage not only with the negative emotions of fear and disgust, but with a wide range of emotions, both positive and negative. The book lays out a new theory of horror and analyzes female protagonists in contemporary horror from child to teen, adult, middle age, and old age. Since the turn of the millennium, we have seen a new generation of female protagonists in horror. There are feisty teens in The Vampire Diaries (2009-2017), troubled mothers in The Babadook (2014), and struggling women in the New French extremity with Martyrs (2008) and Inside (2007). At the fuzzy edges of the genre are dramas like Pan's Labyrinth (2006) and Black Swan (2010), and middle-age women are now protagonists with Carol in The Walking Dead (2010-) and Jessica Lange's characters in American Horror Story (2011-). Horror is not just for men, but also for women, and not just for the young, but for audiences of all ages.

Recently, technological progress and the rise of DNA barcoding efforts have led to a significant increase in the availability of molecular datasets on intraspecific variability. Carcinologists and other organismal biologists, who want to use molecular tools to investigate patterns on the scale of populations, face a bewildering variety of genetic markers, analytical methods, and computer programs from which to choose. A modern overview of population genetic and phylogeographic studies, Phylogeography and Population Genetics in Crustacea offers insights to guide research on intraspecific genetic variation in crustaceans. Combining theory and case studies of current best practices, the book helps researchers select methods of analysis and interpret their results. The theoretical chapters discuss the potential of currently used and upcoming molecular markers in the context of marine non-model species. They also gather practical tips and address the effect of seldom-discussed sources of error, such as spatial and temporal variation, stochasticity, and choice of statistical parameters. Case studies of marine and limnic crustaceans from around the world highlight the importance and diversity of sources of population structure in intraspecific variation. Written by an international team of 46 leading experts, the book showcases the use and analysis of molecular markers, including mitochondrial and nuclear DNA sequence data, coding and non-coding sequences, microsatellites, and cytogenetics. It gives researchers and students a valuable summary of current knowledge on the processes that shape genetic variability and geographic distribution patterns in space and time.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Recently, technological progress and the rise of DNA barcoding efforts have led to a significant increase in the availability of molecular datasets on intraspecific variability. Carcinologists and other organismal biologists, who want to use molecular tools to investigate patterns on the scale of populations, face a bewildering variety of genetic markers, analytical methods, and computer programs from which to choose. A modern overview of population genetic and phylogeographic studies, Phylogeography and Population Genetics in Crustacea offers insights to guide research on intraspecific genetic variation in crustaceans. Combining theory and case studies of current best practices, the book helps researchers select methods of analysis and interpret their results. The theoretical chapters discuss the potential of currently used and upcoming molecular markers in the context of marine non-model species. They also gather practical tips and address the effect of seldom-discussed sources of error, such as spatial and temporal variation, stochasticity, and choice of statistical parameters. Case studies of marine and limnic crustaceans from around the world highlight the importance and diversity of sources of population structure in intraspecific variation. Written by an international team of 46 leading experts, the book showcases the use and analysis of molecular markers, including mitochondrial and nuclear DNA sequence data, coding and non-coding sequences, microsatellites, and cytogenetics. It gives researchers and students a valuable summary of current knowledge on the processes that shape genetic variability and geographic distribution patterns in space and time.

Total Loss Farm in Guilford, Vermont, was and is a wordy place. Its hilly acres and flimsy buildings provided a refuge from a riven country, a place to grow paragraphs and stanzas, among the tilled rows of the market garden. Peter Gould's first novel Burnt Toast was a youthful exploration of this mythic turf. Peter left the farm to pursue love and work. In Horse-Drawn Yogurt, Peter returns to offer his take on how we lived in times that seem exotic, yet oddly familiar, in this second edition, with three new stories and an introduction by Vermont author Bill Schubart. Gould is eloquent, whimsical, critical, musical, magical, and tender. The new stories in this second edtion are gems with additional line drawings by the author.

Author Bill Schubart brings to life the friends and characters of his native Lamoille County where in the late '50s and early '60s life was lived close to the earth and often against the grain. Schubart's collection of 22 stories captures a Vermont in transition from an enclave of hill farms and small towns where everyone knew your grandfather to a Valhalla for urban expats seeking chairlifts or rural renewal. Schubart's full-hearted and compassionate evocation of this Vermont is by turns poignant, funny and savory. The stories give readers a good excuse to stay up late to discover how Wyvis will circumvent the new prohibition on having more than three junk yards in your yard or what bait Pete Trepanier trolls with inside Mer-Lu's bar in Hardwick on a Saturday night. This thoroughly enjoyable collection is as finely etched as the frost ferns on your winter window panes.

Real war is a cruel theater of death, yet it is also an exciting narrative exploited for national, political and commercial purposes and turned into numerous films, television shows, computer games, news stories and reenactment plays. This book examines the relationship between war, visual media and entertainment from a number of academic perspectives such as film studies, cultural studies, new media studies, sociology and history. Key topics of the essays include: how war is used as an imaginary site to stage dramas; how boundaries between war, media, and entertainment dissolve as new media alters the formal qualities of representation; how entertainment is used to engage audiences; and, what effect products of war and entertainment have on consumers of popular culture.

With actress Pam Grier's breakthroughs in Coffy and Foxy Brown, women entered action, science fiction, war, westerns and martial arts films - genres that had previously been considered the domain of male protagonists. This ground-breaking cinema, however, was - and still is - viewed with ambivalence. While women were cast in new and exciting roles, they did not always arrive with their femininity intact, often functioning more as a pseudo-male rather than female character. This volume contains an in-depth critical analysis and study of the female hero in popular film from 1970 to 2005. It examines five female archetypes: the dominatrix, the Amazon, the daughter, the mother and the rapeavenger. The entrance of the female into films written by, produced by and made for men is viewed through the lens of feminism and post-feminism arguments. Analyzed works include the ""Alien"" films, the Lara Croft franchise, ""Charlie's Angels"", and television productions such as ""Xena: Warrior Princess"" and ""La Femme Nikita"".