Did Scotland’s rough wind become something more after the referendum, as so many hoped it would, or did it blow itself out? What power can pessimism have in a nation of newfound self-confidence? A generation ago, the socialist poet Hamish Henderson forecast that ‘mair nor a roch wind’ - more than a rough wind - would rush through the great glen of the world as empires and nations collapsed. In Roch Winds, three young radicals pick through the rubble left in the wake of the storm that propelled the Scottish National Party into a position of unprecedented political dominance in Scotland. This darkly humorous book dissects the rise of the SNP and the fall of Labour during the months leading up to 2014 Independence Referendum and beyond. Drawing on their involvement in the Yes campaign for independence and the Labour Party, the authors cast their eyes to Scotland’s future and to radical horizons. Fluent, funny and full of fighting talk, this book is for everyone who has ever wondered what lies behind the tartan curtain of Scotland’s new establishment.

A provisional re-mapping of Scotland's post-devolution literary culture, these fifteen essays explore how literature, theatre and visual art have both shaped and reflected the 'new Scotland' promised by parliamentary devolution. Chapters explore leading figures such as Alasdair Gray, David Greig, Kathleen Jamie and Jackie Kay, while also paying particular attention to women's writing by Kate Atkinson, A. L. Kennedy, Denise Mina, Ali Smith, Louise Welsh, and writers of colour such as Bashabi Fraser, Annie George, Tendai Huchu, Chin Li and Raman Mundair. Tracing continuities with 1990s debates alongside 'edges of the new' visible since Indyref 2014, these critics offer an in-depth study of Scotland's vibrant literary production in the period of devolution, viewed both within and beyond the frame of national representation.

James Kelman is one of the most important Scottish writers now living. His fiction is widely acclaimed, and widely caricatured. His art declares war on stereotypes, but is saddled with plenty of its own. This book attempts to disentangle Kelman's writing from his reputation, clarifying his literary influences and illuminating his political commitments. It is the first book to cover the full range and depth of Kelman's work, explaining his position within genres such as the short story and the polemical essay, and tracing his interest in anti-colonial politics and existential thought. Essays by leading experts combine lucid accounts of the heated debates surrounding Kelman's writing, with a sharp focus on the effects and innovations of that writing itself. Kelman's own reception by reviewers and journalists is examined as a shaping factor in the development of his career. Chapters situate Kelman's work in critical contexts ranging from masculinity to vernacular language, cover influences from Chomsky to Kafka, and pursue the implications of Kelman's rhetoric from Glasgow localism to 'World English'. Key Features: * The first major collection of essays on Kelman's work * Considers the full spectrum of Kelman's writing, from novels to polemics to plays * Explores a comprehensive range of Kelman's literary influences and critical contexts * Highlights the interplay of Kelman's political, linguistic and artistic agendas

Provides a cultural history and political critique of Scottish devolution Provides the first critical history of Scottish devolution Offers the first multidisciplinary study of (UK or Scottish) devolution: engaging extensively with the work of historians, sociologists, political scientists and cultural theorists Combines close attention to political and electoral factors with cultural issues and developments Draws on political theory which illuminates devolution from outside its terms This book is about the role of writers and intellectuals in shaping constitutional change. Considering an unprecedented range of literary, political and archival materials, it explores how questions of 'voice', language and identity featured in debates leading to the new Scottish Parliament in 1999. Tracing both the 'dream' of cultural empowerment and the 'grind' of electoral strategy, it reconstructs the influence of magazines such as Scottish International, Radical Scotland, Cencrastus and Edinburgh Review, and sets the fiction of William McIlvanney, James Kelman, Irvine Welsh, A. L. Kennedy and James Robertson within a radically altered picture of devolved Scotland.

James Kelman is one of the most important Scottish writers now living. His fiction is widely acclaimed, and widely caricatured. His art declares war on stereotypes, but is saddled with plenty of its own. This book attempts to disentangle Kelman's writing from his reputation, clarifying his literary influences and illuminating his political commitments. It is the first book to cover the full range and depth of Kelman's work, explaining his position within genres such as the short story and the polemical essay, and tracing his interest in anti-colonial politics and existential thought. Essays by leading experts combine lucid accounts of the heated debates surrounding Kelman's writing, with a sharp focus on the effects and innovations of that writing itself. Kelman's own reception by reviewers and journalists is examined as a shaping factor in the development of his career. Chapters situate Kelman's work in critical contexts ranging from masculinity to vernacular language, cover influences from Chomsky to Kafka, and pursue the implications of Kelman's rhetoric from Glasgow localism to 'World English'. Key Features: * The first major collection of essays on Kelman's work * Considers the full spectrum of Kelman's writing, from novels to polemics to plays * Explores a comprehensive range of Kelman's literary influences and critical contexts * Highlights the interplay of Kelman's political, linguistic and artistic agendas