When Petey Winthorp, Ashe Blackwell, and Sokko Chung enter the United Friends Nursing and Rehabilitation Center in Washington, D.C., they cause a small stir. This trio of forty-five-year-old, lifelong friends is not only recuperating together after a car accident, but one is white, one is black, and one is Chinese.During their rehabilitation, the men entertain the staff with their stories of growing up together as best friends-playing schoolyard games, competing in sports, chasing girls, getting in trouble, attending prom, graduating, and obtaining their first cars and houses. But more importantly, they share how their friendship endured while facing discrimination, racism, and stereotyping fueled by their unique relationship. " White Man, Black Man, Chinese Man " chronicles the unique and inspiring relationship of Winthorp, Blackwell, and Chung. It provides a glimpse into real-life situations of race, morals, and multiculturalism, and it reveals true insights about the power of racism and the human ability to overcome it.

"Canadian Television: Text and Context" explores the creation and circulation of entertainment television in Canada from the interdisciplinary perspective of television studies. Each chapter connects arguments about particular texts of Canadian television to critical analysis of the wider cultural, social, and economic contexts in which they are created. The book surveys the commercial and technological imperatives of the Canadian television industry, the shifting role of the CBC as Canada's public broadcaster, the dynamics of Canada's multicultural and multiracial audiences, and the function of television's "star system." Foreword by "The Globe and Mail"'s television critic, John Doyle.

This book considers ways to resolve the imbalance between the demand and supply of mental health services. Treatment services in most countries reach only a minority of people identified as suffering from a mental disorder. Few countries can provide adequate health services for all the mentally ill, yet none has developed a rational system to decide who should be treated. The questions are clear. Could we develop a staged treatment process to reach all in need? If not, how do we decide who to treat? What should the criteria be for deployment of scarce treatment resources? How do we determine such criteria? What are the ethical implications of applying such criteria? In this pioneering work, an international team of eminent psychiatrists, epidemiologists, health administrators, economists and health planners examine these questions. The result will inform and encourage all concerned with the equitable provision of mental health care.

This book considers ways to resolve the imbalance between the demand and supply of mental health services. Treatment services in most countries reach only a minority of people identified as suffering from a mental disorder. Few countries can provide adequate health services for all the mentally ill, yet none has developed a rational system to decide who should be treated. The questions are clear. Could we develop a staged treatment process to reach all in need? If not, how do we decide who to treat? What should the criteria be for deployment of scarce treatment resources? How do we determine such criteria? What are the ethical implications of applying such criteria? In this pioneering work, an international team of eminent psychiatrists, epidemiologists, health administrators, economists and health planners examine these questions. The result will inform and encourage all concerned with the equitable provision of mental health care.

Charles Abrams (1902-1970) stood at the center of the policies, problems, and politics surrounding urban planning, housing reform, and the public and private interests involved in the expansion of the American state. He uniquely combined in one person the often divergent roles of "public" and "policy" intellectual. As a "public intellectual," Abrams's voice reached the American public through the pages of "The Nation, The New Leader, " and "The New York Times, " with accessible explanations of civil rights legislation, mortgage financing, government policies, and urban renewal. As a "policy intellectual," he helped to create the New York Housing Authority, lobbied President Kennedy to issue an executive order barring discrimination in federally subsidized housing projects, and combated the growing threat of a federally initiated "business welfare state."

"Housing and the Democratic Ideal" is the only comprehensive work on Charles Abrams to date. Though structured as a narrative biography, this book also uses Abrams's experiences as a lens through which we can better understand the development of American social policy and state expansion during the twentieth century. In his left-leaning critique of centrist liberalism, Abrams took aim at the use of fiscal and monetary policies to achieve social objectives -- a practice that allowed business interests to maximize private profits at the expense of public benefits. His growing concern over racial discrimination prefigured its emergence as a highly contested aspect of the American state.

A. Scott Henderson not only provides clear insight into Abrams's role in American policymaking and his individual achievements as a pioneering civil rights lawyer, scholar, and urban reformer, but also offers an in-depth analysis of modern state-building and the government-private sector relations ushered in by the New Deal.

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as "Little Nemo in Slumberland" and "Felix the Cat" were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

When Petey Winthorp, Ashe Blackwell, and Sokko Chung enter the United Friends Nursing and Rehabilitation Center in Washington, D.C., they cause a small stir. This trio of forty-five-year-old, lifelong friends is not only recuperating together after a car accident, but one is white, one is black, and one is Chinese.During their rehabilitation, the men entertain the staff with their stories of growing up together as best friends-playing schoolyard games, competing in sports, chasing girls, getting in trouble, attending prom, graduating, and obtaining their first cars and houses. But more importantly, they share how their friendship endured while facing discrimination, racism, and stereotyping fueled by their unique relationship. " White Man, Black Man, Chinese Man " chronicles the unique and inspiring relationship of Winthorp, Blackwell, and Chung. It provides a glimpse into real-life situations of race, morals, and multiculturalism, and it reveals true insights about the power of racism and the human ability to overcome it.